Francisco Riba Rovira
Encyclopedia
Francisco Riba-Rovira also known as Francesc, (born Barcelona 1913, died Paris 2002) was a Catalan
and a Spanish painter.
He worked to pay for his Beaux-Arts studies in Barcelona
. He succeeded in this for only one or two months before the start of the Spanish Civil War
. He fought against the rebellion led by Francisco Franco
against the established Government of the Second Spanish Republic
. After the war he was forced into exile in France, first in Perpignan or near to be in a Camp as prisoner on a beach.
The Second World War began a few months later. In Gertrude Stein
's exhibition preface, it notes that Riba Rovira was arrested by the Gestapo
. And the Nazi soldiers who kept him prisoner were Netherlands Nazi SS. After an attempted escape for the second time he succeeded to escape from this camp which was near Vannes in French Britain. He chose the day it was raining a lot for impeach the dogs feeling after him. And for that he had to fight against one Nazi SS Dutch soldier. He did it.
After the war he talked about, that he learned what a few days after he escapes from the camp, a train was made by the Nazis for red Spanish republican soldiers for expedition to Mathausen. And very few people know that this Mathausen camp was harder than Dachau and even Buchenwald Dora just below Auschwitz for concentration camp part. Mathausen was the only one concentration camp put in the category number 3. And even he escaped from that, anybody can understand he lost about ten years with the wars. The best years you have in your life when it takes off good time when you are near thirty years in a man life.
This painter was a very secret man, who worked very hard on every picture or drawing. He did not speak much. His speaking was in his art. Not speaking about his art. Generally he began with a drawing after a gouache for color studies, leading on to oil composition. So it cost him several weeks working hard in his working place where he left first 27 and after 29 Guénégaud Street in Paris, near the Pont Neuf
, near the Rue de Seine
, near St. Germain des Prés. Riba Rovira also liked jazz and going to the Bar Vert in Paris.
He met Gertrude Stein
when she was passing by with her dog "Basket" on the Seine docks. And it would be interesting to have Gertrude Stein's opinion about him. Because when she said that, she told us among an historical perspective of art, with a comparative view. With Picasso, Cézanne, Matisse,Juan Gris. It is one of the last text before she died one year later. And first it is about him. So we show it to you.
The following is a translation from Stein's preface to the exhibition by Francisco Riba-Rovira at Roquepine Gallery in May 1945:
It is inevitable that when we really need someone we find him. The person you need attracts you like a magnet. I returned to Paris after these long years spent in the countryside and I needed a young painter, a young painter who would awaken me. Paris was magnificent, but where was the young painter? I looked everywhere: at my contemporaries and their followers. I walked a lot, I looked everywhere, in all the galleries, but the young painter was not there. Yes, I walk a lot, a lot at the edge of the Seine where we fish, where we paint, where we walk dogs (I am one of those who walk their dogs). Not a single young painter! One day, on the corner of a street, in one of these small streets in my district, I saw a man painting. I looked at him; at him and at his painting, as I always look at everybody who creates something I have an indefatigable curiosity to look and I was moved. Yes, a young painter! We began to speak, because we speak easily, as easily as in country roads, in the small streets of the district. His story was the sad story of the young people of our time. A young Spaniard who studied in fine arts in Barcelona: civil war; exile; a concentration camp; escape. Gestapo, another prison, another escape. Eight lost years! If they were lost, who knows? And now a little misery, but all the same the painting. Why did I find that it was him the young painter, why? I visited his drawings, his painting: we speak. I explained that for me, all modern painting is based on what Cézanne nearly made, instead of basing itself on what he almost managed to make. When he could not make a thing, he hijacked it and left it. He insisted on showing his incapacity: he spread his lack of success: showing what he could not do, became an obsession for him. People influenced by him were also obsessed by the things which they could not reach and they began the system of camouflage. It was natural to do so, even inevitable:that soon became an art, in peace and in war, and Matisse concealed and insisted at the same time on that Cézanne could not realize, and Picasso concealed, played and tormented all these things. The only one who wanted to insist on this problem, was Juan Gris. He persisted by deepening the things which Cézanne wanted to do, but it was too hard a task for him: it killed him. And now here we are, I find a young painter who does not follow the tendency to play with what Cézanne could not do, but who attacks any right the things which he tried to make, to create the objects which have to exist, for, and in themselves, and not in relation. This young painter has his weakness and his strength. His force will push him in this road. I am fascinated and that is why he is the young painter who I needed. He is Francisco Riba-Rovira .
