The Criterion (magazine)
Encyclopedia
The Criterion was a British literary magazine published from October 1922 to January 1939. The Criterion (or the Criterion) was, for most of its run, a quarterly journal, although for a period in 1927-28 it was published monthly. It was created by the poet, dramatist, and literary critic T. S. Eliot
T. S. Eliot
Thomas Stearns "T. S." Eliot OM was a playwright, literary critic, and arguably the most important English-language poet of the 20th century. Although he was born an American he moved to the United Kingdom in 1914 and was naturalised as a British subject in 1927 at age 39.The poem that made his...

 who served as its editor for its entire run.

Eliot's goal was to make it a literary review dedicated to the maintenance of standards and the reunification of a European intellectual community. Although in a letter to a friend in 1935 George Orwell
George Orwell
Eric Arthur Blair , better known by his pen name George Orwell, was an English author and journalist...

 had said "for pure snootiness it beats anything I have ever seen", writing in 1944 he referred to it as "possibly the best literary paper we have ever had". The first issue of the magazine, of which 600 copies were printed, included Eliot's The Waste Land
The Waste Land
The Waste Land[A] is a 434-line[B] modernist poem by T. S. Eliot published in 1922. It has been called "one of the most important poems of the 20th century." Despite the poem's obscurity—its shifts between satire and prophecy, its abrupt and unannounced changes of speaker, location and time, its...

. In its first year, it received contributions from Luigi Pirandello
Luigi Pirandello
Luigi Pirandello was an Italian dramatist, novelist, and short story writer awarded the Nobel Prize in Literature in 1934, for his "bold and brilliant renovation of the drama and the stage." Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written...

, Virginia Woolf
Virginia Woolf
Adeline Virginia Woolf was an English author, essayist, publisher, and writer of short stories, regarded as one of the foremost modernist literary figures of the twentieth century....

, Ezra Pound
Ezra Pound
Ezra Weston Loomis Pound was an American expatriate poet and critic and a major figure in the early modernist movement in poetry...

, E. M. Forster
E. M. Forster
Edward Morgan Forster OM, CH was an English novelist, short story writer, essayist and librettist. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society...

, and W. B. Yeats. Other contributors over the years included Wyndham Lewis
Wyndham Lewis
Percy Wyndham Lewis was an English painter and author . He was a co-founder of the Vorticist movement in art, and edited the literary magazine of the Vorticists, BLAST...

, Ezra Pound
Ezra Pound
Ezra Weston Loomis Pound was an American expatriate poet and critic and a major figure in the early modernist movement in poetry...

, Herbert Read
Herbert Read
Sir Herbert Edward Read, DSO, MC was an English anarchist, poet, and critic of literature and art. He was one of the earliest English writers to take notice of existentialism, and was strongly influenced by proto-existentialist thinker Max Stirner....

, John Middleton Murry
John Middleton Murry
John Middleton Murry was an English writer. He was prolific, producing more than 60 books and thousands of essays and reviews on literature, social issues, politics, and religion during his lifetime...

, John Gould Fletcher
John Gould Fletcher
John Gould Fletcher was an Imagist poet and author. He was born in Little Rock, Arkansas to a socially prominent family. After attending Phillips Academy, Andover Fletcher went on to Harvard University from 1903 to 1907, when he dropped out shortly after his father's death.Fletcher lived in...

, W. H. Auden
W. H. Auden
Wystan Hugh Auden , who published as W. H. Auden, was an Anglo-American poet,The first definition of "Anglo-American" in the OED is: "Of, belonging to, or involving both England and America." See also the definition "English in origin or birth, American by settlement or citizenship" in See also...

, Stephen Spender
Stephen Spender
Sir Stephen Harold Spender CBE was an English poet, novelist and essayist who concentrated on themes of social injustice and the class struggle in his work...

, and Hart Crane
Hart Crane
-Career:Throughout the early 1920s, small but well-respected literary magazines published some of Crane’s lyrics, gaining him, among the avant-garde, a respect that White Buildings , his first volume, ratified and strengthened...

