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The Last Rose of Summer
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The Last Rose of Summer is a poem by Irish poet Thomas Moore, who was a friend of Byron and Shelley. Moore wrote it in 1805 while at Jenkinstown Park in County Kilkenny, Ireland. Sir John Stevenson set the poem to its widely-known melody, and this was published in a collection of Moore's work called Irish Melodies (1807-34).
Friedrich von Flotow uses the song in his opera "Martha," premiered in 1847 in Vienna. It is a favorite air ("Letzte Rose") of the character Lady Harriet.

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The Last Rose of Summer is a poem by Irish poet Thomas Moore, who was a friend of Byron and Shelley. Moore wrote it in 1805 while at Jenkinstown Park in County Kilkenny, Ireland. Sir John Stevenson set the poem to its widely-known melody, and this was published in a collection of Moore's work called Irish Melodies (1807-34).
Friedrich von Flotow uses the song in his opera "Martha," premiered in 1847 in Vienna. It is a favorite air ("Letzte Rose") of the character Lady Harriet. The interpolation works, and indeed the song helped popularize the opera. (According to the 1954 Grove Dictionary of Music and Musicians, the opera grew from an 1844 ballet-pantomime, "Lady Henriette," for which Flotow wrote the music to Act One. Burgmuller and Deldevez wrote the rest of the music; "Lady Henriette" was produced in Paris.)
Clannad released a rendition of the song on their album Crann Úll. Sarah Brightman recorded the song for her album The Trees They Grow So High. It is sung in the musical group Celtic Woman by Méav Ní Mhaolchatha and Hayley Westenra, and was made popular in the twenty-first century in a recording by Charlotte Church and the Irish Tenors. Also, Chloë Agnew's solo version is recorded on her self-titled album and in the Celtic Woman: A New Journey tours, she sang duets with Ní Mhaolchatha, Westenra, and the vocalist-guitarist of the same group, Lynn Hilary. Ní Mhaolchatha's solo version is also included in her Celtic Journey album.
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