Contralto
Encyclopedia
Contralto is the deepest female classical
singing voice
, with the lowest tessitura
, falling between tenor
and mezzo-soprano
. It typically ranges between the F below middle C (F3 in scientific pitch notation
) to the second G above middle C (G5), although at the extremes some voices can reach the E below middle C (E3) or the second B above middle C (B5).
comparable to that generally accepted in the classical context. Even within current opera
tic practice, contraltos are often classed as mezzo-sopranos, because singers in each range can cover for those in the other. When appearing separately, the term "contralto" applies only to female singers; men whose voices fall in the same range or higher are known as "countertenor
s." The terms "contralto" and "alto
" are not synonymous, the latter technically denoting a specific vocal range
in choral singing without regard to factors like tessitura, vocal timbre, vocal facility, and vocal weight
.
Within the category of contraltos are three generally recognized subcategories—coloratura contralto, lyric contralto, and dramatic contralto—that usefully describe the voice type in general terms. Note, however, that they do not always apply with precision to individual singers; some exceptional dramatic contraltos, such as Ernestine Schumann-Heink
and Sigrid Onégin
, were technically equipped to perform not only heavy, dramatic music by the likes of Wagner but also florid compositions by Donizetti
.
, Rosina in The Barber of Seville
, and Olga in Eugene Onegin
, but more frequently they play female villains or assume trouser roles
originally written for castrati
. A common saying among contraltos is that they may play only "witches, bitches, or britches."
Examples of contralto roles in the standard operatic repertoire include the following:.
* indicates a role that may also be sung by a mezzo-soprano
.
Classical music
Classical music is the art music produced in, or rooted in, the traditions of Western liturgical and secular music, encompassing a broad period from roughly the 11th century to present times...
singing voice
Voice type
A voice type is a particular kind of human singing voice perceived as having certain identifying qualities or characteristics. Voice classification is the process by which human voices are evaluated and are thereby designated into voice types...
, with the lowest tessitura
Tessitura
In music, the term tessitura generally describes the most musically acceptable and comfortable range for a given singer or, less frequently, musical instrument; the range in which a given type of voice presents its best-sounding texture or timbre...
, falling between tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
and mezzo-soprano
Mezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...
. It typically ranges between the F below middle C (F3 in scientific pitch notation
Scientific pitch notation
Scientific pitch notation is one of several methods that name the notes of the standard Western chromatic scale by combining a letter-name, accidentals, and a number identifying the pitch's octave...
) to the second G above middle C (G5), although at the extremes some voices can reach the E below middle C (E3) or the second B above middle C (B5).
Terminology
"Contralto" is meaningful only in reference to classical and operatic singing, as other genres lack a system of vocal categorizationVoice classification in non-classical music
There is currently no authoritative system of voice classification in non-classical music. The problem lies in the fact that classical terms are used to describe not merely various vocal ranges, but specific vocal timbres each unique to those respective ranges, and produced by the classical...
comparable to that generally accepted in the classical context. Even within current opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
tic practice, contraltos are often classed as mezzo-sopranos, because singers in each range can cover for those in the other. When appearing separately, the term "contralto" applies only to female singers; men whose voices fall in the same range or higher are known as "countertenor
Countertenor
A countertenor is a male singing voice whose vocal range is equivalent to that of a contralto, mezzo-soprano, or a soprano, usually through use of falsetto, or far more rarely than normal, modal voice. A pre-pubescent male who has this ability is called a treble...
s." The terms "contralto" and "alto
Alto
Alto is a musical term, derived from the Latin word altus, meaning "high" in Italian, that has several possible interpretations.When designating instruments, "alto" frequently refers to a member of an instrumental family that has the second highest range, below that of the treble or soprano. Hence,...
" are not synonymous, the latter technically denoting a specific vocal range
Vocal range
Vocal range is the measure of the breadth of pitches that a human voice can phonate. Although the study of vocal range has little practical application in terms of speech, it is a topic of study within linguistics, phonetics, and speech and language pathology, particularly in relation to the study...
in choral singing without regard to factors like tessitura, vocal timbre, vocal facility, and vocal weight
Vocal weight
Vocal weight refers to the perceived "lightness" or "heaviness" of a singing voice. This quality of the voice is one of the major determining factors in voice classification within classical music...
