Fontamara
Encyclopedia
Fontamara is a 1930 novel by the Italian author Ignazio Silone
Ignazio Silone
Ignazio Silone was the pseudonym of Secondino Tranquilli, an Italian author and politician.-Early life and career:...

 written whilst he was a refugee from the Fascist Police in Davos
Davos
Davos is a municipality in the district of Prättigau/Davos in the canton of Graubünden, Switzerland. It has a permanent population of 11,248 . Davos is located on the Landwasser River, in the Swiss Alps, between the Plessur and Albula Range...

, Switzerland
Switzerland
Switzerland name of one of the Swiss cantons. ; ; ; or ), in its full name the Swiss Confederation , is a federal republic consisting of 26 cantons, with Bern as the seat of the federal authorities. The country is situated in Western Europe,Or Central Europe depending on the definition....

. It is Silone's first novel and is regarded as his most famous work. It has received public acclaim throughout the world and has sold more than a million and a half copies in twenty-seven languages. It was first published in German translation in Zurich, Switzerland
Switzerland
Switzerland name of one of the Swiss cantons. ; ; ; or ), in its full name the Swiss Confederation , is a federal republic consisting of 26 cantons, with Bern as the seat of the federal authorities. The country is situated in Western Europe,Or Central Europe depending on the definition....

 in 1933 and was published in English by Penguin Books
Penguin Books
Penguin Books is a publisher founded in 1935 by Sir Allen Lane and V.K. Krishna Menon. Penguin revolutionised publishing in the 1930s through its high quality, inexpensive paperbacks, sold through Woolworths and other high street stores for sixpence. Penguin's success demonstrated that large...

 in September 1934. Fontamara is derived from the Italian 'Fonte Amara' (Bitter Stream), which Victor Wolfson
Victor Wolfson
Victor Wolfson was a dramatist, director, writer, producer and actor. Wolfson began his professional career organizing acting clubs for striking coal miners in West Virginia. He soon found his passion for writing and he wrote numerous plays for Broadway, dramas for television and many novels...

 used as the title for his 1936 stage adaptation of the book, shown in New York at the Civic Repertory Theatre. The novel was also adapted for cinema by director Carlo Lizzani and the film Fontamara
Fontamara (film)
Fontamara is a 1977 Italian film, directed by Carlo Lizzani based on the novel of the same name by Ignazio Silone.It stars Michele Placido in the role of Berardo Viola and Antonella Murgia as Elvira....

 was released in 1977.'Appearing on the eve of the Spanish Civil War
Spanish Civil War
The Spanish Civil WarAlso known as The Crusade among Nationalists, the Fourth Carlist War among Carlists, and The Rebellion or Uprising among Republicans. was a major conflict fought in Spain from 17 July 1936 to 1 April 1939...

, and published just a few months after Hitler came to power, when the world was beginning to take sides for or against fascism, the novel had a galvanising effect on public opinion. Fontamara 'became the very symbol of resistance' and ‘is widely agreed to have played a major role as a document of anti-Fascist propaganda outside Italy in the late 1930s’ as it criticises the deceitful and immoral nature of the Fascist party and its followers.

Fontamara is a fictional small rural village in Marsica
Marsica
Marsica is a geographical area in the Abruzzo, central Italy, including 37 comuni in the province of L'Aquila, the most important of which is Avezzano. It is located between the plain of the former Lake Fucino, the National Park of Abruzzo, Lazio and Molise, the plain of Carsoli and the valley of...

 in the Abruzzo
Abruzzo
Abruzzo is a region in Italy, its western border lying less than due east of Rome. Abruzzo borders the region of Marche to the north, Lazio to the west and south-west, Molise to the south-east, and the Adriatic Sea to the east...

 region. The people (the Fontamaresi) are poor and the village is very remote to the extent that the citizens are unaware of world events such as the rise of Fascism
Fascism
Fascism is a radical authoritarian nationalist political ideology. Fascists seek to rejuvenate their nation based on commitment to the national community as an organic entity, in which individuals are bound together in national identity by suprapersonal connections of ancestry, culture, and blood...

. There is a tremendous gap between the ‘’cafoni’’ (peasants) who populate ‘’Fontamara’’ and those who live in the city. The Fontamaresi work the Earth to survive, turn to emigration as a means of economic improvement and are ignorant to events happening outside of their town. They are cut off from the rest of Italy and thus unaffected by modernity and new technology. The Impresario is a stark contrast to the Fontamaresi, who have laboured for centuries to little avail, as he quickly became the richest man in the region and embodies the power, authority and immorality of the Fascists. The Fontamaresi are exploited due to their naïvety and ignorance, the women are raped by the squadristi (a group of Fascists), Berardo Viola makes the ultimate sacrifice to allow the continued distribution of clandestine texts to spread the word about socialism and encourage rebellion against Fascism
Fascism
Fascism is a radical authoritarian nationalist political ideology. Fascists seek to rejuvenate their nation based on commitment to the national community as an organic entity, in which individuals are bound together in national identity by suprapersonal connections of ancestry, culture, and blood...

 and at the end the majority of the population are killed at the hands of the Government.

As with many rural novels, Fontamara discusses the various seasons, and seasonal duties, such as the grape harvest in the vineyards. It is a choral novel and it focuses on the lives and points of view of the peasants of Fontamara, deprived of hope and yet unyielding and determined, demonstrating solidarity amongst the lower classes and the inequality of wealth between the agricultural workers and professional classes.

Background

Silone was a founding member of the Italian Communist Party
Italian Communist Party
The Italian Communist Party was a communist political party in Italy.The PCI was founded as Communist Party of Italy on 21 January 1921 in Livorno, by seceding from the Italian Socialist Party . Amadeo Bordiga and Antonio Gramsci led the split. Outlawed during the Fascist regime, the party played...

 (PCI), a group which broke away from the Italian Socialist Party
Italian Socialist Party
The Italian Socialist Party was a socialist and later social-democratic political party in Italy founded in Genoa in 1892.Once the dominant leftist party in Italy, it was eclipsed in status by the Italian Communist Party following World War II...

 (PSI) and formed in 1921. SIlone became one of its covert leaders during the Fascist regime. Ignazio's brother Romolo Tranquilli was arrested in 1929 for being a member of the PCI. Romolo was not a militant; he was, in Silone's words, 'a vaguely anti-fascist young man whose education and feelings were Catholic... Why did he confess he was a Communist? Why did he affirm his confession before the judge of a special tribunal which used his confession to condemn him to 12 years in prison? He wrote to me: "I have tried to act as I thought you would have in my place".' Romolo is thought to be the inspiration for the character of Berardo Viola who sacrifices himself and becomes the hero. Romolo died in prison in 1931 as a result of the severe beatings he received.

