Stage Irish
Encyclopedia
Stage Irish is a stereotyped portrayal of Irish people
Irish people
The Irish people are an ethnic group who originate in Ireland, an island in northwestern Europe. Ireland has been populated for around 9,000 years , with the Irish people's earliest ancestors recorded having legends of being descended from groups such as the Nemedians, Fomorians, Fir Bolg, Tuatha...

 once common in plays. The term refers to an exaggerated or caricatured portrayal of supposed Irish characteristics in speech and behaviour. The stage Irishman was generally "garrulous, boastful, unreliable, hard-drinking, belligerent (though cowardly) and chronically impecunious."

The early stage Irish persona arose in England in the context of the war between the Jacobites
Jacobitism
Jacobitism was the political movement in Britain dedicated to the restoration of the Stuart kings to the thrones of England, Scotland, later the Kingdom of Great Britain, and the Kingdom of Ireland...

 and Whig supporters of William of Orange
William III of England
William III & II was a sovereign Prince of Orange of the House of Orange-Nassau by birth. From 1672 he governed as Stadtholder William III of Orange over Holland, Zeeland, Utrecht, Guelders, and Overijssel of the Dutch Republic. From 1689 he reigned as William III over England and Ireland...

 at the end of the 17th century. Later, the stage Irish persona become more comic and less threatening. Irish writers also used the persona in a satirical way.

Early examples

The character of Captain Macmorris in Henry V
Henry V (play)
Henry V is a history play by William Shakespeare, believed to be written in approximately 1599. Its full titles are The Cronicle History of Henry the Fifth and The Life of Henry the Fifth...

 has been claimed to be the first example of the type. His line "What ish my nation?" was later appropriated by modern Irish writers, becoming a "recurrent epigraph". However, Macmorris is a loyal and valiant supporter of Henry V, quite different from later, generally lower-class, stage Irishmen.

James Farewell's poem The Irish Hudibras (1689) was published in the wake of William's invasion of Ireland to suppress the Jacobite uprising. It is considered to be the principal origin of the stereotype. This takes the form of a parody of book VI of Virgil's Aeneid
Aeneid
The Aeneid is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. It is composed of roughly 10,000 lines in dactylic hexameter...

, in which Aeneas descends into the underworld. In the poem, this is replaced by Fingal in County Dublin, in which Irish costume, behaviour, and speech-spatterns are parodied as if they were denizens of Hades. A companion piece, Hesperi-Neso-Grapica or A Description of the Western Isle by "W.M." was published in 1715. Pamphlets published under the title "Bog witticisms" also parodied the supposed illogicality and stupidity of the Irish.

18th–20th century

Irish characters appeared in a number of plays during the 18th century. These were not all negative stereotypes. Sometimes the Irishman could be a noble, or at least sympathetic character. In others he could outwit others. Thomas Sheridan's play Captain O'Blunder is about a naive Irishman who in the end triumphs over his English enemy. Lucius O'Trigger in Richard Brinsley Sheridan
Richard Brinsley Sheridan
Richard Brinsley Butler Sheridan was an Irish-born playwright and poet and long-term owner of the London Theatre Royal, Drury Lane. For thirty-two years he was also a Whig Member of the British House of Commons for Stafford , Westminster and Ilchester...

's The Rivals
The Rivals
The Rivals, a play by Richard Brinsley Sheridan, is a comedy of manners in five acts. It was first performed on 17 January 1775.- Production :...

is an excessively quick-tempered individual. The character had to be rewritten because of complaints that it was insultingly anti-Irish. All these characters were from the genteel social classes. By the 19th century, the stage Irishman became more of a lower-class stereotype, associated with the emigrations of mid-century.

Patriotic inversions of the stereotype appeared in Ireland and it was commented upon by writers such as George Bernard Shaw
George Bernard Shaw
George Bernard Shaw was an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama, and he wrote more than 60...

 in John Bull's Other Island
John Bull's Other Island
John Bull's Other Island is a comedy about Ireland, written by G. Bernard Shaw in 1904. Shaw himself was born in Dublin, yet this is the only play of his where he thematically returned to his homeland....

 and by John Millington Synge
John Millington Synge
Edmund John Millington Synge was an Irish playwright, poet, prose writer, and collector of folklore. He was a key figure in the Irish Literary Revival and was one of the cofounders of the Abbey Theatre...

 in The Playboy of the Western World
The Playboy of the Western World
The Playboy of the Western World is a three-act play written by Irish playwright John Millington Synge and first performed at the Abbey Theatre, Dublin, on January 26, 1907. It is set in Michael James Flaherty's public house in County Mayo during the early 1900s...

. The latter play was condemned by Irish nationalists, including Sinn Féin
Sinn Féin
Sinn Féin is a left wing, Irish republican political party in Ireland. The name is Irish for "ourselves" or "we ourselves", although it is frequently mistranslated as "ourselves alone". Originating in the Sinn Féin organisation founded in 1905 by Arthur Griffith, it took its current form in 1970...

 leader Arthur Griffith
Arthur Griffith
Arthur Griffith was the founder and third leader of Sinn Féin. He served as President of Dáil Éireann from January to August 1922, and was head of the Irish delegation at the negotiations in London that produced the Anglo-Irish Treaty of 1921.-Early life:...

, who described the play as "a vile and inhuman story told in the foulest language we have ever listened to from a public platform", and that it insulted Irish men and women.
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