.
Within the category of contraltos are three generally recognized subcategories—coloratura contralto, lyric contralto, and dramatic contralto—that usefully describe the voice type in general terms. Note, however, that they do not always apply with precision to individual singers; some exceptional dramatic contraltos, such as Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink was a celebrated Austrian, later American, operatic contralto, noted for the size, beauty, tonal richness, flexibility and wide range of her voice.- Early life:...
and Sigrid Onégin
Sigrid Onégin
Sigrid Onégin was a Franco-German operatic contralto who enjoyed a major international career prior to World War II . She was born in Stockholm, Sweden to a German father and a French mother....
, were technically equipped to perform not only heavy, dramatic music by the likes of Wagner but also florid compositions by Donizetti
Gaetano Donizetti
Domenico Gaetano Maria Donizetti was an Italian composer from Bergamo, Lombardy. His best-known works are the operas L'elisir d'amore , Lucia di Lammermoor , and Don Pasquale , all in Italian, and the French operas La favorite and La fille du régiment...
.
Coloratura contralto
Coloratura contraltos—who have light, agile voices ranging very high for the classification and atypically extensive coloratura and high sustaining notes—specialize in florid passages and leaps. Given its deviations from the classification's norms, this voice type is quite rare.Lyric contralto
A lyric contralto voice is lighter than a dramatic contralto but not capable of the ornamentation and leaps of a coloratura contralto. This class of contralto, lighter in timbre than the others, is the most common today and usually ranges from the G below middle C (G3) to the G two octaves above middle C (G5).Dramatic contralto
The dramatic is the deepest, darkest, and heaviest contralto voice, usually having a heavier tone and more power than the others. Singers in this class, like the coloratura contraltos, are rare. They typically sing in a range from the G below middle C (G3) to the A above middle C (A4).Contralto roles in opera
True operatic contraltos are rare, and the operatic literature contains few roles written specifically for them. Contraltos sometimes are assigned feminine roles like Angelina in La CenerentolaLa Cenerentola
La Cenerentola, ossia La bontà in trionfo is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cinderella...
, Rosina in The Barber of Seville
The Barber of Seville
The Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
, and Olga in Eugene Onegin
Eugene Onegin (opera)
Eugene Onegin, Op. 24, is an opera in 3 acts , by Pyotr Ilyich Tchaikovsky. The libretto was written by Konstantin Shilovsky and the composer and his brother Modest, and is based on the novel in verse by Alexander Pushkin....
, but more frequently they play female villains or assume trouser roles
Breeches role
A breeches role is a role in which an actress appears in male clothing .In opera it also refers to any male character that is sung and acted by a female singer...
originally written for castrati
Castrato
A castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's...
. A common saying among contraltos is that they may play only "witches, bitches, or britches."
Examples of contralto roles in the standard operatic repertoire include the following:.
- Angelina*, La CenerentolaLa CenerentolaLa Cenerentola, ossia La bontà in trionfo is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cinderella...
(Rossini) - Art Banker, Facing GoyaFacing GoyaFacing Goya is an opera in four acts by Michael Nyman on a libretto by Victoria Hardie. It is an expansion of their one-act opera called Vital Statistics from 1987, dealing with such subjects as physiognomy and its practitioners, and also incorporates a musical motif from Nyman's art song, "The...
(Michael NymanMichael NymanMichael Laurence Nyman, CBE is an English composer of minimalist music, pianist, librettist and musicologist, known for the many film scores he wrote during his lengthy collaboration with the filmmaker Peter Greenaway, and his multi-platinum soundtrack album to Jane Campion's The Piano...
) - Auntie*, landlady of The Boar, Peter GrimesPeter GrimesPeter Grimes is an opera by Benjamin Britten, with a libretto adapted by Montagu Slater from the Peter Grimes section of George Crabbe's poem The Borough...
(BrittenBenjamin BrittenEdward Benjamin Britten, Baron Britten, OM CH was an English composer, conductor, and pianist. He showed talent from an early age, and first came to public attention with the a cappella choral work A Boy Was Born in 1934. With the premiere of his opera Peter Grimes in 1945, he leapt to...
) - Azucena*, Il trovatoreIl trovatoreIl trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
(VerdiGiuseppe VerdiGiuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century...