Silone left Italy in 1927 on a mission to the Soviet Union
Soviet Union
The Soviet Union , officially the Union of Soviet Socialist Republics , was a constitutionally socialist state that existed in Eurasia between 1922 and 1991....

 and settled in Switzerland
Switzerland
Switzerland name of one of the Swiss cantons. ; ; ; or ), in its full name the Swiss Confederation , is a federal republic consisting of 26 cantons, with Bern as the seat of the federal authorities. The country is situated in Western Europe,Or Central Europe depending on the definition....

 in 1930. He was expelled from the PCI after declaring his opposition to Joseph Stalin
Joseph Stalin
Joseph Vissarionovich Stalin was the Premier of the Soviet Union from 6 May 1941 to 5 March 1953. He was among the Bolshevik revolutionaries who brought about the October Revolution and had held the position of first General Secretary of the Communist Party of the Soviet Union's Central Committee...

 and the leadership of Comintern
Comintern
The Communist International, abbreviated as Comintern, also known as the Third International, was an international communist organization initiated in Moscow during March 1919...

. He suffered tuberculosis
Tuberculosis
Tuberculosis, MTB, or TB is a common, and in many cases lethal, infectious disease caused by various strains of mycobacteria, usually Mycobacterium tuberculosis. Tuberculosis usually attacks the lungs but can also affect other parts of the body...

 and severe clinical depression
Clinical depression
Major depressive disorder is a mental disorder characterized by an all-encompassing low mood accompanied by low self-esteem, and by loss of interest or pleasure in normally enjoyable activities...

 and spent a year in Swiss clinics. As he recovered, he began writing Fontamara.

Synopsis

One night, three people from Fontamara - a mother, father and son - tell an exiled writer about various things which had happened in their village. The writer decides to turn these into a book. The mother, father and son therefore become the narrators, though the majority of the book is narrated by the father. Cav. Pelino arrives in the village and tricks the cafoni to sign a petition which would deviate the watercourse away from Fontamara and therefore away from the fields in which they work. The Fontamaresi are initially reluctant but they do sign the blank pieces of paper he gives them. He places another sheet on the top of the pile which says The undersigned, in support of the above, supply their signatures spontaneously, voluntarily and with enthusiasm for cav. Pelino ( p. 37).

On their way to the fields the men see workers deviating the watercourse. A boy delivers the news to the village and the women go to the regional capital city in order to protest. They don’t realize that under the new regime the sindaco (mayor) is now the podestà and are taken to the house of the Impresario (a wealthy businessman) where, after much deliberation and fruitless trips elsewhere to find him, they are once again deceived, because Don Circonstanza and the Impresario persuade them to accept a three-quarter/three-quarter split of the water. The Impresario has also taken the tratturo (flat land owned by the community which is used for migration of sheep). Berardo Viola wanted to emigrate to America but cannot due to new emigration laws. He had sold his land to don Circonstanza to fund his trip but now has no land, known as il cafone senza terra (the peasant without land) and is unemployed and, because of his pride, feels unfit to marry Elvira – a Madonna-like character whom he loves. ( p. 102). Cav. Pelino informs the government that the Fontamaresi not cooperating (through ignorance) with the new Fascist regime and Innocenzo la Legge comes to impose a curfew, which will severely inhibit their work, and forbid talk of politics in public places. Berardo makes a speech against Innocenzo who is humiliated and who then spends the night with Marietta.

The cafoni are summoned to a meeting in Avezzano to discuss the matter of Fucino (an extremely fertile area of land), and are yet again deceived when instead of having a discussion, the land is taken from them and given to the rich ( p. 130). Some of them miss the truck home and meet a man who takes them to a tavern and offers to help them with their uprising and bring them weapons but, whilst he is gone, the Solito Sconosciuto approaches them to warn them they are being set up. Back at Fontamara, trucks of Fascist soldiers arrive and gang rape the women of Fontamara whilst the men are working in the fields. When the men return the Fascists question them, asking Long Live who? but the Fontamaresi don't know what answer they are supposed to give. The attackers see Elvira at the bell tower, mistake her for the Madonna and flee. Berardo and Giuva find Elvira and Matala at the top of the bell tower. Berardo picks Elvira up in his arms, takes her home and spends the night with her. In the morning he is even more determined to marry her, and Giuva thinks the only way Berardo could earn enough money to buy some land is buy getting a job in town.

The Impresario buys the cafoni's wheat whilst it is still green for 120 lire a hundredweight, knowing that the prices are about to be increased under a new law to 170 lire and therefore makes a substantial profit which should have gone to the Fontamaresi. He also introduces wage reductions which reduce wages to 40% and 25% for land-betterment work. Don Circonstanza tricks them again, telling them that the water will be returned not after 50 years but after 10 lustri (5-year periods) ( p. 181-2), as the ‘’cafoni’’ don’t know what a lustro is. The younger people of Fontamara want Berardo to rebel with them but he refuses. Teofilo, one of Berardo's young followers, hangs himself from the bell rope at the belltower. Berardo and the younger narrator go to Rome, looking for work. They enlist the help of lawyer Don Achille Pazienza, a guest at the Locanda del Buon Ladrone (The Good Thief's Inn) ( p.200) who also tries to exploit them. Whilst they are in Rome they find out through a telegram that Elvira has died. They meet the Solito Sconosciuto once more and go to a café where they are set up by the police and arrested for having clandestine papers against the Fascist regime. Both the young narrator and Berardo are tortured in prison and Berardo sacrifices himself, pretending he is the Solito Sconosciuto in order for the rebellion to continue and so that people hear about what has happened in Fontamara. The Solito Sconosciuto publishes an article Long Live Berardo Viola which tells the story of Fontamara and he passes on printing equipment (the duplicating machine) to the ‘’Fontamaresi’’ so they can start their own local anti-Fascist newspaper, which they call Che fare? (What are we to do?) (see Lenin
Vladimir Lenin
Vladimir Ilyich Lenin was a Russian Marxist revolutionary and communist politician who led the October Revolution of 1917. As leader of the Bolsheviks, he headed the Soviet state during its initial years , as it fought to establish control of Russia in the Russian Civil War and worked to create a...

's work What Is To Be Done?
What is to be Done?
What to do? Burning Questions of Our Movement is a political pamphlet written by the Russian revolutionary Vladimir Lenin in 1901 and published in 1902...

 or in Italian Che Fare?). The three narrators go to visit the wife's family in San Giuseppe to celebrate the son's release and distrubute papers there. On their way home they hear gunshots, and a passerby informs them there's a war at Fontamara. Almost everyone has died those who could, fled. Those who could, escaped. They then cross the border with the help of the Solito Sconosciuto.

Characters

As a choral novel there is not one protagonist, but there are characters who are mentioned more than others such as Berardo, and the three narrators who tell the story.

