Nick Lowe (classicist)
Encyclopedia
Dr Nick Lowe is a Reader
Reader (academic rank)
The title of Reader in the United Kingdom and some universities in the Commonwealth nations like Australia and New Zealand denotes an appointment for a senior academic with a distinguished international reputation in research or scholarship...

 in Classics
Classics
Classics is the branch of the Humanities comprising the languages, literature, philosophy, history, art, archaeology and other culture of the ancient Mediterranean world ; especially Ancient Greece and Ancient Rome during Classical Antiquity Classics (sometimes encompassing Classical Studies or...

 in the Department of Classics and Philosophy
Philosophy
Philosophy is the study of general and fundamental problems, such as those connected with existence, knowledge, values, reason, mind, and language. Philosophy is distinguished from other ways of addressing such problems by its critical, generally systematic approach and its reliance on rational...

 at Royal Holloway University of London, with interests including narratology
Narratology
Narratology denotes both the theory and the study of narrative and narrative structure and the ways that these affect our perception. While in principle the word may refer to any systematic study of narrative, in practice its usage is rather more restricted. It is an anglicisation of French...

 and reception
Reception theory
Reception theory is a version of reader response literary theory that emphasizes the reader's reception of a literary text. It is more generally called audience reception in the analysis of communications models. In literary studies, reception theory originated from the work of Hans-Robert Jauss in...

 of Greek antiquity
Ancient Greece
Ancient Greece is a civilization belonging to a period of Greek history that lasted from the Archaic period of the 8th to 6th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and the Byzantine era. Included in Ancient Greece is the...

 in historical fiction
Historical fiction
Historical fiction tells a story that is set in the past. That setting is usually real and drawn from history, and often contains actual historical persons, but the principal characters tend to be fictional...

. He is also an award-winning film reviewer for science fiction
Science fiction
Science fiction is a genre of fiction dealing with imaginary but more or less plausible content such as future settings, futuristic science and technology, space travel, aliens, and paranormal abilities...

 magazine, Interzone
Interzone
Interzone may refer to:* International zone, such as in Tangiers* Interzone , the title of a short story collection by William Burroughs; it is also a setting in his 1959 novel Naked Lunch...

. He received his MA and PhD
Doctor of Philosophy
Doctor of Philosophy, abbreviated as Ph.D., PhD, D.Phil., or DPhil , in English-speaking countries, is a postgraduate academic degree awarded by universities...

 from Cambridge University.

Biography

Lowe was born in Manchester
Manchester
Manchester is a city and metropolitan borough in Greater Manchester, England. According to the Office for National Statistics, the 2010 mid-year population estimate for Manchester was 498,800. Manchester lies within one of the UK's largest metropolitan areas, the metropolitan county of Greater...

 and raised in Glasgow
Glasgow
Glasgow is the largest city in Scotland and third most populous in the United Kingdom. The city is situated on the River Clyde in the country's west central lowlands...

 before going up to read Classics at Cambridge. He taught Classics at three different colleges in London
University of London
-20th century:Shortly after 6 Burlington Gardens was vacated, the University went through a period of rapid expansion. Bedford College, Royal Holloway and the London School of Economics all joined in 1900, Regent's Park College, which had affiliated in 1841 became an official divinity school of the...

before being appointed lecturer in Greek literature at Royal Holloway.

