Grande symphonie funèbre et triomphale
Encyclopedia
Grande symphonie funèbre et triomphale (English: Grand Funeral and Triumphal Symphony), Op. 15, is the fourth and last symphony
Symphony
A symphony is an extended musical composition in Western classical music, scored almost always for orchestra. A symphony usually contains at least one movement or episode composed according to the sonata principle...

 by the French
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...

 composer Hector Berlioz
Hector Berlioz
Hector Berlioz was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts . Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a...

, first performed on 28 July 1840 in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...

. The symphony was a commission by the French government which wanted to celebrate the tenth anniversary of the July Revolution
July Revolution
The French Revolution of 1830, also known as the July Revolution or in French, saw the overthrow of King Charles X of France, the French Bourbon monarch, and the ascent of his cousin Louis-Philippe, Duke of Orléans, who himself, after 18 precarious years on the throne, would in turn be overthrown...

 which had brought Louis-Philippe to power, by erecting the July Column
July Column
The July Column is a monument to the Revolution of 1830. It stands in the center of the Place de la Bastille, in Paris, to commemorate the Trois Glorieuses, the "three glorious" days in July 1830 that saw the fall of Charles X of France and the commencement of the "July Monarchy" of...

 in the place de la Bastille, Paris. Berlioz had little sympathy for the régime, but he accepted the opportunity to write the work which brought him a payment of 10,000 francs. It allowed him to return to the style of the open-air music festivities of the French Revolution
French Revolution
The French Revolution , sometimes distinguished as the 'Great French Revolution' , was a period of radical social and political upheaval in France and Europe. The absolute monarchy that had ruled France for centuries collapsed in three years...

 in the 1790s and thus, unlike his other symphonic works, shows little of the influence of Beethoven
Ludwig van Beethoven
Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time.Born in Bonn, then the capital of the Electorate of Cologne and part of...

. In fact, it is believed that much of the work is based on material which had been composed long before, such as the unperformed Fête musicale funèbre of 1835.

The symphony was originally scored for a wind band of 200 players who were to accompany the procession which moved the coffins of those who had died fighting in the 1830 revolution for reburial beneath a memorial column which had been set up on the site of the Bastille
Bastille
The Bastille was a fortress in Paris, known formally as the Bastille Saint-Antoine. It played an important role in the internal conflicts of France and for most of its history was used as a state prison by the kings of France. The Bastille was built in response to the English threat to the city of...

. On the actual day of the parade, little of the music could be heard over the cheering crowds who lined the way. Nevertheless, the work had been such a success at the dress rehearsal that it was given two more performances in August which sealed its reputation as one of the composer's most popular works during his lifetime. Berlioz revised the score in 1842, adding strings and a final chorus to words by Antony Deschamps.

The symphony is in three movements (the last two are linked together):
  1. Marche funèbre (Funeral march) By general consent, the most successful movement. Berlioz's handling of wind instruments was particularly admired by Richard Wagner
    Richard Wagner
    Wilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...

    .
  2. Oraison funèbre (Funeral oration) Berlioz reused an aria
    Aria
    An aria in music was originally any expressive melody, usually, but not always, performed by a singer. The term is now used almost exclusively to describe a self-contained piece for one voice usually with orchestral accompaniment...

     from Act III of his abandoned opera Les francs-juges
    Les francs-juges
    Les francs-juges is the title of an unfinished opera by the French composer Hector Berlioz written to a libretto by his friend Humbert Ferrand in 1826. The opera itself was abandoned by Berlioz, who destroyed most of the music...

    , replacing the voice part with a trombone
    Trombone
    The trombone is a musical instrument in the brass family. Like all brass instruments, sound is produced when the player’s vibrating lips cause the air column inside the instrument to vibrate...

    .
  3. Apothéose (Apotheosis) A triumphal march in B-flat major.

Recordings

  • Berlioz: Requiem & Grande symphonie funèbre et triomphale: John Alldis Choir, London Symphony Orchestra, conducted by Sir Colin Davis (Philips)

Sources

  • David Cairns: Berlioz: Servitude and Greatness (the second volume of his biography of the composer) (Viking, 1999)
  • Hugh Macdonald: Berlioz ("The Master Musicians", J.M.Dent, 1982)
  • Berlioz: Memoirs (Dover, 1960)
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