The Wood of the Self-Murderers: The Harpies and the Suicides
Encyclopedia
The Wood of the Self-Murderers: The Harpies and the Suicides is a pencil, ink and watercolour on paper artwork by the English poet, painter and printmaker
William Blake
(1757–1827). The work was completed between 1824 and 1827 and illustrates a passage from the Inferno canticle
of the Divine Comedy by Dante Alighieri
(1265–1321). The work is part of a series which was to be the last set of watercolours he worked on before his death in August 1827. It is held in the Tate
Gallery, London.
Blake was commissioned in 1824 by his friend, the painter John Linnell
(1792–1882), to create a series of illustrations based on Dante's poem. Blake was then in his late sixties, yet by legend drafted 100 watercolours on the subject "during a fortnight's illness in bed". Few of them were actually coloured, and only seven gilded. He sets this work in a scene from one of the circles of hell depicted in the Inferno (Circle VII, Ring II, Canto XIII), in which Dante and the Roman poet Virgil
(70–19 BCE) travel through a forest haunted by harpies
—mythological winged and malign fat-bellied death-spirits who bear features of human heads and female breasts.
The harpies in Dante's version feed from the leaves of oak trees which entomb suicide
s. At the time Canto XIII (or The Wood of Suicides) was written, suicide was considered by the church as at least equivalent to murder, and a contravention of the Commandment
"Thou shalt not kill". Many theologians believed it to be a deeper sin than murder, as it constituted a rejection of God's gift of life. Dante describes a tortured wood infested with harpies, where the act of suicide is punished by encasing the offender in a tree, thus denying eternal life and damning the soul to an eternity as a member of the restless living dead, and prey to the harpies. Blake's painting shows Dante and Virgil walking through a haunted forest at a moment when Dante tears a leaf from a bleeding tree. He drops it in shock on hearing the disembodied words, "Wherefore tear'st me thus? Is there no touch of mercy in thy breast?".
In Dante's poem, the tree contains the body of Pietro della Vigna
(1190–1249), an Italian jurist
and diplomat, and chancellor and secretary to the Emperor Frederick II
(1194–1250). Pietro was a learned man who rose to become a close advisor to the emperor. However, his success was envied by other members of Frederick II's court, and charges that he was wealthier than the emperor and was an agent of the pope were brought against him. Frederick threw Pietro in prison, and had his eyes ripped out. In response, Pietro killed himself by beating his head against the dungeon wall. He is one of four named suicides mentioned in Canto XIII, and represents the notion of a "heroic" suicide.
Describing the scene, Dante wrote:
Although Pietro does not reveal his identity to the travellers in Dante's episode, he does moralise on the act of suicide, asking (as paraphrased by the historian Wallace Fowlie
) if it is better to submit to chastisement and misfortune or take one's own life. In Canto XIII, Pietro says, "I am he that held both keys of Frederick's heart / To lock and to unlock / and well I knew / To turn them with so exquisite an art.
Blake shows a number of contorted human figures embedded in the oak trees in the foreground. To the right, a male figure is seated and wears a crown. A female form is hung upside-down and transformed into a tree on Dante and Virgil's left. This figure may have been inspired by Dante's reference to La Meretrice, or Envy
, to whom Pietro attributed his fall. Examining Blake's use of camouflage in the work, the art historian Kathleen Lundeen observes, "The trees appear to be superimposed over the figures as if the two images in the previous illustration has been pulled together into a single focus. Through the art of camouflage, Blake gives us an image in flux, one which is in a perpetual state of transmutation. Now we see trees, now we see people."
Three large harpies perch on branches spanning the pair of travellers, and these creatures are depicted by Blake as monstrous bird–human hybrids, in the words of the art historian Kevin Hutchings, "functioning as iconographic indictments of the act of suicide and its violent negation of the divine human form".
The harpies' faces are human-like except for their pointed beaks, while their bodies are owl-shaped and equipped with claws, sharp wings and female breasts. Blake renders them in a manner faithful to Dante's description in 13:14–16: "Broad are their pennons, of the human form / Their neck and countenance, armed with talons keen / These sit and wail on the dreary mystic wood."