) - The Baroness, VanessaVanessa (opera)Vanessa is an opera in three acts by Samuel Barber with an original English libretto by Gian-Carlo Menotti. It was composed in 1956–1957 and was first performed at the Metropolitan Opera in New York City on January 15, 1958 under the baton of Dimitri Mitropoulos in a production designed by...
(BarberSamuel BarberSamuel Osborne Barber II was an American composer of orchestral, opera, choral, and piano music. His Adagio for Strings is his most popular composition and widely considered a masterpiece of modern classical music...
) - Berta, Il Barbiere di Siviglia (Rossini)
- La Cieca, La GiocondaLa Gioconda (opera)La Gioconda is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito, based on Angelo, tyran de Padoue, a play in prose by Victor Hugo, dating from 1835...
(PonchielliAmilcare PonchielliAmilcare Ponchielli was an Italian composer, largely of operas.-Biography:Born in Paderno Fasolaro, now Paderno Ponchielli, near Cremona, Ponchielli won a scholarship at the age of nine to study music at the Milan Conservatory, writing his first symphony by the time he was ten years old.Two years...
) - The Countess*, The Queen of SpadesThe Queen of Spades (story)"The Queen of Spades" is a short story by Alexander Pushkin about human avarice. Pushkin wrote the story in autumn 1833 in Boldino and it was first published in the literary magazine Biblioteka dlya chteniya in March 1834...
(Tchaikowsky) - Erda, Das RheingoldDas Rheingoldis the first of the four operas that constitute Richard Wagner's Der Ring des Nibelungen . It was originally written as an introduction to the tripartite Ring, but the cycle is now generally regarded as consisting of four individual operas.Das Rheingold received its premiere at the National Theatre...
, SiegfriedSiegfried (opera)Siegfried is the third of the four operas that constitute Der Ring des Nibelungen , by Richard Wagner. It received its premiere at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of The Ring...
(WagnerRichard WagnerWilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...
) - Madame Flora, The MediumThe MediumThe Medium is a short two-act dramatic opera with words and music by Gian Carlo Menotti. Commissioned by Columbia University, its first performance was there on 8 May 1946. The opera's first professional production was presented on a double bill with Menotti's The Telephone at the Heckscher...
(Gian Carlo MenottiGian Carlo MenottiGian Carlo Menotti was an Italian-American composer and librettist. Although he often referred to himself as an American composer, he kept his Italian citizenship. He wrote the classic Christmas opera, Amahl and the Night Visitors, among about two dozen other operas intended to appeal to popular...
) - Fides, Le prophèteLe prophèteLe prophète is an opera in five acts by Giacomo Meyerbeer. The French-language libretto was by Eugène Scribe.-Performance history:...
(Giacomo MeyerbeerGiacomo MeyerbeerGiacomo Meyerbeer was a noted German opera composer, and the first great exponent of "grand opera." At his peak in the 1830s and 1840s, he was the most famous and successful composer of opera in Europe, yet he is rarely performed today.-Early years:He was born to a Jewish family in Tasdorf , near...
) - Gertrude Romeo et JulietteRoméo et JulietteRoméo et Juliette is an opéra in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on The Tragedy of Romeo and Juliet by William Shakespeare. It was first performed at the Théâtre Lyrique , Paris on 27 April 1867...
(Gounoud) - Gloria Mills, Axel an der Himmelstür (Ralph BenatzkyRalph BenatzkyRalph Benatzky , Moravia, Austrian Empire – 16 October 1957), born in Moravské Budějovice as Rudolf Josef František Benatzki, was an Austrian composer of Czech origin...
) - Katisha, The MikadoThe MikadoThe Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations...
(Gilbert and SullivanGilbert and SullivanGilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
) - Klytemnestra*, ElektraElektra (opera)Elektra is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama Elektra. The opera was the first of many collaborations between Strauss and Hofmannsthal...
(StraussRichard StraussRichard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
) - Maddalena*, RigolettoRigolettoRigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on March 11, 1851...
(Verdi) - Magdelone, Maskarade (Nielsen)
- Mama Lucia, Cavalleria rusticanaCavalleria rusticanaCavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from a play written by Giovanni Verga based on his short story. Considered one of the classic verismo operas, it premiered on May 17, 1890 at the Teatro...
