Konrad Klapheck
Encyclopedia
Surrealism
Surrealism is a cultural movement that began in the early 1920s, and is best known for the visual artworks and writings of the group members....
and Pop art
Pop art
Pop art is an art movement that emerged in the mid 1950s in Britain and in the late 1950s in the United States. Pop art challenged tradition by asserting that an artist's use of the mass-produced visual commodities of popular culture is contiguous with the perspective of fine art...
.
He was born in Düsseldorf
Düsseldorf
Düsseldorf is the capital city of the German state of North Rhine-Westphalia and centre of the Rhine-Ruhr metropolitan region.Düsseldorf is an important international business and financial centre and renowned for its fashion and trade fairs. Located centrally within the European Megalopolis, the...
. From 1954–56 he studied painting under Bruno Goller at the Kunstakademie Düsseldorf
Kunstakademie Düsseldorf
The Kunstakademie Düsseldorf, formerly Staatliche Kunstakademie Düsseldorf, is the Arts Academy of the city of Düsseldorf. It is well known for having produced many famous artists, such as Joseph Beuys, Gerhard Richter, Sigmar Polke, Thomas Demand, and Andreas Gursky...
. Klapheck's works of the mid-1950s are in a magic realist
Magic realism
Magic realism or magical realism is an aesthetic style or genre of fiction in which magical elements blend with the real world. The story explains these magical elements as real occurrences, presented in a straightforward manner that places the "real" and the "fantastic" in the same stream of...
style that became more idiosyncratic when he painted the first of his typewriter
Typewriter
A typewriter is a mechanical or electromechanical device with keys that, when pressed, cause characters to be printed on a medium, usually paper. Typically one character is printed per keypress, and the machine prints the characters by making ink impressions of type elements similar to the pieces...
s. His subsequent paintings, often large in scale, are precise and seemingly realistic depictions of technical equipment, machinery and everyday objects, but strangely alienated; they are "monumental, amusingly absurd and sexually suggestive".
Klapheck's subjects through the years have included (in order of introduction) typewriters, sewing machines, water taps and showers, telephones, irons, shoes, keys, saws, car tires, bicycle bells and clocks. Influenced by Duchamp
Marcel Duchamp
Marcel Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. Considered by some to be one of the most important artists of the 20th century, Duchamp's output influenced the development of post-World War I Western art...
, Man Ray
Man Ray
Man Ray , born Emmanuel Radnitzky, was an American artist who spent most of his career in Paris, France. Perhaps best described simply as a modernist, he was a significant contributor to both the Dada and Surrealist movements, although his ties to each were informal...
, and Max Ernst
Max Ernst
Max Ernst was a German painter, sculptor, graphic artist, and poet. A prolific artist, Ernst was one of the primary pioneers of the Dada movement and Surrealism.-Early life:...
, Klapheck's "ironic treatment of everyday mechanics" prefigures Pop art
Pop art
Pop art is an art movement that emerged in the mid 1950s in Britain and in the late 1950s in the United States. Pop art challenged tradition by asserting that an artist's use of the mass-produced visual commodities of popular culture is contiguous with the perspective of fine art...
in its magnification of the trivial.
Between 1992 and 2002, he has painted friends, colleagues, and celebrities from the international art scene. He became a professor at the Kunstakademie Düsseldorf in 1979.