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Lester Novros
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Lester Novros was born in 1909 in Passaic, NJ, and died on Sep 10, 2000. He studied painting at the National Academy of Design in New York City. He was also an active member of the Art Students League of New York, and studied at the prestigious Prado Museum in Madrid, Spain. His curiosity in the study of movement lead to an interest in motion pictures. In 1936 he was recruited by the Walt Disney Company to come to Hollywood to work on feature animation projects. Novros was an "in betweener" on the Disney classic SNOW WHITE AND THE SEVEN DWARFS (1937), and received a credit for art direction for the "Night on Bald Mountain" sequence of FANTASIA (1940).
In 1941, Novros left Disney to form his own production company, Graphic Films. That same year he joined the faculty of the Cinema Department of the University of Southern California.
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Lester Novros was born in 1909 in Passaic, NJ, and died on Sep 10, 2000. He studied painting at the National Academy of Design in New York City. He was also an active member of the Art Students League of New York, and studied at the prestigious Prado Museum in Madrid, Spain. His curiosity in the study of movement lead to an interest in motion pictures. In 1936 he was recruited by the Walt Disney Company to come to Hollywood to work on feature animation projects. Novros was an "in betweener" on the Disney classic SNOW WHITE AND THE SEVEN DWARFS (1937), and received a credit for art direction for the "Night on Bald Mountain" sequence of FANTASIA (1940).
In 1941, Novros left Disney to form his own production company, Graphic Films. That same year he joined the faculty of the Cinema Department of the University of Southern California. Thousands of students took his course on "Filmic Expression" before his retirement in 1984.
Graphic Films found immediate success producing training films for the military during World War II. As the USAF and NASA emerged in the post war period, Graphic's expertise in animating the visual dimensions of space exploration played a key role in interesting the United States Congress and the general public in supporting the country's first forays into space.
Among his many achievements, Novros may be most remembered as a pioneer in the large format and special venue film industries. Included in his filmography are numerous specialty films produced for World Fair Expositions, including several titles for the 1964 New York's World Fair, including Chemical Man for Abbott Laboratories, Reaching for the Stars, for Lockheed Corporation, and Voyage to America for the United States Pavilion. However, it was the 10-perf, 70mm film To the Moon and Beyond, (produced for Cinerama Corporation) that caught the attention of filmmaker Stanley Kubrick, who soon enlisted the creativity of Novros and his special effects team in the creation of 2001: A SPACE ODYSSEY (1968).
Novros's interest in large format film technology would lead him to produce some of the first Imax/Omnimax Films, for the Reuben H. Fleet Space Center in San Diego, California, including Voyage to the Outer Planets, Cosmos: the World of Loren Eisley and TOMORROW IN SPACE (1982). In 1976 Novros won national acclaim and an Academy Award nomination for his documentary film Universe.
Novros's much sought after course at USC helped young filmmakers understand the relationship of color, light, movement and form as they specifically related to the film medium. Upon his retirement from USC, he continued to assemble his lectures into a textbook. Former student and friend George Lucas penned these words for the introduction of the manuscript: "The first time I truly understood the unique quality of film was when I took Les Novros' class. Stressing that film is a kinetic medium, Les has kept the Eisenstienian flame burning at USC, and it is a tradition that has strongly influenced my work."
At the age of 91, Novros died in Sherman Oaks, C.A., after an extended illness.
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