(MascagniPietro MascagniPietro Antonio Stefano Mascagni was an Italian composer most noted for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music...
) - Malcolm*, La donna del lagoLa donna del lagoLa donna del lago is an opera by Gioachino Rossini with a libretto by Andrea Leone Tottola, based on The Lady of the Lake, a poem by Sir Walter Scott.This opera was the first to be based on Scott's romantic works...
(Rossini) - Marcellina, The Marriage of FigaroThe Marriage of FigaroLe nozze di Figaro, ossia la folle giornata , K. 492, is an opera buffa composed in 1786 in four acts by Wolfgang Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro .Although the play by...
(Mozart) - Marchesa di Maggiorivoglio, La Fille du RegimentLa fille du régimentLa fille du régiment is an opéra comique in two acts by Gaetano Donizetti. It was written while the composer was living in Paris, with a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard.La figlia del reggimento, a slightly different Italian-language version , was...
(Donizetti) - Margret, WozzeckWozzeckWozzeck is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama Woyzeck left incomplete by the German playwright Georg Büchner at his death. Berg attended the first production in Vienna of Büchner's...
(BergAlban BergAlban Maria Johannes Berg was an Austrian composer. He was a member of the Second Viennese School with Arnold Schoenberg and Anton Webern, and produced compositions that combined Mahlerian Romanticism with a personal adaptation of Schoenberg's twelve-tone technique.-Early life:Berg was born in...
) - Marthe, FaustFaust (opera)Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
(Gounoud) - Mary, Der fliegende HolländerThe Flying Dutchman (opera)Der fliegende Holländer is an opera, with music and libretto by Richard Wagner.Wagner claimed in his 1870 autobiography Mein Leben that he had been inspired to write "The Flying Dutchman" following a stormy sea crossing he made from Riga to London in July and August 1839, but in his 1843...
(Wagner) - Maria , Porgy and BessPorgy and BessPorgy and Bess is an opera, first performed in 1935, with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and DuBose Heyward. It was based on DuBose Heyward's novel Porgy and subsequent play of the same title, which he co-wrote with his wife Dorothy Heyward...
(GershwinGeorge GershwinGeorge Gershwin was an American composer and pianist. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are widely known...
)
- Mother, The ConsulThe ConsulThe Consul is an opera in three acts with music and libretto by Gian Carlo Menotti, his first full-length opera. Its first performance was on March 1, 1950, at the Shubert Theatre in Philadelphia with Patricia Neway as the lead heroine Magda Sorel, Gloria Lane as the secretary of the consulate,...
(Menotti) - Mother Goose, The Rake's ProgressThe Rake's ProgressThe Rake's Progress is an opera in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings A Rake's Progress of William Hogarth, which Stravinsky had seen on May 2, 1947, in a Chicago...
(StravinskyIgor StravinskyIgor Fyodorovich Stravinsky ; 6 April 1971) was a Russian, later naturalized French, and then naturalized American composer, pianist, and conductor....
) - Mrs Quickly, FalstaffFalstaffSir John Falstaff is a fictional character who appears in three plays by William Shakespeare. In the two Henry IV plays, he is a companion to Prince Hal, the future King Henry V. A fat, vain, boastful, and cowardly knight, Falstaff leads the apparently wayward Prince Hal into trouble, and is...
(Verdi) - Olga*, Eugene OneginEugene Onegin (opera)Eugene Onegin, Op. 24, is an opera in 3 acts , by Pyotr Ilyich Tchaikovsky. The libretto was written by Konstantin Shilovsky and the composer and his brother Modest, and is based on the novel in verse by Alexander Pushkin....
(TchaikovskyPyotr Ilyich TchaikovskyPyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский ; often "Peter Ilich Tchaikovsky" in English. His names are also transliterated "Piotr" or "Petr"; "Ilitsch", "Il'ich" or "Illyich"; and "Tschaikowski", "Tschaikowsky", "Chajkovskij"...
) - Orfeo, Orfeo ed EuridiceOrfeo ed EuridiceOrfeo ed Euridice is an opera composed by Christoph Willibald Gluck based on the myth of Orpheus, set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing...
(GluckChristoph Willibald GluckChristoph Willibald Ritter von Gluck was an opera composer of the early classical period. After many years at the Habsburg court at Vienna, Gluck brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years...