The Three Narrators

The book is narrated by Giuva, his wife and his son who alternate the narration. The father is known as Giuva though it is likely that this is a dialect version of Giovanni. He is a poor peasant who searches for work. He is ignorant and easily duped like the other cafoni but doesn't react in the way that Berardo does, even though he admires what Berardo does. He is a friend to all and only fights with his brother-in-law over the water. He seems more and more surprised about the events which unfold in Fontamara because before it was a quiet town where nothing really happened.

The wife of Guiva comes to be known as Matala. She wants to fight against injustice and thus walks to the city with the other women to protest about the water being redirected away from Fontamara. She shows courage and supports Elvira, her niece, when the women are being raped and the police do nothing. She often says""When strange things begin to happen, no one can stop them."

We are not told the name of the son and he is just referred to as the child. He recounts the journey to Rome with Berardo and Berardo's death. Like the other young people he admired Berardo. His character seems similar to that of his father, always trying to find work but he is duped by the police into saying that Berardo was suicidal, therefore releasing them from the blame of killing him.

Berardo

Berardo is the spokesman of the people. He is brave and rebellious, willing to give his life for a friend, but he is unfortunate. He is bitter about a betrayal by a friend in the past. He was disgusted by a betrayal, like he said, by a man whom he considered a friend, who he had known as a soldier and with whom he had broken bread on many occasions and had a very close friendship ( p. 89). He is much admired by the young people of Fontamara who are heavily influenced by his speeches and his way of thinking, and he is the heart of their vice club meetings. They say of him In the end we all love Berardo. He also had his faults, especially as a drunk, but he was loyal and sincere and he was very unfortunate, and for this, of good heart, we wish he could have rebuilt the earth ( p. 93). His physical description seems to be at odds with his rebellious character. From his grandfather, according to the eldest villagers who still remember, he had a certain inherited physical strength: a tall stature, thick as the trunk of an oak, bull neck and a short, square head, but his eyes were good: as an adult he had kept the eyes he had as a boy. It was incomprehensible, even ridiculous, that a man of that force could have the eyes and the smile of a child ( p. 95). He is described almost as a hero. He did not leave unpunished any unfairness from the regional capital ( p. 95) and he is known for his acts of violence when it comes to injustice. when we were sent a donkey instead of a priest, the pipes that take the water to Fossa were broken in several places. Another time the concrete mile marker stones along the national highway were smashed over an area of ten miles. Signposts indicating directions and distances for drivers generally did not remain in position for long. And so when the electric light failed at Fontamara for the first time...all the lamps along the roads connecting the local town with neighbouring villages were smashed. He also suggests that instead of protesting for their water back from the Impresario, the Fontamaresi should set fire to his tannery...if he doesn't understand, set fire to his timberyard...blow up his brickworks. And if he's a fool and still doesn't understand, burn down his villa at night while he's in bed with Donna Rosalia. He also sets fire to the fence built by the Impresario around his new land, and the roadsweeper guarding it ends up going to prison.

He is in love with Elvira but does not think himself good enough to marry her because he does not own a piece of land. However if anyone wanted to marry her he would punch them. After a long struggle with injustice he realises that everything he does is useless and that the enemy is too powerful. He refuses to help in a rebellion and goes to Rome to find work.

Berardo's mother, Maria Rosa is poor and despairs of him when she sees his field destroyed by the flood and because she wants to see her son married to Elvira. She spends most of her days, and even her nights during the summer, on a stone at the entrance of her house, which was actually a cave. She spun and sewed and waited for her son to return. Not being able to excel in wealth, Maria Rosa found it inevitable that he would atleast excel in misfortune ( p. 100)

Elvira

Elvira works as a dyer and is the daughter of Matala's sister Nazzarena who died a year before. A beautiful, Madonna-like character, More than beautiful, She was a gentile, delicate creature of medium height, with a serene, sweet face, no-one had ever heard her laugh out loud or even cackle or squirm in public, or cry. She had extraordinary modesy and reserve ( p. 102). She is known in Fontamara as destined to marry Berardo, though he doesn't propose to her due to lack of land and money, whilst Elivira has a vast dowry and trousseau. - a thousand in cash and sheets, pillowcases, tablecloths, shirts, blankets, a new cupboard, two walnut drawers and a bedstead made from two pieces of brass, all bought and paid for. ( p. 102) When the girl went to the church or to the fountain, Berardo turned pale and held his breath to see her and he followed her with his eyes in such a way as to leave no doubt about his feeling. And as this intense attention from Berardo had become so well known amongst Elivira's friends, and she had not complained, or even changed her routine or the time of her outings( p. 102) She is a simple and modest girl, almost considered a saint, insomuch as noone would blaspheme or swear when she approached; on one occasion she saves the Fontamaresi looking out from the belltower because the police think she is the Madonna and flee. On a pilgrimage she asks the Madonna to take her life and to help Berardo in return. Her prayers are granted and she dies in bed from a high fever.

Don Circonstanza

Don Circonstanza is the real enemy of the people of Fontamara, even though he is known as L'Amico del Populo (the friend of the people) ( p. 74), always greets them one by one, and shouts Long live my Fontamaresi. He is a lawyer and does nothing but cheat them and always acts in favour of the most powerful. He can be read as a caricature of the role played by a large part of the professional class under Fascism, for instance those lawyers and accountants who purported to represent the workers in wage negotiations and accept wage reductions on their behalf. Physically he is described as With a melon hat, a spongy porous nose, ears like fans and belly at the third stage (of his concertina trousers) ( p. 73) and regarding his character, Giuva says in his narration that he always had a goodwill for the people of Fontamara, he was our Protector, and talk of him would require a long litany. He has always been our defence but also our downfall. All the disputes of Fontamara passed through his office. And most of the chickens and eggs of Fontamara over 40 years ended up in Don Circonstanza's kitchen ( p. 73). The author describes how he cheats the villagers. In order to get votes in elections, he sent a teacher to teach the cafoni to write his name so that In this way when they went to vote, not knowing what to write, they would write his name on their ballot paper. To get even more votes, as he was the one to register a death, when someone died he paid the family five francs and kept the names on the electoral roll and voted for them. "The living betray me, Don Circonstanza reproached me bitterly, but the blessed souls of the departed remain faithful to me." Another scam is when they are discussing the water, he says that the water will be returned not after 50 years but after 10 lustri (5-year periods) ( p. 183), knowing that the 'cafoni' don't know how long a lustro is. He also buys Berardo's piece of land at a very low price when Berardo is hoping to go to America, even though he knows that the emigration laws have come into effect and knows that Berardo will not in fact be able to emigrate. He also decreases the worker's pay in Fontamara to 40% under the new law.