This writing come from ;
- Gertrude Stein/Yale University/U.S.A "A LA RECHERCHE D'UN JEUNE PEINTRE": "Looking for a young painter" Riba-Rovira.
— Gertrude Stein, « À la recherche d'un jeune peintre »Riba-Rovira, revue Fontaine, directeur Max-Pol Fouchet, no 42, p. 287-288, 1945.
He belongs to the way of painting which is usually called the Modern School of Paris
. When he was living in Paris, before staying on Guénégaud Street where his flat "atelier" was, he went for a short time in front of the Seine near the Notre Dame de Paris
, in the building just in front of the Police Prefecture where Matisse got his work place. But Paco, as he was nicknamed did not stay there long. So Guénégaud street was his main residence in France where he stays still his end of his life .
He did exposition on 1954 in Bernheim Jeune in Paris. And about on 1955 in Passedoit Gallery in New York. In Cincinnati in Ohio also.
About his art he usually said that it was very difficult for a painter to be born after the Impressionists. He like very much them. Especially Sisley, Pissarro for instance. With Spanish painters he had a great preference for Goya, and admiration for Goya's political views throughout its art.
And if he got strong political views Riba-Rovira in his pictures did not have a political inspiration. But when in 1964 it was a great asturies coke miners on strike he did with Picasso and some other artists a support book with drawings, pictures, gouaches, poems.
The colors he used were made by himself. For that he usually bought "pigments" in specialised stores and after he burned them still some times 800 degrees and so on.
His vision was life to the service of art and not the contrary. What was his philosophical view. He had a great admiration for Max Stirner.
It would be a big injustice that to ignore the help that former mayor of Madrid got for him ,Mister Sahagun ,on 1976 who at the very difficult moment knew how to emphasize in particular his drawings .
Not to quote even how his meeting with Bazile Muro by 1983 that is approximately six years after his meeting with Sahagun former Minister of Defence of the democratic transition in Spain and the attempt of coup d'état on the seventies last century .
This meeting played a decisive role .It boosted his painter's career .
For the paintings ,and for drawings .
Basilio Muro indeed moved at least twice in Paris in his artist workplace studio of the street Guénégaud next to street of the Seine river and the Pont Neuf in the district St Germain des Prés to see his works.
Basilio Muro is one of the great specialist in Spain of the School of Paris who lives to Valencia in Spain today supported a lot him .
And goes on today still to make a commitment for him .And to agree with that ,just go to see the pictures he shows .And you understand his main role indeed .
He a lot allows us to see so his works .Anyone can say that these two persons played and play another major role in the knowledge of its work in Spain especially since Valencia. And his website.
Gertrude Stein teaches us that she was fascinated by his work. And you that is it?
Because an important moment takes place at present .This year and the next one .And we have to speak a little with your permission .It is very important to respect his artist work with this cultural evenement .
Her portrait appearing in the catalog ,with the Gertrude Stein’s preface , in first place in the plaque of display for the exhibition of Gallerie Roquépine on 1945 is displayed for approximately one year since last June in successively several places in the U.S.A.
We speak naturally about the portrait of Gertrude Stein by Riba-Rovira on 1945. Perhaps the last one made by a painter before she died .
And you can see it now .
