Virginia Oldoini, Countess of Castiglione
Encyclopedia
Virginia Oldoini, Countess of Castiglione (22 March 1837 – 28 November 1899), better known as La Castiglione, was an Italian aristocrat who achieved notoriety as a mistress of Emperor Napoleon III of France. She was also a significant figure in the early history of photography
Photography
Photography is the art, science and practice of creating durable images by recording light or other electromagnetic radiation, either electronically by means of an image sensor or chemically by means of a light-sensitive material such as photographic film...

.

Early life

Born Virginia Elisabetta Luisa Carlotta Antonietta Teresa Maria Oldoïni, (French: Virginie Élisabeth Louise Charlotte Antoinette Thérèse Marie Oldoïni) on 22 March 1837 in Florence
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....

, Tuscany
Tuscany
Tuscany is a region in Italy. It has an area of about 23,000 square kilometres and a population of about 3.75 million inhabitants. The regional capital is Florence ....

 to Marquis Filippo Oldoini and Marquise Isabella Lamporecchi, members of the minor Tuscan nobility, she was often known by her nickname of "Nicchia". She married Francesco Verasis, conte di Castiglione, at the age of 17. He was twelve years her senior. They had a son, Giorgio.

Her cousin, Camillo, conte di Cavour, was a minister to Victor Emmanuel II, king of Sardinia
Kingdom of Sardinia
The Kingdom of Sardinia consisted of the island of Sardinia first as a part of the Crown of Aragon and subsequently the Spanish Empire , and second as a part of the composite state of the House of Savoy . Its capital was originally Cagliari, in the south of the island, and later Turin, on the...

(that included Piedmont
Piedmont
Piedmont is one of the 20 regions of Italy. It has an area of 25,402 square kilometres and a population of about 4.4 million. The capital of Piedmont is Turin. The main local language is Piedmontese. Occitan is also spoken by a minority in the Occitan Valleys situated in the Provinces of...

 and Savoy
Savoy
Savoy is a region of France. It comprises roughly the territory of the Western Alps situated between Lake Geneva in the north and Monaco and the Mediterranean coast in the south....

). When the Count and Countess traveled to Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...

 in 1855, the Countess was under her cousin's instructions to plead the cause of Italian unity with Napoleon III of France
Napoleon III of France
Louis-Napoléon Bonaparte was the President of the French Second Republic and as Napoleon III, the ruler of the Second French Empire. He was the nephew and heir of Napoleon I, christened as Charles Louis Napoléon Bonaparte...

. She achieved notoriety by becoming Napoleon III's mistress, a scandal that led her husband to demand a marital separation. During her relationship with the French emperor in 1856 and 1857, she entered the social circle of European royalty. She met Augusta of Saxe-Weimar
Augusta of Saxe-Weimar
Augusta of Saxe-Weimar-Eisenach was the Queen of Prussia and the first German Empress as the consort of William I, German Emperor.-Early life:...

, Otto von Bismarck
Otto von Bismarck
Otto Eduard Leopold, Prince of Bismarck, Duke of Lauenburg , simply known as Otto von Bismarck, was a Prussian-German statesman whose actions unified Germany, made it a major player in world affairs, and created a balance of power that kept Europe at peace after 1871.As Minister President of...

 and Adolphe Thiers
Adolphe Thiers
Marie Joseph Louis Adolphe Thiers was a French politician and historian. was a prime minister under King Louis-Philippe of France. Following the overthrow of the Second Empire he again came to prominence as the French leader who suppressed the revolutionary Paris Commune of 1871...

, among others.

The Countess was known for her beauty and her flamboyant entrances in elaborate dress at the imperial court. One of her most infamous outfits was a "Queen of Hearts" costume. George Frederic Watts painted her portrait in 1857. She was described as having long, wavy blonde hair, pale skin, a delicate oval face, and eyes that constantly changed colour from green to an extraordinary blue-violet.

Italian unification

The Countess returned to Italy in 1857 when her affair with Napoleon III was over. Four years later, the Kingdom of Italy was proclaimed, conceivably in part due to the influence that the Countess had exerted on Napoleon III. That same year, she returned to France and settled in Passy
Passy
Passy is an area of Paris, France, located in the XVIe arrondissement, on the Right Bank. It is traditionally home to many of the city's wealthiest residents.Passy was formerly a commune...

.

In 1871, just after the defeat of France in the Franco-Prussian War
Franco-Prussian War
The Franco-Prussian War or Franco-German War, often referred to in France as the 1870 War was a conflict between the Second French Empire and the Kingdom of Prussia. Prussia was aided by the North German Confederation, of which it was a member, and the South German states of Baden, Württemberg and...

, she was called to a secret meeting with Otto von Bismarck
Otto von Bismarck
Otto Eduard Leopold, Prince of Bismarck, Duke of Lauenburg , simply known as Otto von Bismarck, was a Prussian-German statesman whose actions unified Germany, made it a major player in world affairs, and created a balance of power that kept Europe at peace after 1871.As Minister President of...

 to explain to him how the German occupation of Paris could be fatal to his interests. She may have been persuasive because Paris was spared Prussian occupation.