In March 1918, The Wood of the Self-Murderers was sold by Linnell's estate, through Christie's
, for £7,665 to the British National Art Collections Fund. The Art Collections Fund presented the painting to the Tate in 1919.
Printmaking
Printmaking is the process of making artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints with an element of originality, rather than just being a photographic reproduction of a painting. Except in the case of monotyping, the process is capable...
William Blake
William Blake
William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age...
(1757–1827). The work was completed between 1824 and 1827 and illustrates a passage from the Inferno canticle
Canticle
A canticle is a hymn taken from the Bible. The term is often expanded to include ancient non-biblical hymns such as the Te Deum and certain psalms used liturgically.-Roman Catholic Church:From the Old Testament, the Roman Breviary takes seven canticles for use at Lauds, as follows:*...
of the Divine Comedy by Dante Alighieri
Dante Alighieri
Durante degli Alighieri, mononymously referred to as Dante , was an Italian poet, prose writer, literary theorist, moral philosopher, and political thinker. He is best known for the monumental epic poem La commedia, later named La divina commedia ...
(1265–1321). The work is part of a series which was to be the last set of watercolours he worked on before his death in August 1827. It is held in the Tate
Tate
-Places:*Tate, Georgia, a town in the United States*Tate County, Mississippi, a county in the United States*Táté, the Hungarian name for Totoi village, Sântimbru Commune, Alba County, Romania*Tate, Filipino word for States...
Gallery, London.
Blake was commissioned in 1824 by his friend, the painter John Linnell
John Linnell (painter)
John Linnell was an English landscape painter. Linnell was a naturalist and a rival to John Constable. He had a taste for Northern European art of the Renaissance, particularly Albrecht Dürer. He also associated with William Blake, to whom he introduced Samuel Palmer and others of the...
(1792–1882), to create a series of illustrations based on Dante's poem. Blake was then in his late sixties, yet by legend drafted 100 watercolours on the subject "during a fortnight's illness in bed". Few of them were actually coloured, and only seven gilded. He sets this work in a scene from one of the circles of hell depicted in the Inferno (Circle VII, Ring II, Canto XIII), in which Dante and the Roman poet Virgil
Virgil
Publius Vergilius Maro, usually called Virgil or Vergil in English , was an ancient Roman poet of the Augustan period. He is known for three major works of Latin literature, the Eclogues , the Georgics, and the epic Aeneid...
(70–19 BCE) travel through a forest haunted by harpies
Harpy
In Greek mythology, a harpy was one of the winged spirits best known for constantly stealing all food from Phineas...
—mythological winged and malign fat-bellied death-spirits who bear features of human heads and female breasts.
The harpies in Dante's version feed from the leaves of oak trees which entomb suicide
Suicide
Suicide is the act of intentionally causing one's own death. Suicide is often committed out of despair or attributed to some underlying mental disorder, such as depression, bipolar disorder, schizophrenia, alcoholism, or drug abuse...
s. At the time Canto XIII (or The Wood of Suicides) was written, suicide was considered by the church as at least equivalent to murder, and a contravention of the Commandment
Ten Commandments
The Ten Commandments, also known as the Decalogue , are a set of biblical principles relating to ethics and worship, which play a fundamental role in Judaism and most forms of Christianity. They include instructions to worship only God and to keep the Sabbath, and prohibitions against idolatry,...
"Thou shalt not kill". Many theologians believed it to be a deeper sin than murder, as it constituted a rejection of God's gift of life. Dante describes a tortured wood infested with harpies, where the act of suicide is punished by encasing the offender in a tree, thus denying eternal life and damning the soul to an eternity as a member of the restless living dead, and prey to the harpies. Blake's painting shows Dante and Virgil walking through a haunted forest at a moment when Dante tears a leaf from a bleeding tree. He drops it in shock on hearing the disembodied words, "Wherefore tear'st me thus? Is there no touch of mercy in thy breast?".
