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The Rivals
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The Rivals, a play by Richard Brinsley Sheridan, is a comedy of manners in five acts. It was first performed on 17 January 1775.
he Rivals was Sheridan's second commercially produced play. At the time, he was a young newlywed living in Bath. At Sheridan’s insistence, upon marriage his wife Eliza (née Elizabeth Linley) had agreed to give up performing in public as a singer. This was a proper course for the wife of a “gentleman,” but it was a difficult one because Eliza was able to earn a substantial living as a performer.
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Encyclopedia
The Rivals, a play by Richard Brinsley Sheridan, is a comedy of manners in five acts. It was first performed on 17 January 1775.
History
Production
The Rivals was Sheridan's second commercially produced play. At the time, he was a young newlywed living in Bath. At Sheridan’s insistence, upon marriage his wife Eliza (née Elizabeth Linley) had agreed to give up performing in public as a singer. This was a proper course for the wife of a “gentleman,” but it was a difficult one because Eliza was able to earn a substantial living as a performer. Instead, they lived beyond their means as they entertained the gentry and nobility with Eliza’s singing (in private parties) and Richard’s wit. Finally, in need of funds, Richard turned to the only craft that could gain him the remuneration he desired in a short time: he began writing a play. He had over the years written and published essays and poems and among his papers were numerous unfinished plays, essays and political tracts, but never had he undertaken an ambitious project such as this. In a short time, however, he completed The Rivals. He was 23 years old.
Reception
The Rivals was first performed at Covent Garden, London, on the 17th of January in 1775. It was roundly vilified by both the public and the critics for its length, for its bawdiness and for the character of Sir Lucius O’Trigger being a meanly written role played very badly. The actor, Lee, after being hit with an apple during the performance, stopped and addressed the audience, asking “By the pow'rs, is it personal? — is it me, or the matter?” Apparently, it was both. Sheridan immediately withdrew the play and in the next 11 days, rewrote the original (The Larpent manuscript) extensively, including a new preface in which he allowed:
For my own part, I see no reason why the author of a play should not regard a first night’s audience as a candid and judicious friend attending, in behalf of the public, at his last rehearsal. If he can dispense with flattery, he is sure at least of sincerity, and even though the annotation be rude, he may rely upon the justness of the comment.
Sheridan also apologized for any impression that O’Trigger was intended as an insult to Ireland. Rewritten and with a new actor, Clinch, in the role of O’Trigger, the play reopened on 28 January to significant acclaim. Indeed, it became a favorite of the royal family, receiving five command performances in ten years, and also in the Colonies (it was George Washington’s favorite play). It became a standard show in the repertoires of 19th Century companies in England and the U.S.
The play is now considered to be one of Sheridan's masterpieces, and is credited with popularizing the term malapropism.
Characters
- Sir Anthony Absolute, a wealthy baronet
- Captain Jack Absolute, his son, disguised as Ensign Beverly
- Faulkland, friend of Jack Absolute
- Bob Acres, friend of Jack Absolute
- Sir Lucius O'Trigger, an Irish baronet
- Fag, Captain Absolute's servant
- David, Bob Acres' servant
- Thomas, Sir Anthony's servant
- Lydia Languish, a wealthy teenaged heiress, in love with "Ensign Beverley"
- Mrs. Malaprop, Lydia's middle-aged guardian
- Julia Melville, a young relation of the Absolutes, in love with Faulkland
- Lucy, Lydia's conniving maid
Plot
The play is set in Bath in the 18th century, a town legendary for conspicuous consumption and fashion at the time. Wealthy, fashionable people went there to "take the waters", which were believed to have healing properties. Bath was much less exclusive than London, and provides an ideal setting for the characters.