Impresario

A wealthy businessman, known as The Contractor in many English translations. He is an enemy of the people of Fontamara. The cafoni see him as a person of authority who makes himself rich through scams. The first description of him shows his evil nature and how he can create wealth from anything. Gossip aside, there was no doubt that this extraordinary man had found America in our district. He had found the recipe to make gold out of pins. Someone said he had sold his soul to the devil in exchange for wealth, and perhaps he was right. Anyway, after the police investigation of the banknotes, the impresario's authority grew enormously. He represented the Bank. He had at his disposal a large factory producing banknotes. The previous owners began to tremble before him. With all this, we don't know how he could have turned down the position of mayor ( p. 60). In another desciption by Matala, we see that even though the Fontamaresi hated him, they could not help admiring him and when they see him arrive they sense that he is a powerful character and they feel uneasy. However he does not listen to them nor take their views into consideration because he sees them as inferior to him. He approached, talking animatedly with some of the workers, he was in his work clothes, with his jacket over his arm, a water level in one hand, a folding ruler protruding from his trouser pocket, shoes whitened with lime. No-one, who did not know him, would have supposed that he was the richest man in the region and the new head of the town ( p. 71). There is a banquet held at his house to celebrate his appointment to podestà
Podestà
Podestà is the name given to certain high officials in many Italian cities, since the later Middle Ages, mainly as Chief magistrate of a city state , but also as a local administrator, the representative of the Emperor.The term derives from the Latin word potestas, meaning power...

, which he refuses to attend claiming to be too busy and says to his wife that the guests won't be offended. I know them. Give them drink, give them plenty to drink, and they won't be offended.

Solito Sconosciuto (Mystery Man)

The Solito Sconosciuto is a rebel, conspiring against the government and producing clandestine newspapers denouncing scoundrels, inciting workers to strike and citizens to disobey. The Fontamaresi meet him first in the café, referred to as '‘sconosciuto'’ in the text, on the way back from Avezzano. He warns them that they are being set up by a man offering to give them weapons for their uprising. Berardo and the younger narrator then meet him in prison in Rome. He talks to them about the government and his socialist point of view during the night. The narrator does not hear everything that is said because he falls asleep. Although Berardo is innocent, he decides to sacrifice himself and tell the police that he is the Solito Sconosciuto in order to allow the true Solito Sconosciuto to continue his propaganda. The Solito Sconosciuto publishes an article which tells the story of Fontamara and passes on printing equipment to the Fontamaresi so that they can start their own local anti-Fascist newspaper, which they call Che fare? At the end of the book, the Solito Sconosciuto helps the survivors of the war to cross the border.

Don Abbacchio

Literally 'Mr Lamb', Don Abbacchio is the corrupt priest of Fontamara and the surrounding small villages. He is seen as a personification of the Church's betrayal of the people in signing the Concordat (also known as the Lateran Treaty) with the Fascist State in 1929. He only holds mass in Fontamara if the villagers pay him to, and he raises his price every time. He always favours the powerful and uses his sermons to blame the villagers for not paying taxes. The author's description of him is similar to that of Don Circonstanza's as both will allow themselves to be compromised for a good meal, and they have their fill of food and drink.In front of everyone, Don Abbacchio stands up, fat, and puffing, the veins in his neck swollen, his face flushed, his eyes half-closed in a blissful expression. The canonized priest can hardly stand due to his drunkenness and begins to relieve himself against a tree in the garden, leaning his head against the tree so he doesn't fall ( p. 70). The author also describes how despite being a priest, he does not protect the Fontamaresi from the rich and their unfair treatment. He was not a bad man, but weak, fearful, and not to be trusted in serious matters. He was certainly not a pastor able to risk his life to defend his flock against wolves, but he was educated enough in his religion to explain how, from the moment God created wolves, he recognised that from time to time they had the right to devour some sheep. We resorted to him for sacraments, but we knew, through experience, to not get help or advice from him for the misfortunes that came from the malice of the rich and the authorities ( p. 172).

Don Carlo Magna and Donna Clorinda

Don Carlo Magna was the richest man of the village before the Impresario arrived. He too was a swindler and came to be known as 'magna' not in the sense of great, but because whenever someone was looking for him the maid said he was eating. This was a device of his mistress (donna clorinda) that enabled her to keep an eye on every detail of his affairs. He had inherited a large fortune from his ancestors but wasted it away. As don Carlo Magna was a known joker, womaniser, gambler, drunkard, glutton, and a weak and fearful man, it would have taken him a long time to squander the inheritance left to him by his father (...) He married late in life and donna Clorinda was unable to salvage the remains of the wreck that was his life. From the numerous and vast lands that his ancestors had collected, and from buying back assets seized by the church and monasteries at a low price that even good Christians would not dare to buy back, only a small amount of land was left. At one time, don Carlo Magna possessed almost the entire region of Fontamara and, of our young girls, those he liked the most were forced to go into service in his house and be subjected to his whims, but now nothing was left for him but the land from his wife's dowry( p. 65). If it wasn't for his wife donna Clorinda, he wouldn't have anything. She is the one who manages the affairs of the cafoni. She dresses in black with lace. Looking her in the face and hearing her speak you can see why in the village she was nicknamed The Raven ( p. 65) It seems she is truly on the side of the cafoni, as when they explain the situation with the water, she is pale as if she is about to faint. On her gaunt face you can see, in her stiffened jaws, the effort to hold back tears of rage. ( p. 66) She also appears when Baldissera goes to Sulmona, where a revolution has started against their own Impresario. She had been praying to Saint Antonio so that something might happen to the Impresario and when she meets Baldissera she takes it as a sign saying During my prayers this morning the saint directed me. He said "I can do nothing for you. Only the people of Fontamara can give the brigand the lesson he deserves". She also hints that if the people of Fontamara need anything, such as gasoline or arms, for instance, they could have it, provided they applied through some trustworthy person.

Cav. Pelino

Cav. Pelino (cav. is short for Cavaliere - knight) tricks the Fontamaresi into signing the petition for the water to be deviated, which will utlimately be their downfall. From the way the author describes him, we see that people from the city were very different from the cafoni and for this they were despised. In appearance he was a young elephant. He had a delicate, shaven face, a dainty pink mouth, like a cat. With one hand he held his bicycle by the handlebars and his hand was small, and slimy, like the belly of lizards, and on one finger he wore a large ring, of His Excellency. He wore white spats on his shoes ( p. 32). He too is present later when the Fontamaresi go to the city to protest against the division of water and it is decided that 3/4 of the water should go to Fontamara and 3/4 should go to the Impresario. He helps to Impresario to get possession of it.