In Dante's poem, the tree contains the body of Pietro della Vigna
Pietro della Vigna
Pietro della Vigna, , was an Italian jurist and diplomat, who acted as chancellor and secretary to Emperor Frederick II. Accused of lèse majesté, he was imprisoned and blinded and committed suicide soon after...
(1190–1249), an Italian jurist
Jurist
A jurist or jurisconsult is a professional who studies, develops, applies, or otherwise deals with the law. The term is widely used in American English, but in the United Kingdom and many Commonwealth countries it has only historical and specialist usage...
and diplomat, and chancellor and secretary to the Emperor Frederick II
Frederick II, Holy Roman Emperor
Frederick II , was one of the most powerful Holy Roman Emperors of the Middle Ages and head of the House of Hohenstaufen. His political and cultural ambitions, based in Sicily and stretching through Italy to Germany, and even to Jerusalem, were enormous...
(1194–1250). Pietro was a learned man who rose to become a close advisor to the emperor. However, his success was envied by other members of Frederick II's court, and charges that he was wealthier than the emperor and was an agent of the pope were brought against him. Frederick threw Pietro in prison, and had his eyes ripped out. In response, Pietro killed himself by beating his head against the dungeon wall. He is one of four named suicides mentioned in Canto XIII, and represents the notion of a "heroic" suicide.
Describing the scene, Dante wrote:
- Here the repellent harpies make their nests,
- Who drove the Trojans from the Strophades
- With dire announcements of the coming woe.
- They have broad wings, a human neck and face,
- Clawed feet and swollen, feathered bellies; they caw
- Their lamentations in the eerie trees.
Although Pietro does not reveal his identity to the travellers in Dante's episode, he does moralise on the act of suicide, asking (as paraphrased by the historian Wallace Fowlie
Wallace Fowlie
Wallace Fowlie was an American writer and professor of literature. He was the James B. Duke Professor of French Literature at Duke University from 1964. Known for his translations of the poet Arthur Rimbaud and his critical studies of French poetry and drama, he also wrote about rock-poet Jim...
) if it is better to submit to chastisement and misfortune or take one's own life. In Canto XIII, Pietro says, "I am he that held both keys of Frederick's heart / To lock and to unlock / and well I knew / To turn them with so exquisite an art.
Blake shows a number of contorted human figures embedded in the oak trees in the foreground. To the right, a male figure is seated and wears a crown. A female form is hung upside-down and transformed into a tree on Dante and Virgil's left. This figure may have been inspired by Dante's reference to La Meretrice, or Envy
Envy
Envy is best defined as a resentful emotion that "occurs when a person lacks another's superior quality, achievement, or possession and either desires it or wishes that the other lacked it."...
, to whom Pietro attributed his fall. Examining Blake's use of camouflage in the work, the art historian Kathleen Lundeen observes, "The trees appear to be superimposed over the figures as if the two images in the previous illustration has been pulled together into a single focus. Through the art of camouflage, Blake gives us an image in flux, one which is in a perpetual state of transmutation. Now we see trees, now we see people."
Three large harpies perch on branches spanning the pair of travellers, and these creatures are depicted by Blake as monstrous bird–human hybrids, in the words of the art historian Kevin Hutchings, "functioning as iconographic indictments of the act of suicide and its violent negation of the divine human form".
The harpies' faces are human-like except for their pointed beaks, while their bodies are owl-shaped and equipped with claws, sharp wings and female breasts. Blake renders them in a manner faithful to Dante's description in 13:14–16: "Broad are their pennons, of the human form / Their neck and countenance, armed with talons keen / These sit and wail on the dreary mystic wood."
In March 1918, The Wood of the Self-Murderers was sold by Linnell's estate, through Christie's
Christie's
Christie's is an art business and a fine arts auction house.- History :The official company literature states that founder James Christie conducted the first sale in London, England, on 5 December 1766, and the earliest auction catalogue the company retains is from December 1766...
, for £7,665 to the British National Art Collections Fund. The Art Collections Fund presented the painting to the Tate in 1919.