The plot centres around the two young lovers, Lydia and Jack. Lydia, who reads a lot of popular novels of the time, wants a purely romantic love affair. To court her, Jack pretends to be "Ensign Beverley", a poor officer. Lydia is enthralled with the idea of eloping with a poor soldier in spite of her guardian, Mrs. Malaprop, a moralistic widow. Mrs. Malaprop is the chief comic figure of the play, thanks to her continual misuse of words that sound like the words she intends but mean something completely different.
Lydia has two other suitors: Bob Acres (a somewhat buffoonish country gentleman), and Sir Lucius O'Trigger, an impoverished and combative Irish gentleman. Sir Lucius pays Lucy to carry love notes between him and Lydia (who uses the name "Delia"), but Lucy is swindling him: "Delia" is actually Mrs. Malaprop!
As the play opens, Sir Anthony arrives suddenly in Bath. He has arranged a marriage for Jack, but Jack demurs, saying he is in love already. They quarrel violently. But Jack soon learns through the gossip of Lucy and Fag that the marriage arranged by Sir Anthony is, in fact, with Lydia. He makes a great show of submission to his father, and is presented to Lydia with Mrs. Malaprop's blessing. Jack confides to Lydia that he is only posing as Sir Anthony's son. She annoys Mrs. Malaprop by loudly professing her eternal devotion to "Beverley" while rejecting "Jack Absolute".
Jack's friend Faulkland is in love with Julia, but he suffers from jealous suspicion. He is constantly fretting himself about her fidelity. Faulkland and Julia quarrel foolishly, making elaborate and high-flown speeches about true love - satirizing the romantic dramas of the period.
Bob Acres tells Sir Lucius that another man ("Beverley") is courting the lady of Acres' choice (Lydia, though Sir Lucius does not know this). Sir Lucius immediately declares that Acres must challenge "Beverley" to a duel and kill him. Acres goes along, and writes out a challenge note - despite his own rather more pacifist feelings, and the profound misgivings of his servant David. Sir Lucius leaves, Jack arrives, and Acres tells him of his intent. Jack agrees to deliver the note to "Beverley", but declines to be Acres' second.
Mrs. Malaprop again presents Jack to Lydia, but this time with Sir Anthony present, exposing Jack's pose as "Beverley". Lydia is enraged by the puncturing of her romantic dreams, and spurns Jack contemptuously.
Sir Lucius has also learned of the proposed marriage of Jack and Lydia, and determines to challenge Jack. He meets Jack, who, smarting from Lydia's rejection, agrees to fight him without even knowing the reason. They will meet at the same time as Acres is scheduled to fight "Beverley".
At the dueling ground, Acres is very much unwilling to fight, but Sir Lucius will have no shirking. Jack and Faulkland arrive. Acres learns that "Beverley" is his friend Jack, and begs off from their duel. However, Jack is quite willing to fight Sir Lucius, and they cross swords.
David informs Mrs. Malaprop, Lydia, Julia, and Sir Anthony of the dueling, and they all rush off to stop it. Sir Lucius explains the cause of his challenge, but Lydia denies any connection to him, and admits her love for Jack. Mrs. Malaprop announces that she is Delia, but Sir Lucius recoils in horror, admitting that he has been hoaxed. Sir Anthony consoles Mrs. Malaprop, Julia is reconciled to Faulkland, and Acres invites everyone to a party.
Maverick
The play was rewritten as a 1958 episode of the television series Maverick, starring James Garner and Roger Moore, and was the only episode of the series in which Garner and Moore appeared together. The episode was called "The Rivals" and the original playwright was given due credit.
Biographical sources
- Richard Brinsley Sheridan, The Rivals (New Mermaids 1979, Elizabeth Duthie, Ed.).
- Linda Kelly, Richard Brinsley Sheridan, A Life (Sinclair-Stevenson 1997).
- Brooke Allen, , a review of Fintan O’Toole, The Traitor’s Kiss: The Life of Richard Brinsley Sheridan, 1751–1816 (Farrar, Straus & Giroux 1998), at New Criterion.
- (1751–1816) at Theatre History.
External links
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