) - Lel, The Snow MaidenThe Snow MaidenThe Snow Maiden: A Spring Fairy Tale is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed during 1880–1881. The Russian libretto, by the composer, is based on the like-named play by Alexander Ostrovsky .The first performance of Rimsky-Korsakov's opera took place at the...
(Rimsky-KorsakovNikolai Rimsky-KorsakovNikolai Andreyevich Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five.The Five, also known as The Mighty Handful or The Mighty Coterie, refers to a circle of composers who met in Saint Petersburg, Russia, in the years 1856–1870: Mily Balakirev , César...
) - Little Buttercup, H.M.S. PinaforeH.M.S. PinaforeH.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical...
(Gilbert and Sullivan) - Lucretia, The Rape of Lucretia (Britten)
- Didone, EgistoEgisto (opera)Egisto is an opera in a prologue and three acts by Francesco Cavalli. It was designated as a favola dramatica musicale. The Italian libretto was by Giovanni Faustini, his second text for Cavalli.-Performance history:...
(CavalliFrancesco CavalliFrancesco Cavalli was an Italian composer of the early Baroque period. His real name was Pietro Francesco Caletti-Bruni, but he is better known by that of Cavalli, the name of his patron Federico Cavalli, a Venetian nobleman.-Life:Cavalli was born at Crema, Lombardy...
) - Pauline, The Queen of SpadesThe Queen of Spades (opera)The Queen of Spades, Op. 68 is an opera in 3 acts by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on a short story of the same name by Alexander Pushkin. The premiere took place in 1890 in St...
(Tchaikovsky) - La Principessa, Suor AngelicaSuor AngelicaSuor Angelica is an opera in one act by Giacomo Puccini to an original Italian libretto by Giovacchino Forzano. It is the second opera of the trio of operas known as Il trittico...
(PucciniGiacomo PucciniGiacomo Antonio Domenico Michele Secondo Maria Puccini was an Italian composer whose operas, including La bohème, Tosca, Madama Butterfly, and Turandot, are among the most frequently performed in the standard repertoire...
) - Rosina*, The Barber of SevilleThe Barber of SevilleThe Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
(Rossini) - Rosmira/Eurimene*, Partenope (HandelGeorge Frideric HandelGeorge Frideric Handel was a German-British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music...
) - Ruth The Pirates of PenzanceThe Pirates of PenzanceThe Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera's official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where the show was well received by both audiences...
(Gilbert and Sullivan) - Orsini Lucrezia BorgiaLucrezia BorgiaLucrezia Borgia [luˈkrɛtsia ˈbɔrʤa] was the illegitimate daughter of Rodrigo Borgia, the powerful Renaissance Valencian who later became Pope Alexander VI, and Vannozza dei Cattanei. Her brothers included Cesare Borgia, Giovanni Borgia, and Gioffre Borgia...
(Donizetti) - Tancredi, TancrediTancrediTancredi is a melodramma eroico in two acts by composer Gioachino Rossini and librettist Gaetano Rossi, based on Voltaire's play Tancrède...
(Rossini) - Ulrica, Un ballo in mascheraUn ballo in mascheraUn ballo in maschera , is an opera in three acts by Giuseppe Verdi with text by Antonio Somma. The libretto is loosely based on an 1833 play, Gustave III, by French playwright Eugène Scribe who wrote about the historical assassination of King Gustav III of Sweden...
(Verdi) - Widow Begbick*, Rise and Fall of the City of MahagonnyRise and Fall of the City of MahagonnyRise and Fall of the City of Mahagonny is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht. It was first performed in Leipzig on 9 March 1930.-Composition history:...
(Kurt WeillKurt WeillKurt Julian Weill was a German-Jewish composer, active from the 1920s, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht...
) - Cornelia Giulio CesareGiulio CesareGiulio Cesare in Egitto , commonly known simply as Giulio Cesare, is an Italian opera in three acts written for the Royal Academy of Music by George Frideric Handel in 1724...
(HandelHANDELHANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
)
* indicates a role that may also be sung by a mezzo-soprano
Mezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...
.
See also
- FachFachThe German Fach system is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices...
- List of contraltos in non-classical music
- List of operatic contraltos