Don Ciccone

Don Ciccone is a lawyer, and is another of the men corrupted by a banquet at the Impresario's house. The wife describes how don ciccone loses his job as he exits the Impresario's house, The lawyer followed after don Ciccone, holding a young man by the arm; he was blind-drunk and we saw him fall to his knees in his own urine behind the pile of bricks ( p. 70)

Innocenzo la Legge

Innocenzo is a tax collector and helps the authorities enforce laws in Fontamara. He first appears in the first chapter, as they say he used to hand out the warnings that the electricity would be cut off. A carter in a nearby town hints that if he returns he will be shot. He is always badly treated by the Fontamaresi who cannot pay the taxes and is almost always in the company of the rich and powerful, so much so that he is reduced to a servant by the Impresario's wife. He arrives in Fontamara because cav. Pelino had reported talk against the government and the Church, and new laws are put into place. There is a curfew for the Fontamaresi, which severely disadvantages them because they need to be up early to work in the fields, and he puts up a sign forbidding talk of politics in public places. IIn this place is it forbidden to talk of politics ( p. 133) Berardo makes a speech against Innocenzo saying that if they cannot speak they cannot reason and if they cannot reason they cannot live, and with that a humiliated Innocenzo returns to the main city.

Don Achille Pazienza

Don Achille Pazienza is a knight, and a guest at the Locanda del Buon Ladrone (The Good Thief's Inn) ( p. 200) where the youngest narrator and Berardo stay in Rome. He pretends to help Guiva's son and Berardo to find a job but really is just trying to make money and steal their food and pretends he will give them everything they ask. But the trickster takes their money and doesn't find them a job. Giuva's son describes him in the room in the inn as a sick old man lying on his bed We found don Achille Pazienza lying on the bed, he was a poor old man with catarrh, with a 10-day-old beard, a yellow suit, white canvas shoes, a straw hat on his head, a bronze medal on his chest and a toothpick in his mouth, and he had put on these ceremonial garments to receive us ( p. 206)

Prince Torlonia

The family of Torlonia arrived in Rome at the beginning of the last century in the wake of a French regiment and was originally called Torlogne. None of them have ever touched the soil, even for pleasure, but their holdings have extended into a lucrative realm of many tens of thousands of acres, and In return for Torlogne's political support of the weak Piedmontese dynasty...he was given the title of duke and later that of prince. Prince Torlonia features highly on the cafoni's view of the hierarchy, explained by Michele:

At the head of everything is God, the Lord of Heaven. Everyone knows that. Then comes Prince Torlonia, lord of the earth.

Then come Prince Torlonia's guards

Then come Prince Torlonia's guard's dogs

Then, nothing at all.

Then, nothing at all.

Then, nothing at all.

Then come the cafoni. And that's all

Villagers

  • Marietta is a widow, and is pregnant for the third or fourth time since her husband's death. Her husband was a war hero and in addition to a pension he had left her a silver medal, but probably not the three or four pregnancies ( p. 33) . She will not remarry because she would stop receiving her dead husband’s pension. Since the war she had had meetings with people of consequence but they had stopped sending for her because of her three or four pregnancies.
  • La Zappa is a goatherder that the women meet on their way to the Impresario’s house. He has come to protest because the Impresario has taken the tratturo. He says Does that land belong to the Impresario? In that case he must own the very air we breathe.
  • Baldissera, also known as General Baldissera, he is a resident of Fontamara and is a shoemaker. He often bickers with Berardo. He is a proud man who will do anything to conceal his poverty. General Baldissera was very poor, maybe the poorest of all the people of Fontamara, but he did not want it to be well-known and resorted to little tricks to hide his hunger that had devoured him for many years. Among other things, he used the most bizarre excuses to get away from Fontamara on Sundays and returned in the evening, in reality, more than ever starving hungry and sober, but with a toothpick between his teeth and wobbling, like someone who had eaten meat and drank until they were drunk, to appear as if he were in the position to spend and indulge his whims ( p. 86)

Language and Style

Silone writes in a very readable style, narrating the action humbly. Linguistically the Paratactic construction
Parataxis
Parataxis is a literary technique, in writing or speaking, that favors short, simple sentences, with the use of coordinating rather than subordinating conjunctions...

 prevails with simple and colloquial language which reflects the ignorance of the cafoni, whereas the more educated, richer characters express themselves in a much more refined manner, using quotations and Latin vocabulary. A subtle irony, at times, diffuses the tragedy as jokes and abuse reveal the naïvety of the Fontamaresi. The Fontamaresi do not speak Italian, but speak their own dialect and find it difficult to understand people who come from the city. The narrator says he will write Fontamara in the language we learnt at school (ie. Italian) in order that as many people understand the text as possible.

The Eternal Peasant

In Fontamara, Silone captures the fatigue and misery of the peasants and agricultural workers, which had previously been relatively undocumented. For the first time in Italian literature, peasants were the protagonists and their agricultural activities are described in great detail through the seasons. In 1929, when the story is set, the survival of peasants depended on subsistence agriculture
Subsistence agriculture
Subsistence agriculture is self-sufficiency farming in which the farmers focus on growing enough food to feed their families. The typical subsistence farm has a range of crops and animals needed by the family to eat and clothe themselves during the year. Planting decisions are made with an eye...

 on the land of the large landowners. Harvests varied day to day, food was not guaranteed and wages were low. Their land is very important to them and it is said that the relationship of a peasant to his land is a serious thing, like that between a husband and wife. It's a kind of sacrament. The misery of peasants is closely linked to their ignorance as this makes them vulnerable to scams and abuse, especially due to their reliance on others for contact with the new and complicated world of the city. The Fascist regime legalized the abuse of power, adopted measures that worsened the lives of peasants such as the reduction of wages and laws of emigration. This was not just a problem in Italy, as Silone states in his preface, The poor peasants, the men who make the earth fruitful and suffer hunger, …are alike in all the countries of the world ( p.18) Their ignorance meant that they could not progress up the social ladder, and At Fontamara there are only two rungs on the social ladder: the lowest, that of the cafoni, which is at ground level, and that of the small landowners, which is just a little higher. They are swindled out of their profits and wages by don Circonstanza and the Impresario, and as every family in Fontamara is connected, every family, even the poorest, has interests that are shared with others, and for lack of wealth it is poverty that has to be shared. So at Fontamara there's not a family that doesn't have a lawsuit pending. Their ignorance makes them vulnerable to exploitation. They are disconnected with the world and don't know about new laws like the Emigration Policy
Italian diaspora
The term Italian diaspora refers to the large-scale migration of Italians away from Italy in the period roughly beginning with the unification of Italy in 1861 and ending with the Italian economic miracle in the 1960s...

