|
|
|
|
Greek chorus
|
| |
|
| |
The Greek chorus (choros) is a group of twelve or fifteen minor actors in tragic and twenty-four in comic plays of classical Athens.
s of the ancient Greek theatre always included a chorus that offered a variety of background and summary information to help the audience follow the performance. The Greek chorus comments on themes, and shows how an ideal audience might react to the drama.

Discussion
Ask a question about 'Greek chorus'
Start a new discussion about 'Greek chorus'
Answer questions from other users
|
Encyclopedia
The Greek chorus (choros) is a group of twelve or fifteen minor actors in tragic and twenty-four in comic plays of classical Athens.
Dramatic function
Plays of the ancient Greek theatre always included a chorus that offered a variety of background and summary information to help the audience follow the performance. The Greek chorus comments on themes, and shows how an ideal audience might react to the drama. The chorus also represents on stage the general population in any particular story, in sharp contrast with many of the themes of the ancient Greek plays which tended to be about individual heroes, gods, and goddesses.
In many of these plays, the chorus expressed to the audience what the main characters could not say, such as their fears or secrets. The chorus often provided other characters with the insight they need.
Stage management
The Greek chorus usually communicated in song form, but sometimes spoke their lines in unison. The chorus had to work in unison to help explain the play as there were only one to three actors on stage who were already playing several parts each. As the Greek theatres were so large, the chorus' actions had to be exaggerated and their voices clear so that everyone could see and hear them. To do this, they used techniques such as synchronization, echo, ripple, physical theatre and the use of masks to aid them.
Modern plays, especially Broadway musicals and grand operas, sometimes incorporate a contemporary version of the chorus, although they serve a different purpose.
Decline in antiquity
Before the introduction of multiple, interacting actors by Aeschylus, the Greek chorus was the main performer in relation to a solitary actor. The importance of the chorus declined after the 5th century BCE, when the chorus began to be separated from the dramatic action. Later dramatists depended on the chorus less than their predecessors.
Further reading
- Calame, Claude; (tr. Derek Collins), , Rowman & Littlefield, 2001. ISBN 0742515257
|
| |
|
|