It began thanks to a whole series of exhibitions in touch with the collection of Gertrude Stein and of her family in the United States. These family collection of the family Stein is exposed, and the famous portrait which we did not know, since more sixty five years, in San Francisco from June till September.
After now from October till January in Washington .And then to finish to the Museum of Modern Art of New York since February to June 2012 .
And you can see this portrait in the both catalogs of the international exhibitions .
It is a big event for him ,Francisco Riba-Rovira , this year.And we wanted to tell you that .
Perhaps since his meeting with Gertrude Stein even if he is dead now .
EXHIBITIONS where the portrait of Gertrude Stein is
"Seeing Gertrude Stein: Five Stories" October 14, 2011 through January 22, 2012 the National Portrait Gallery, Smithsonian Institution, Washington D.C.
“The Steins Collect” February 22-June 3, 2012 Metropolitan Modern Art Museum of New York / 1000 Fifth Avenue New York, New York 10028
Catalan people
The Catalans or Catalonians are the people from, or with origins in, Catalonia that form a historical nationality in Spain. The inhabitants of the adjacent portion of southern France are sometimes included in this definition...
and a Spanish painter.
He worked to pay for his Beaux-Arts studies in Barcelona
Barcelona
Barcelona is the second largest city in Spain after Madrid, and the capital of Catalonia, with a population of 1,621,537 within its administrative limits on a land area of...
. He succeeded in this for only one or two months before the start of the Spanish Civil War
Spanish Civil War
The Spanish Civil WarAlso known as The Crusade among Nationalists, the Fourth Carlist War among Carlists, and The Rebellion or Uprising among Republicans. was a major conflict fought in Spain from 17 July 1936 to 1 April 1939...
. He fought against the rebellion led by Francisco Franco
Francisco Franco
Francisco Franco y Bahamonde was a Spanish general, dictator and head of state of Spain from October 1936 , and de facto regent of the nominally restored Kingdom of Spain from 1947 until his death in November, 1975...
against the established Government of the Second Spanish Republic
Second Spanish Republic
The Second Spanish Republic was the government of Spain between April 14 1931, and its destruction by a military rebellion, led by General Francisco Franco....
. After the war he was forced into exile in France, first in Perpignan or near to be in a Camp as prisoner on a beach.
The Second World War began a few months later. In Gertrude Stein
Gertrude Stein
Gertrude Stein was an American writer, poet and art collector who spent most of her life in France.-Early life:...
's exhibition preface, it notes that Riba Rovira was arrested by the Gestapo
Gestapo
The Gestapo was the official secret police of Nazi Germany. Beginning on 20 April 1934, it was under the administration of the SS leader Heinrich Himmler in his position as Chief of German Police...
. And the Nazi soldiers who kept him prisoner were Netherlands Nazi SS. After an attempted escape for the second time he succeeded to escape from this camp which was near Vannes in French Britain. He chose the day it was raining a lot for impeach the dogs feeling after him. And for that he had to fight against one Nazi SS Dutch soldier. He did it.
After the war he talked about, that he learned what a few days after he escapes from the camp, a train was made by the Nazis for red Spanish republican soldiers for expedition to Mathausen. And very few people know that this Mathausen camp was harder than Dachau and even Buchenwald Dora just below Auschwitz for concentration camp part. Mathausen was the only one concentration camp put in the category number 3. And even he escaped from that, anybody can understand he lost about ten years with the wars. The best years you have in your life when it takes off good time when you are near thirty years in a man life.
This painter was a very secret man, who worked very hard on every picture or drawing. He did not speak much. His speaking was in his art. Not speaking about his art. Generally he began with a drawing after a gouache for color studies, leading on to oil composition. So it cost him several weeks working hard in his working place where he left first 27 and after 29 Guénégaud Street in Paris, near the Pont Neuf
Pont Neuf
The Pont Neuf is, despite its name, the oldest standing bridge across the river Seine in Paris, France. Its name, which was given to distinguish it from older bridges that were lined on both sides with houses, has remained....