, wage rate changes, and identity cards and papers needed to get on a train or work elsewhere. The Italian Unification
Italian unification
Italian unification was the political and social movement that agglomerated different states of the Italian peninsula into the single state of Italy in the 19th century...

 is still a recent event to them, they are ignorant of the new Fascist regime and still think that Queen Margherita
Margherita of Savoy
Margherita of Savoy , was the Queen consort of the Kingdom of Italy during the reign of her husband, Umberto I.-Family:...

 is alive. Berardo also asks the Solito Sconsciuto if Russia exists. "Russia? Tell me the truth, is there really such a place as this Russia there's so much talk about? Everyone talks about it, but no one has ever been there. Cafoni go everywhere, to America, Africa, France, but noone has ever been to Russia."

The Southern Question

In the foreword Silone points out the remarkable difference between how the South of Italy has been portrayed and the reality with which the poor peasants of the South are actually faced. 'To the foreign reader...this tale will be in striking contrast to the picturesque vision of southern Italy often conjured up in tourist literature. In some books, of course, southern Italy is a blessed and beautiful land in which the peasants go caroling joyfully to work, echoed prettily by a chorus of country girls dressed in traditional costume, while nightingales trill in the neighbouring wood'. Silone portrays a much more realistic version of the South and critically analyzes Italian history through their point of view. As Nelson Moe indicates, there is a vast difference between the situations the North and South of Italy and '’The vexed relationship between the two parts of Italy, often referred to as the Southern Question, has shaped that nation's political, social, and cultural life throughout the twentieth century’ The annexation of the House of Savoy
House of Savoy
The House of Savoy was formed in the early 11th century in the historical Savoy region. Through gradual expansion, it grew from ruling a small county in that region to eventually rule the Kingdom of Italy from 1861 until the end of World War II, king of Croatia and King of Armenia...

 was like a colonial conquest for the South, the large estates remaining intact, along with the social connections that meant the rich could become richer. The post-unification governments could not help the hunger of the peasants. In fact, the older villagers in Fontamara say that the only things the Piemontesi (people from Piedmont
Piedmont
Piedmont is one of the 20 regions of Italy. It has an area of 25,402 square kilometres and a population of about 4.4 million. The capital of Piedmont is Turin. The main local language is Piedmontese. Occitan is also spoken by a minority in the Occitan Valleys situated in the Provinces of...

) brought with the Italian Unification
Italian unification
Italian unification was the political and social movement that agglomerated different states of the Italian peninsula into the single state of Italy in the 19th century...

, was electric lighting and cigarettes. Not even partial expropriation of properties was practiced, nor was the land that had been confiscated from religious orders, assigned to peasants. Instead that land was put up for auction, a system that only favoured those who had large amounts of liquid capital, therefore perpetuating the inequality of wealth between the north and south.

The Fucino

The Fucino is an extremely fertile area of land of 35 acres and is owned by the so-called princely family of Torlonia. The cafoni work the land and feel that if they owned it, the crops they would harvest would allow them to start earning some money instead of borrowing money to buy seeds and food through the winter, and eating or selling all they harvest to pay for lawsuits. The Fucino basin was subject to a colonial regime. The great wealth it yields annually enriches a privileged minority of local people while the rest migrate to the capital. Don Circonsanza's motto is Fucino a chi lo cultiva (Fucino to he who cultivates it) and when they are invited to Avezzano they think they will get a chance to discuss the matter with the authorities, but the Fontamaresi discover that Cav. Pelino was their representative and the authorities have twisted these words into a justification for giving the land to the rich. Fucino will go to he who can cultivate it, he who has the means to cultivate it. In other words Fucino goes to he who has sufficient capital. Fucino must be freed from the impoverished small tenant farmers and given to the rich farmers.

Religion and Destiny

The Fontamaresi often are quite passive in their reactions, attributing events to God's will or destiny. For instance, Maria Rosa, Berardo's mother, says Berardo's not a bad man, but he was born under an unlucky star, poor fellow. What a hard destiny is his. Religious references are used to foreshadow what will come, for example Donna Clorinda prays to Saint Antonio and believes her prayers are answered when she sees Baldissera in Sulmona. Nazzarena, Elvira's mother, had a dream when Elvira was born that the Virgin Mary said to her I give you the most beautiful of my doves but you and your husband will pay for it with great suffering. Nazzarena herself dies and her husband is very ill. Elvira goes on a pilgrimage to the Madonna to take her life and to help Berardo in return and her prayers are granted and she dies in bed from a high fever.

There are also signs of the cross in the book, for example an insect appears when Cav. Pelino is persuading them to sign the petition. Marietta claims I think it's a new kind. Darker, longer and with a cross on its back. Zompa explains that God decided that a new kind of louse should appear after every big revolution and then goes on to explain a dream he had. Priest don Abbachio had forbidden him to tell anyone. In the dream Jesus is talking to the Pope and requesting the Fucino be given to the cafoni,that the cafoni be exempt from taxes and that they enjoy an abundant harvest whilst the Pope takes the view of the authorities that Prince Torlonia, nor the government would agree and that an abundant harvest would cause food prices to fall. The Pope releases a cloud of lice on the houses of the poor so that in moments of idleness you have something to distract your thoughts from sin Moreover, when Berardo is being tortured, and fighting back they dragged him back to the cell by his legs and shoulders like Christ when He was taken down from the cross. Berardo, in sacrificing himself for others, could be interpreted as a Christ-like figure.
It is interesting that the story of San Giuseppe da Copertino, told by don Abbachio, a story they had heard many times before, shows they think Jesus has a different attitude to rich and poor. In the church there is a picture of the Eucharist
Eucharist
The Eucharist , also called Holy Communion, the Sacrament of the Altar, the Blessed Sacrament, the Lord's Supper, and other names, is a Christian sacrament or ordinance...

 with Jesus holding a piece of white bread.Jesus was not talking of the dark bread that the cafoni eat, or the tasteless substitute for bread that is the consecrated wafer of the priests. Jesus had in His hand a piece of real white bread and was saying "This (white) bread is My body"