Publications

  • Comedy (2008), Cambridge: Cambridge University Press. (Greece & Rome: New Surveys in the Classics).
  • 'Epinikian Eidography' (2007), in Pindar's Poetry, Patrons and Fetivals: from Archaic Greece to the Roman Empire, Morgan, C. A. & Hornblower, S. (eds.). Oxford: OUP, p. 167-76.
  • 'Gilbert Murray and Psychic Research' (2007), in Reassessing Gilbert Murray, Stray, C. A. (ed.). Oxford: OUP, p. 349-70.
  • 'Aristophanic Spacecraft' (2006), in Playing around Aristophanes: Essays in Honour of Alan Sommerstein, Kozak, L. & Rich, J. (eds.). Oxford : Aris & Phillips, p. 48-64.
  • 'Problematic Verrall: The Sceptic-at-Law' (2005), in The Owl of Minerva: The Cambridge Praelections of 1906, Stray, C. A. (ed.). p. 142-60. (Proceedings of the Cambridge Philological Society, Supplementary Volume).
  • 'Euripides' (2004), in Narrators, Narratees, and Narratives in Ancient Greek Literature, de Jong, I., Bowie, A. & Nünlist, R. (eds.). Leiden : Brill p. 269-80.
  • 'Lycophron' (2004), in Narrators, Narratees, and Narratives in Ancient Greek Literature, de Jong, I., Bowie, A. & Nünlist, R. (eds.). Leiden : Brill p. 307-14.
  • 'Metamorphoses of Genre in Fictions of Antiquity' (2004), in Crimina: Die Antike im modernen Kriminalroman, Brodersen, K. (ed.). Frankfurt : Verlag Antike p. 217-39.
  • 'Verrall, Arthur Woollgar' (2004), in The Dictionary of British Classicists, Todd, R. B. (ed.). Bristol : Thoemmes Continuum
  • 'Comic Plots and the Invention of Fiction' (2000), in The Rivals of Aristophanes, Harvey, D. & Wilkins, J. M. (eds.). London & Swansea : Duckworth & Classical Press of Wales p. 259-72.
  • The Classical Plot and the Invention of Western Narrative (2000), Cambridge : Cambridge University Press.
  • Theatre Ancient and Modern edited with Hardwick, L., Ireland, S. & Macintosh, F. Open University Press.
  • 'Thesmophoria and Haloa: Myth, Physics, and Mysteries' (1998), in The Sacred and the Feminine in Ancient Greece, Blundell, S. & Williamson, M. (eds.). London & New York : Routledge p. 149-73.
  • 'Tragic and Homeric Ironies' (1996), in Tragedy and The Tragic, Silk, M. S. (ed.). Oxford : Clarendon Press p. 520-33.
  • 'Aristophanes' (1994), in International Dictionary of the Theatre vol 2: Playwrights, Hawkins-Dady, M. (ed.). Detroit, Washington, & London : St James' Press p. 38-9.
  • 'Terence' (1994), in International Dictionary of the Theatre vol 2: Playwrights, Hawkins-Dady, M. (ed.). Detroit, Washington, & London : St James' Press p. 953-6.
  • 'Aristophanes' Books' (1993), in Annals of Scholarship 10, p. 63-93.
  • 'Frogs' (1992), with Hawkins-Dady, M. in International Dictionary of the Theatre vol 1: Plays, Hawkins-Dady, M. (ed.). Chicago & London : St James' Press p. 272-3.
  • 'Lysistrata (1992) with Hawkins-Dady, M. in International Dictionary of the Theatre vol 1: Plays, Hawkins-Dady, M. (ed.). Chicago & London : St James' Press p. 446-8.
  • 'Phormio' (1992) in International Dictionary of the Theatre vol 1: Plays, Hawkins-Dady, M. (ed.). Chicago & London : St James' Press p. 610-11.
  • 'Prometheus Bound' (1992) in International Dictionary of the Theatre vol 1: Plays, Hawkins-Dady, M. (ed.). Chicago & London : St James' Press p. 637-9.
  • 'The Braggart Soldier' (1992) in International Dictionary of the Theatre vol 1: Plays, Hawkins-Dady, M. (ed.). Chicago & London : St James' Press p. 78-9.
  • 'The Suppliants' (1992) in International Dictionary of the Theatre vol 1: Plays, Hawkins-Dady, M. (ed.). Chicago & London : St James' Press p. 774-5.
  • 'Greek Stagecraft and Aristophanes' (1988), in Themes in Drama 10: Farce. Cambridge : Cambridge University Press p. 33-52.
  • 'Sulpicia's Syntax' (1988), in Classical Quarterly 38, p. 193-205.
  • 'Tragic Space and Comic Timing in Menander's Dyskolos' (1987), in Bulletin of the Institute of Classical Studies 34, p. 126-38.

External links

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