, near the Rue de Seine
Rue de Seine
Rue de Seine is a street in the VIe arrondissement of Paris. It is famous for Guy Debord's 1953 anticapitalist graffiti Ne travaillez jamais ....
, near St. Germain des Prés. Riba Rovira also liked jazz and going to the Bar Vert in Paris.
He met Gertrude Stein
Gertrude Stein
Gertrude Stein was an American writer, poet and art collector who spent most of her life in France.-Early life:...
when she was passing by with her dog "Basket" on the Seine docks. And it would be interesting to have Gertrude Stein's opinion about him. Because when she said that, she told us among an historical perspective of art, with a comparative view. With Picasso, Cézanne, Matisse,Juan Gris. It is one of the last text before she died one year later. And first it is about him. So we show it to you.
The following is a translation from Stein's preface to the exhibition by Francisco Riba-Rovira at Roquepine Gallery in May 1945:
It is inevitable that when we really need someone we find him. The person you need attracts you like a magnet. I returned to Paris after these long years spent in the countryside and I needed a young painter, a young painter who would awaken me. Paris was magnificent, but where was the young painter? I looked everywhere: at my contemporaries and their followers. I walked a lot, I looked everywhere, in all the galleries, but the young painter was not there. Yes, I walk a lot, a lot at the edge of the Seine where we fish, where we paint, where we walk dogs (I am one of those who walk their dogs). Not a single young painter! One day, on the corner of a street, in one of these small streets in my district, I saw a man painting. I looked at him; at him and at his painting, as I always look at everybody who creates something I have an indefatigable curiosity to look and I was moved. Yes, a young painter! We began to speak, because we speak easily, as easily as in country roads, in the small streets of the district. His story was the sad story of the young people of our time. A young Spaniard who studied in fine arts in Barcelona: civil war; exile; a concentration camp; escape. Gestapo, another prison, another escape. Eight lost years! If they were lost, who knows? And now a little misery, but all the same the painting. Why did I find that it was him the young painter, why? I visited his drawings, his painting: we speak. I explained that for me, all modern painting is based on what Cézanne nearly made, instead of basing itself on what he almost managed to make. When he could not make a thing, he hijacked it and left it. He insisted on showing his incapacity: he spread his lack of success: showing what he could not do, became an obsession for him. People influenced by him were also obsessed by the things which they could not reach and they began the system of camouflage. It was natural to do so, even inevitable:that soon became an art, in peace and in war, and Matisse concealed and insisted at the same time on that Cézanne could not realize, and Picasso concealed, played and tormented all these things. The only one who wanted to insist on this problem, was Juan Gris. He persisted by deepening the things which Cézanne wanted to do, but it was too hard a task for him: it killed him. And now here we are, I find a young painter who does not follow the tendency to play with what Cézanne could not do, but who attacks any right the things which he tried to make, to create the objects which have to exist, for, and in themselves, and not in relation. This young painter has his weakness and his strength. His force will push him in this road. I am fascinated and that is why he is the young painter who I needed. He is Francisco Riba-Rovira .
This writing come from ;
- Gertrude Stein/Yale University/U.S.A "A LA RECHERCHE D'UN JEUNE PEINTRE": "Looking for a young painter" Riba-Rovira.
— Gertrude Stein, « À la recherche d'un jeune peintre »Riba-Rovira, revue Fontaine, directeur Max-Pol Fouchet, no 42, p. 287-288, 1945.
He belongs to the way of painting which is usually called the Modern School of Paris
School of Paris
School of Paris refers to two distinct groups of artists — a group of medieval manuscript illuminators, and a group of non-French artists working in Paris before World War I...