Fascism

Silone denounces the immorality of the Fascists, using simple terms. The Fontamaresi say The law of Moses says "Thou Shalt not Steal" and The militia had come to Fontamara and violated a number of women - an abominable outrage, though in itself not incomprehensible. But they had done it in the name of the law and in the presence of an inspector of police, and that was incomprehensible...On a number of occasions, we were told, so-called Fascists had beaten up, injured and sometimes killed persons who had done nothing wrong in the eyes of the law, merely because they were a nuisance to the Impresario, and that too might be natural enough. But those who did the injuring and killing were rewarded by the authorities and that was inexplicable.
The Fontamaresi don't know about the new Fascist regime and mistake the blackshirts for their dead.Baldissera sees a procession of men in black shirts marching in formation behind little black flags, and both the flags and the men's chests were decorated with skulls and crossbones.. We see that the Fontamaresi do not understand who they are when Marietta asks "Were they our dead? thinking of her dead and the five-lire fee".
When the Fontamaresi go to Avezzano, they are told to bring a pennant. They don't understand that they are supposed to bring the Fascist pennant, and do not even have one, and take the flag of San Rocco instead, and are therefore mocked both on the way to Avezzano and in the square. The flags that everyone else had were black and no bigger than a pocket handkerchief and in the middle there was a picture of a skull and crossbones. Baldissera ask if they are the living dead, the souls bought by Don Circonstanza? They are asked to sing the anthem when they pass through villages on the truck, but ask, What anthem?
Many of the black shirts that arrive to rape the women of Fontamara are also cafoni. Most of them stank of wine, and yet, if we looked at them straight in the eye, they looked away. They, too, were poor men, but poor men of a special kind:landless, jobless or with many jobs, which is the same thing, and averse to hard work. Too weak and cowardly to rebel against the rich and the authorities, they preferred serving them in order to be able to rob and oppress other poor men, cafoni, small landowners. When you met them in the street in daylight, they were humble and obsequious, but at night and in groups they were evil, malicious, treacherous...recruiting them in a special army, giving them a special uniform and special arms, was a novelty. Such as the so-called Fascists.
The Fascists put measures in place to make life as hard as possible for the peasants. They introduce the emigration law, and cut wages and they force workers to have Identity cards and papers to work as a day labourer elsewhere.

Exploitation

The Fontamaresi, are more often than not, exploited. They are tricked into signing the petition, agreeing to the three-quarter, three-quarter split, the 10 lustri swindle, the Impresario buying the wheat at 120 per hundredweight so that he could then sell it at 170 per hundredweight, and Berardo and Giuva's son are exploited by Don Achille Pazienza in Rome. Cav. Pelino lies to them, saying "There are new authorities in office now, who hold the peasants in high esteem and wish to give consideration to their views. So i appeal to you to give me your signatures. Show your appreciation of the honor that the authorities have done you in sending an official here to discover your wishes
At the beginning of the story The famous story of the donkey and the priest was the most disgraceful hoax of all of the many that have been played on the Fontamaresi. They thought that a new priest would be coming to Fontamara and cleaned the church, mended the road, put up an arch and decorated the village in his honour. However it turns out that instead of a priest, they were given a donkey adorned with coloured paper to represent sacred vestments. Therefore our first thought was that the diversion of the stream was a practical joke too
Berardo says Every government always consists of thieves. But if a government consists of a single thief instead of five hundred it's better for the cafoni, of course, because the appetite of a big thief, however big it may be, will always be less than that of five hundred small and hungry thieves.

Townsmen vs Cafoni

There is a great divide between the cafoni and the townsmen. When Cav. Pelino comes, Giuva says It's hard for a townsman and a cafone to understand each other. When he talked, he was a townsman; he couldn't help being a townsman, he couldn't help being a townsman, he couldn't talk in any other way. But we were cafoni...I talked to cafoni of all nationalities from Spaniards to Indians, and we understood each other as if we were at Fontamara. But there was an Italian townsman who came to see us on Sundays...we couldn't make head or tail of what ...[he] said. The townsmen also mock the cafoni and treat them very badly, saying you're cafoni, you're used to suffering, and Innocenzo la Legge says, There's no doubt that legal precedings would be highly effective if it were possible to seize and sell lice. The cafoni also dislike the townsmen and Marietta says "Educated people are pedantic and get very angry about words. Berardo says "Don't argue with the authorities. The law is made by townsmen. It is applied by judges, who are all townsmen, and it is interpreted by lawyers, who are all townsmen. How can a peasant expect justice?. Later when he is talking in prison with the Solito Sconosciuto, Berardo is shocked at the Solito Sconosciuto's proposal and starts shouting "What? Townsmen and cafoni unite? But townsmen are well off and cafoni are badly off. Townsmen work less and earn more, they eat, drink and don't pay taxes. It's enough to see how much they make us pay for cloth and hats and boot leather. We're like worms. Everyone exploits us. Everyone tramples on us. Everyone swindles us. Even Don Circonstanza, the Friend of the People, swindles us."

World Reaction

Fontamara was 'one of the most widely reviewed, read and talked about novels of the 1930s in North and South America, Europe and the Soviet Union' and 'was interpreted by foreign readers in the 1930s as a factual revelation of Fascist oppression and peasant resistance’. It served to discredit Mussolini's Fascist regime, however it also lead some readers to the mistaken conclusion that the Fascists were actually resorting to mass-rape and mass-murder of those who opposed the regime.

Reviews and literary criticism

  • "Fontamara is a little epic of peasant resistance, based upon an actual event in recent Italian history"
  • "Fontamara is the most moving account of Fascist barbarity I have yet read. Only an old man, his wife and son escaped abroad to tell the story of how the Blackshirts came down on Fontamara. It should be read to its merciless end"
  • "The propaganda, if it is such, is in the facts. The presentation is objective, impersonal, restrained"
  • "The stealing of the water..the savage reprisals...occupation by Fascist militiamen who rape all the girls...a general massacre at the hands of government troops - if this is even fifty per cent true, Italy under Mussolini is worse off than Italy under the Austrians or the Lombards"
  • "{Fontamara presents} concrete pictures of how human destinies unfold under the regime of Mussolini...a re-creation of a direct sense of life in Mussolini's Italy"
  • "This is a remarkable book. From its first to its concluding sentence it is aimed against the Fascist regime, its lies, brutalities, and abominations. Fontamara is a book of impassioned political propaganda. But in it revolutionary passion attains such heights as to result in a genuinely artistic creation. Fontamara itself is merely a poverty-stricken village in one of the most forsaken corners of Southern Italy. In the course of some 200 pages of the book this name becomes the symbol of agricultural Italy, of all its villages and their poverty and their despair and their rebellion....This book deserves a circulation of many million copies. But whatever may be the attitude of the official bureaucracy towards those works which belong to the genuine revolutionary literature, Fontamara – we are certain – will find its way to the masses. It is the duty of every revolutionist to assist in circulating this book." -Leon Trotsky
    Leon Trotsky
    Leon Trotsky , born Lev Davidovich Bronshtein, was a Russian Marxist revolutionary and theorist, Soviet politician, and the founder and first leader of the Red Army....