. Nine contributions in 1924 and 1925 were made, pseudonymously, by Eliot's first wife, Vivienne Haigh-Wood, who suggested the journal's name. The Criterion became the first English periodical to publish Marcel Proust
Marcel Proust
Valentin Louis Georges Eugène Marcel Proust was a French novelist, critic, and essayist best known for his monumental À la recherche du temps perdu...

, Paul Valéry
Paul Valéry
Ambroise-Paul-Toussaint-Jules Valéry was a French poet, essayist, and philosopher. His interests were sufficiently broad that he can be classified as a polymath...

 and Jean Cocteau
Jean Cocteau
Jean Maurice Eugène Clément Cocteau was a French poet, novelist, dramatist, designer, playwright, artist and filmmaker. His circle of associates, friends and lovers included Kenneth Anger, Pablo Picasso, Jean Hugo, Jean Marais, Henri Bernstein, Marlene Dietrich, Coco Chanel, Erik Satie, María...

.

Lady Rothermere (Mary Lilian Share, the wife of the London newspaper magnate Harold Harmsworth, Viscount Rothermere) originally financed the journal, but on reading the first issue, she wrote three letters to Eliot criticizing it, and suggested ideas for later issues, including a story by Katherine Mansfield
Katherine Mansfield
Kathleen Mansfield Beauchamp Murry was a prominent modernist writer of short fiction who was born and brought up in colonial New Zealand and wrote under the pen name of Katherine Mansfield. Mansfield left for Great Britain in 1908 where she encountered Modernist writers such as D.H. Lawrence and...

.
After four years she withdrew her support and the magazine was acquired by Eliot's employer, Faber and Gwyer Publishing (later Faber & Faber). From January 1926, when Faber became the publisher, though January 1927 the journal was titled The New Criterion. The issues from May 1927 though March 1928 were titled The Monthly
Criterion
.

Some of Eliot's other contributions include his short story "On the Eve", commentaries, and poems, including early versions of "The Hollow Men
The Hollow Men
The Hollow Men is a major poem by T. S. Eliot. Its themes are, like many of Eliot's poems, overlapping and fragmentary, but it is recognised to be concerned most with post-World War I Europe under the Treaty of Versailles , the difficulty of hope and religious conversion, and, as some critics...

" and "Ash Wednesday
Ash Wednesday (poem)
"Ash Wednesday" is the first long poem written by T. S. Eliot after his 1927 conversion to Anglicanism. Published in 1930 , this poem deals with the struggle that ensues when one who has lacked faith in the past strives to move towards God.Sometimes referred to as Eliot's "conversion poem",...

".

Together with its rival, Adelphi
Adelphi (magazine)
The Adelphi or New Adelphi was an English literary journal published between 1923 and 1955.founded by John Middleton Murry. The first issue appeared in June 1922, with issues published monthly thereafter. Between August 1927 and September 1930 it was renamed the New Adelphi and issued quarterly...

, edited by John Middleton Murry
John Middleton Murry
John Middleton Murry was an English writer. He was prolific, producing more than 60 books and thousands of essays and reviews on literature, social issues, politics, and religion during his lifetime...

, it was the leading literary journal of the period. While the former's definitions of literature were based on romanticism
Romanticism
Romanticism was an artistic, literary and intellectual movement that originated in the second half of the 18th century in Europe, and gained strength in reaction to the Industrial Revolution...

 allied to liberalism and a subjective approach, Eliot used his publication for expounding his defense of classicism
Classicism
Classicism, in the arts, refers generally to a high regard for classical antiquity, as setting standards for taste which the classicists seek to emulate. The art of classicism typically seeks to be formal and restrained: of the Discobolus Sir Kenneth Clark observed, "if we object to his restraint...

, tradition, and Catholicism. In this contest Eliot emerged a clear victor, in the sense that in the London of the 1930s he had taken the centre of the critical stage.
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