Later years

Virginia spent her declining years in an apartment in the Place Vendôme
Place Vendôme
Place Vendôme is a square in the 1st arrondissement of Paris, France, located to the north of the Tuileries Gardens and east of the Église de la Madeleine. It is the starting point of the Rue de la Paix. Its regular architecture by Jules Hardouin-Mansart and pedimented screens canted across the...

, where she had the rooms decorated in funereal black, the blinds kept drawn, and mirrors banished—apparently so she would not have to confront her advancing age and loss of beauty. She would only leave the apartment at night. In the 1890s she began a brief collaboration with Pierson again, though her later photographs clearly show her loss of any critical judgement, possible due to her growing mental instability. She wished to set up an exhibit of her photographs at the Exposition Universelle (1900)
Exposition Universelle (1900)
The Exposition Universelle of 1900 was a world's fair held in Paris, France, from April 15 to November 12, 1900, to celebrate the achievements of the past century and to accelerate development into the next...

, though this did not happen. On November 28, 1899, she died at age sixty-two, and was buried at the Père Lachaise Cemetery
Père Lachaise Cemetery
Père Lachaise Cemetery is the largest cemetery in the city of Paris, France , though there are larger cemeteries in the city's suburbs.Père Lachaise is in the 20th arrondissement, and is reputed to be the world's most-visited cemetery, attracting hundreds of thousands of visitors annually to the...

 in Paris.

Photographic artist

In 1856 she began sitting for Mayer and Pierson, photographers favored by the imperial court. Over the next four decades she directed Pierre-Louis Pierson to help her create 700 different photographs in which she re-created the signature moments of her life for the camera. She spent a large part of her personal fortune and even went into debt to execute this project. Most of the photographs depict the Countess in her theatrical outfits, such as the Queen of Hearts dress. A number of photographs depict her in poses risqué for the era -- notably, images that expose her bare legs and feet. In these photos, her head is cropped out.

Robert de Montesquiou
Robert de Montesquiou
Marie Joseph Robert Anatole, comte de Montesquiou-Fézensac , was a French aesthete, Symbolist poet, art collector and dandy....

, a Symbolist poet, dandy
Dandy
A dandy is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of Self...

, and avid art collector, was fascinated by the Countess di Castiglione. He spent thirteen years writing a biography, La Divine Comtesse, which appeared in 1913. After her death, he collected 433 of her photographs, all of which entered the collection of the Metropolitan Museum of Art
Metropolitan Museum of Art
The Metropolitan Museum of Art is a renowned art museum in New York City. Its permanent collection contains more than two million works, divided into nineteen curatorial departments. The main building, located on the eastern edge of Central Park along Manhattan's Museum Mile, is one of the...

.

Legacy

Gabriele d'Annunzio
Gabriele D'Annunzio
Gabriele D'Annunzio or d'Annunzio was an Italian poet, journalist, novelist, and dramatist...

 authored an appreciation of the Countess that appeared as a preface to Montesquiou's work. It was also published on its own in 1973.

The Countess's life was depicted in a 1942 Italian film La contessa Castiglione and a 1954 Italian-French film La Contessa di Castiglione that starred Yvonne de Carlo
Yvonne De Carlo
Yvonne De Carlo was a Canadian-born American actress of film and television. During her six-decade career, her most frequent appearances in film came in the 1940s and 1950s and included her best-known film roles, such as of Anna Marie in Salome Where She Danced ; Anna in Criss Cross ; Sephora the...

,

Sources

  • Hamish Bowles, "Vain Glory" in Vogue (Aug 2000), 242-245, 270-271
  • Alain Decaux, La Castiglione, d’après sa correspondence et son journal inédits (Librairie académique Perrin, 1953)
  • Claude Dufresne La comtesse de Castiglione (Broché , 2002)
  • Massimo Grillandi, La contessa di Castiglione (Milan: Rusconi, 1978)
  • Max Henry, "Gotham Dispatch", review of an exhibit at the Metropolitan Museum of Art September 19, 2000–December 31, 2000, accessed 30 March 2005
  • Heather McPherson, "La Divine Comtesse: (Re)presenting the Anatomy of a Countess," in The Modern Portrait in Nineteenth Century France (Cambridge and New York: Cambridge University Press, 2001), 38-75Isaure de Saint-Pierre, La Dame de Coeur, un amour de Napoléon III] (Albin Michel, 2006), ISBN 2-226-17363-3
  • Abigail Solomon-Godeau, "The Legs of the Countess," in October 39 (Winter 1986): 65-108. Reprinted in Emily Apter and William Pletz, eds., Fetishism as Cultural Discourse (Ithaca and London: Cornell University Press, 1993), 266-306
  • Roger L. Williams, Gaslight and Shadow: The World of Napoleon III (NY: Macmillan, 1957), Ch. 6: "The Countess of Castiglione"
  • aboutthearts.com: "Indepth Art News", notice of an exhibit at the Musee d'Orsay October 12, 1999–January 23, 2000, accessed 30 March 2005
  • "La Divine Comtesse": Photographs of the Countess de Castiglione, catalog for a 2000 exhibition of the Countess de Castiglione photos at the Metropolitan Museum of Art, ISBN 0-300-08509-5

External links

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