  • "Ignazio Silone's Fontamara portrays the tragedy and hopelessness of Italian workers and peasants. The pictures are vivid. The style is honest. The story has grown out of the background of the man and the man has creative talent. He protests against tyranny. Call that propaganda if you will, but combined with Silone's personality, Fontamara becomes art"

Publication history

The novel was published in Zurich, Switzerland in the spring of 1933 in a German translation by Nettie Sutro. It was also released in episodes in various German language Swiss periodicals. It was published in English by Penguin Books
Penguin Books
Penguin Books is a publisher founded in 1935 by Sir Allen Lane and V.K. Krishna Menon. Penguin revolutionised publishing in the 1930s through its high quality, inexpensive paperbacks, sold through Woolworths and other high street stores for sixpence. Penguin's success demonstrated that large...

 in September 1934. The first version in Italian appeared in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...

 in 1934, though it was not published in Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 in Italian until 1945, when Silone prepared a much changed version for publication in Ernesto Buonaiuti
Ernesto Buonaiuti
Ernesto Buonaiuti was an Italian historian, philosopher of religion, Christian priest and anti-fascist. He lost his chair at the University of Rome owing to his opposition to the Fascists and their Concordat with the Catholic Church....

's Roman newspaper 'Il Risveglio', and in 1947 another edition, with further revisions, was published by the editing house Lo Faro, Rome. In 1949 Mondadori
Arnoldo Mondadori Editore
Arnoldo Mondadori Editore is the biggest publishing company in Italy.-History:Founded by the 18-year-old Arnoldo Mondadori in 1907 to publish the magazine titled Luce!, it soon became an important publisher. Its headquarters are in Milan....

 published the novel, with still further modifications, and Silone made further stylistic changes in the 1953 Mondadori publication. An Esperanto
Esperanto
is the most widely spoken constructed international auxiliary language. Its name derives from Doktoro Esperanto , the pseudonym under which L. L. Zamenhof published the first book detailing Esperanto, the Unua Libro, in 1887...

 version was published in 1939 in Holland. Surprisingly, in view of Silone's sharp break with Stalinism
Stalinism
Stalinism refers to the ideology that Joseph Stalin conceived and implemented in the Soviet Union, and is generally considered a branch of Marxist–Leninist ideology but considered by some historians to be a significant deviation from this philosophy...

, the book was also published in a Russian edition in 1935.

Military Publication

The United States Army
United States Army
The United States Army is the main branch of the United States Armed Forces responsible for land-based military operations. It is the largest and oldest established branch of the U.S. military, and is one of seven U.S. uniformed services...

 printed unauthorised versions of Fontamara, along with another of Silone's novels Bread and wine
Bread and Wine (novel)
Bread and Wine is an anti-fascist and anti-Stalinist novel written by Ignazio Silone. It was finished while the author was in exile from Benito Mussolini's Italy. It was first published in 1936 in a German language edition in Switzerland as Brot und Wein, and in an English translation in London...

, and distributed them to the Italians during the Liberation of Italy
Italian Campaign (World War II)
The Italian Campaign of World War II was the name of Allied operations in and around Italy, from 1943 to the end of the war in Europe. Joint Allied Forces Headquarters AFHQ was operationally responsible for all Allied land forces in the Mediterranean theatre, and it planned and commanded the...

 1943-1945. Fontamara was distributed in November 1942 by the Penguin "Forces Book Club" and was distributed at British Prisoner of War
Prisoner of war
A prisoner of war or enemy prisoner of war is a person, whether civilian or combatant, who is held in custody by an enemy power during or immediately after an armed conflict...

 camps during World War II
World War II
World War II, or the Second World War , was a global conflict lasting from 1939 to 1945, involving most of the world's nations—including all of the great powers—eventually forming two opposing military alliances: the Allies and the Axis...

 by The Prisoners of War Book Service, which was started in March 1943.

See also

  • Fontamara (film)
    Fontamara (film)
    Fontamara is a 1977 Italian film, directed by Carlo Lizzani based on the novel of the same name by Ignazio Silone.It stars Michele Placido in the role of Berardo Viola and Antonella Murgia as Elvira....

    , 1980, directed by Carlo Lizzani.
  • "Bitter Stream", March - May 1936 by Victor Wolfson
    Victor Wolfson
    Victor Wolfson was a dramatist, director, writer, producer and actor. Wolfson began his professional career organizing acting clubs for striking coal miners in West Virginia. He soon found his passion for writing and he wrote numerous plays for Broadway, dramas for television and many novels...


Further reading

  • Mario Bellisario,"Ricordi di una Civiltà Scomparsa", Carabba editore, Lanciano
    Lanciano
    Lanciano is a town and comune in the province of Chieti, part of the Abruzzo region of central Italy. It has 36,570 inhabitants as of 2008.The city is also known for the first recorded alleged Catholic Eucharistic Miracle.-History:...

    , 2004,ISBN 88-95078-39-X
  • Pietro Spezzani, Fontamara di Silone: grammatica e retorica del discorso popolare, Liviani, Padova, 1979
  • Carmelo Aliberti, Come leggere "Fontamara" di Silone, Mursia
    Mursia
    Mursia is a genus of crabs in the family Calappidae, containing the following species:* Mursia africana Galil, 1993* Mursia armata De Haan, 1837* Mursia aspera Alcock, 1899* Mursia aurorae Galil & Ng, 2009...

    , Milano, 1983
  • Raffaele La Capria
    Raffaele La Capria
    Raffaele La Capria is an Italian writer, known especially for the three novels which were collected as Tre romanzi di una giornata.-Biography:...

    , Introduzione a Fontamara, Rizzoli
    RCS MediaGroup
    RCS MediaGroup S.p.A. , based in Milan and listed on the Italian Stock Exchange, is an international multimedia publishing group that operates in daily newspapers, magazines and books, radio broadcasting, new media and digital and satellite TV...

    , Milano, 1989, ISBN 88-17-13747-2
  • Ignazio Silone
    Ignazio Silone
    Ignazio Silone was the pseudonym of Secondino Tranquilli, an Italian author and politician.-Early life and career:...

    , Fontamara, a cura di Mirella Zocchi, Mondadori ISBN 88-04-23496-2
  • Lizzani, Carlo et al. "Fontamara: dal Romanzo di Ignazio Silone edito da Mondadori" ERI, 1980
  • Magill, Frank Northen and Dayton Kohler. "Masterpieces of world literature in digest form" Harper & Row, 1969
  • Stefano Mercanti. The rose and the lotus: partnership studies in the works of Raja Rao. Rodopi, (31 March 2010) pp. 80–. ISBN 9789042028333.
  • Siegal, Paul N. "Revolution and the 20th-century novel", Pathfinder Press, 1979 Chapter 4
  • Giuseppe Alberto Traldi (1973). Realism and nonrealism in Ignazio Silone's fontamara.
  • Frank Northern Magill (1984). Critical survey of long fiction: Foreign language series. Salem Press. ISBN 9780893563738.
  • Millea, Eileen A. "British Reactions to Silone (with particular reference to Fontamara)"
  • Fontamara, Comments by Bob Corbett
  • Brothers Judd review
  • blog review
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