. When he was living in Paris, before staying on Guénégaud Street where his flat "atelier" was, he went for a short time in front of the Seine near the Notre Dame de Paris
Notre Dame de Paris
Notre Dame de Paris , also known as Notre Dame Cathedral, is a Gothic, Roman Catholic cathedral on the eastern half of the Île de la Cité in the fourth arrondissement of Paris, France. It is the cathedral of the Catholic Archdiocese of Paris: that is, it is the church that contains the cathedra of...
, in the building just in front of the Police Prefecture where Matisse got his work place. But Paco, as he was nicknamed did not stay there long. So Guénégaud street was his main residence in France where he stays still his end of his life .
He did exposition on 1954 in Bernheim Jeune in Paris. And about on 1955 in Passedoit Gallery in New York. In Cincinnati in Ohio also.
About his art he usually said that it was very difficult for a painter to be born after the Impressionists. He like very much them. Especially Sisley, Pissarro for instance. With Spanish painters he had a great preference for Goya, and admiration for Goya's political views throughout its art.
And if he got strong political views Riba-Rovira in his pictures did not have a political inspiration. But when in 1964 it was a great asturies coke miners on strike he did with Picasso and some other artists a support book with drawings, pictures, gouaches, poems.
The colors he used were made by himself. For that he usually bought "pigments" in specialised stores and after he burned them still some times 800 degrees and so on.
His vision was life to the service of art and not the contrary. What was his philosophical view. He had a great admiration for Max Stirner.
It would be a big injustice that to ignore the help that former mayor of Madrid got for him ,Mister Sahagun ,on 1976 who at the very difficult moment knew how to emphasize in particular his drawings .
Not to quote even how his meeting with Bazile Muro by 1983 that is approximately six years after his meeting with Sahagun former Minister of Defence of the democratic transition in Spain and the attempt of coup d'état on the seventies last century .
This meeting played a decisive role .It boosted his painter's career .
For the paintings ,and for drawings .
Basilio Muro indeed moved at least twice in Paris in his artist workplace studio of the street Guénégaud next to street of the Seine river and the Pont Neuf in the district St Germain des Prés to see his works.
Basilio Muro is one of the great specialist in Spain of the School of Paris who lives to Valencia in Spain today supported a lot him .
And goes on today still to make a commitment for him .And to agree with that ,just go to see the pictures he shows .And you understand his main role indeed .
He a lot allows us to see so his works .Anyone can say that these two persons played and play another major role in the knowledge of its work in Spain especially since Valencia. And his website.
Gertrude Stein teaches us that she was fascinated by his work. And you that is it?
Because an important moment takes place at present .This year and the next one .And we have to speak a little with your permission .It is very important to respect his artist work with this cultural evenement .
Her portrait appearing in the catalog ,with the Gertrude Stein’s preface , in first place in the plaque of display for the exhibition of Gallerie Roquépine on 1945 is displayed for approximately one year since last June in successively several places in the U.S.A.
We speak naturally about the portrait of Gertrude Stein by Riba-Rovira on 1945. Perhaps the last one made by a painter before she died .
And you can see it now .
It began thanks to a whole series of exhibitions in touch with the collection of Gertrude Stein and of her family in the United States. These family collection of the family Stein is exposed, and the famous portrait which we did not know, since more sixty five years, in San Francisco from June till September.
After now from October till January in Washington .And then to finish to the Museum of Modern Art of New York since February to June 2012 .
And you can see this portrait in the both catalogs of the international exhibitions .
It is a big event for him ,Francisco Riba-Rovira , this year.And we wanted to tell you that .
Perhaps since his meeting with Gertrude Stein even if he is dead now .
EXHIBITIONS where the portrait of Gertrude Stein is
"Seeing Gertrude Stein: Five Stories" October 14, 2011 through January 22, 2012 the National Portrait Gallery, Smithsonian Institution, Washington D.C.
“The Steins Collect” February 22-June 3, 2012 Metropolitan Modern Art Museum of New York / 1000 Fifth Avenue New York, New York 10028