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Deborah Warner
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Deborah Warner CBE (born 12 May 1959) is a British director of theatre and opera known for her interpretations of the works of Shakespeare, Bertolt Brecht, Georg Büchner, and Henrik Ibsen, and for her long-term working relationship with the actress Fiona Shaw.
er was born in Oxfordshire, England to antiquarians, Roger Harold Metford and Ruth Ernestine Hurcombe. She is a granddaughter of the cricketer Sir Pelham Warner. She studied theatre and stage management at drama school, and later founded the KICK theatre company in 1980 when she was twenty-one for young talented amateur actors.
er was invited to the join the Royal Shakespeare Company in 1987 where she would later direct Titus Andronicus, and it was while working there that she began her long-time collaboration with the Irish actress Fiona Shaw.

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Encyclopedia
Deborah Warner CBE (born 12 May 1959) is a British director of theatre and opera known for her interpretations of the works of Shakespeare, Bertolt Brecht, Georg Büchner, and Henrik Ibsen, and for her long-term working relationship with the actress Fiona Shaw.
Biography
Early years
Warner was born in Oxfordshire, England to antiquarians, Roger Harold Metford and Ruth Ernestine Hurcombe. She is a granddaughter of the cricketer Sir Pelham Warner. She studied theatre and stage management at drama school, and later founded the KICK theatre company in 1980 when she was twenty-one for young talented amateur actors.
Career
Warner was invited to the join the Royal Shakespeare Company in 1987 where she would later direct Titus Andronicus, and it was while working there that she began her long-time collaboration with the Irish actress Fiona Shaw. The pair have collaborated on plays including Electra (RSC), The Good Person of Sezuan (1989 - National Theatre), Hedda Gabler (1991 - The Abbey Theatre and BBC2), the controversial Richard II (with Shaw in the title role, also at the National Theatre (1995) and televised by BBC2), Footfalls (the radical staging of which so enraged the Beckett estate that the production was pulled during its run), The PowerBook (at the National Theatre: a dramatisation of Jeanette Winterson's novel, "Medea" (2000-2001 - Queen's Theatre and Broadway), and, most recently, with Shaw in the supporting role of Portia in Warner's return to Shakespeare with her production of Julius Caesar, starring Ralph Fiennes and Simon Russell Beale, which later toured Europe. They also conducted a world-tour of T. S. Eliot's The Waste Land, which began in Wilton's Music Hall in London's East End, and marked a new chapter in Warner's work that focused on the experience of drama and its link to places, which was expanded upon in her Angel Project. In 2007, following negotiations with the Beckett estate, Warner directed Shaw in Happy Days at the National Theatre.
She directed the 1999 film, The Last September, with Michael Gambon and Maggie Smith.
She has worked in opera and classical music, including Diary of One Who Vanished by Janácek starring Ian Bostridge, a staging of the St.John Passion, a controversial staging of Mozart's Don Giovanni at Glyndebourne, Wozzeck for Opera North, and recently Death in Venice at English National Opera.
Personal life
Warner was made a commander of the Order of the British Empire (CBE) on 17 Jun 2006. She is openly gay, and ranked in the top 100 on the IoS Pink List of most influential gays of 2008. Her partner of several years is English novelist Jeanette Winterson.
Awards and nominations
Awards
Nominations
- 1997 Drama Desk Award Outstanding Direction of a Play – The Waste Land
- 2003 Drama Desk Award Outstanding Direction of a Play – Medea
- 2003 Tony Award Best Direction of a Play – Medea
- 2008 Drama Desk Award Outstanding Director of a Play – Happy Days
External links
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