|
|
|
|
Bonfire of the Vanities
|
| |
|
| |
Bonfire of the Vanities refers to the burning of objects that are deemed to be occasions of sin. The most famous one took place on 7 February 1497, when supporters of the Dominican priest Girolamo Savonarola collected and publicly burned thousands of objects like cosmetics, art, and books in Florence, Italy, on the Shrove Tuesday festival.
The focus of this destruction was nominally on objects that might tempt one to sin, including vanity items such as mirrors, cosmetics, fine dresses, paintings, playing cards, and even musical instruments.

Discussion
Ask a question about 'Bonfire of the Vanities'
Start a new discussion about 'Bonfire of the Vanities'
Answer questions from other users
|
Encyclopedia
Bonfire of the Vanities refers to the burning of objects that are deemed to be occasions of sin. The most famous one took place on 7 February 1497, when supporters of the Dominican priest Girolamo Savonarola collected and publicly burned thousands of objects like cosmetics, art, and books in Florence, Italy, on the Shrove Tuesday festival.
The focus of this destruction was nominally on objects that might tempt one to sin, including vanity items such as mirrors, cosmetics, fine dresses, paintings, playing cards, and even musical instruments. Other targets included books that were deemed to be "immoral," such as works by Boccaccio and manuscripts of secular songs, as well as artworks, including paintings and sculpture.
Although it is widely reported that the Florentine artist Botticelli burned several of his paintings based on classical mythology in the bonfire, the historical record on this is not clear. Vasari only reports that Botticelli was a partisan of Savonarola: "he was so ardent a partisan that he was thereby induced to desert his painting, and, having no income to live on, fell into very great distress." Brownson, an apologist for Savonarola, only mentions artwork by Fra Bartolomeo, Lorenzo di Credi, and "many other painters," along with "several antique statues."
Such bonfires were not invented by Savonarola, however; they were a common accompaniment to the outdoor sermons of San Bernardino da Siena in the first half of the century.
Bonfire of the Vanities in Fiction
The event has been represented or mentioned in varying degrees of detail in a number of works of historical fiction, including George Eliot's Romola (1863), Irving Stone's The Agony and the Ecstasy (1961), Chelsea Quinn Yarbro's The Palace (1978), Timothy Findley's Pilgrim (1999), Sarah Dunant's The Birth of Venus (2003) and Ian Caldwell's and Dustin Thomason's Rule of Four (2004).
As a metaphor, the ritual provided the title of Tom Wolfe's 1987 novel The Bonfire of the Vanities and its film adaptation. Events in Margaret Atwood's works frequently allude to the bonfire, as in her dystopian novels The Handmaid's Tale (1985) and Oryx and Crake (2003).
See also
|
| |
|
|