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Fanny Brice
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Fanny Brice (October 29 1891 – May 29 1951) was a popular and influential American comedienne, singer, theatre and film actress, who made many stage, radio and film appearances but is best remembered as the creator and star of the top-rated radio comedy series, The Baby Snooks Show. Thirteen years after her death, she was portrayed on the Broadway stage by Barbra Streisand in Funny Girl. The show was made into a musical film in 1968.
Fanny Brice (occasionally spelled Fannie Brice) was the stage name of Fania Borach, born in New York City, the third child of relatively well-off saloon owners of Hungarian Jewish descent.
In 1908, she dropped out of school to work in a burlesque revue, and two years later she began her association with Florenz Ziegfeld, headlining his Ziegfeld Follies from 1910 into the 1930s.
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Encyclopedia
Fanny Brice (October 29 1891 – May 29 1951) was a popular and influential American comedienne, singer, theatre and film actress, who made many stage, radio and film appearances but is best remembered as the creator and star of the top-rated radio comedy series, The Baby Snooks Show. Thirteen years after her death, she was portrayed on the Broadway stage by Barbra Streisand in Funny Girl. The show was made into a musical film in 1968.
Fanny Brice (occasionally spelled Fannie Brice) was the stage name of Fania Borach, born in New York City, the third child of relatively well-off saloon owners of Hungarian Jewish descent.
In 1908, she dropped out of school to work in a burlesque revue, and two years later she began her association with Florenz Ziegfeld, headlining his Ziegfeld Follies from 1910 into the 1930s. In the 1921 Follies, she was featured singing "My Man" which became both a big hit and her signature song. She made a popular recording of it for Victor Records.
The second song most associated with her is "Second Hand Rose". She recorded nearly two dozen record sides for Victor and also cut several for Columbia. She is a posthumous recipient of a Grammy Hall of Fame Award for her 1921 recording of "My Man".
Her films include My Man (1928), Be Yourself! (1930) and Everybody Sing (1938) with Judy Garland. Brice, Ray Bolger and Harriet Hoctor were the only original Ziegfeld performers to portray themselves in The Great Ziegfeld (1936) and Ziegfeld Follies (1946). For her contribution to the motion picture industry, she has a star on the Hollywood Walk of Fame at MP 6415 Hollywood Boulevard.
Radio
From the 1930s until her death in 1951, Fanny made a radio presence as a bratty toddler named Snooks, a role she first premiered in a Follies skit co-written by playwright Moss Hart. With first Alan Reed and then Hanley Stafford as her bedeviled Daddy, Baby Snooks premiered in The Ziegfeld Follies of the Air in February 1936 on CBS.
She moved to NBC in December 1937, performing the Snooks routines as part of the Good News show, then back to CBS on Maxwell House Time, the half-hour divided between the Snooks sketches and comedian Frank Morgan, in September 1944. Her longtime Snooks sketch writers---Philip Rapp, David Freedman---finally brought in partners like Arthur Stander and Everett Freeman to develop an independent, half-hour comedy program, launched on CBS in 1944 and moving to NBC in 1948, with Freeman producing. First called Toasties Time (named for the show's first sponsor), the show was renamed The Baby Snooks Show within short order, though in later years it was often known colloquially as Baby Snooks and Daddy.
Brice was so meticulous about the program and the title character that she was known to perform in costume as a toddler girl even though seen only by the radio studio audience. She was 45 years old when the character began her long radio life. In addition to Reed and Stafford, her co-stars included Lulu Roman, Lalive Brownell, Lois Corbet and Arlene Harris playing her mother, Danny Thomas as Jerry, Charlie Cantor as Uncle Louie and Ken Christy as Mr. Weemish. She was completely devoted to the character, as she told biographer Norman Katkov: "Snooks is just the kid I used to be. She's my kind of youngster, the type I like. She has imagination. She's eager. She's alive. With all her deviltry, she is still a good kid, never vicious or mean. I love Snooks, and when I play her I do it as seriously as if she were real. I am Snooks. For 20 minutes or so, Fanny Brice ceases to exist."
Baby Snooks writer/producer Everett Freeman told Katkov that Brice didn't like to rehearse the role ("I can't do a show until it's on the air, kid") but always snapped into it on the air, losing herself completely in the character: "While she was on the air she was Baby Snooks. And after the show, for an hour after the show, she was still Baby Snooks. The Snooks voice disappeared, of course, but the Snooks temperament, thinking, actions were all there."
Marriages
Brice had a short-lived marriage in her teens to a local barber, Frank White, whom she met in 1911 in Springfield, Mass., when she was touring in "College Girl." The marriage lasted only a few days and she brought suit for divorce. Her second husband was professional gambler Jules W. Jules "Nicky" Arnstein. Prior to their marriage, Arnstein served 14 months in Sing Sing for wiretapping where Brice visited him every week. In 1918 they were married after living together for 6 years. In 1924, Arnstein was charged in a Wall Street bond theft. Brice insisted on his innocence and funded his legal defense, at great expense. Arnstein was convicted and sentenced to the Federal penitentiary at Leavenworth where he served 3 years. Released in 1927, the ungrateful and unfaithful Arnstein disappeared from Brice's life and that of his two children. Reluctantly, Brice divorced him. She went on to marry songwriter and stage producer Billy Rose and appeared in his revue Crazy Quilt, among others. Unfortunately, that marriage also failed.
Television
Brice and Stafford brought Baby Snooks and Daddy to television only once, an appearance in 1950 on CBS-TV's Popsicle Parade of Stars. This was Fanny Brice's only appearance on television. Viewing the kinescope recording today, Fanny is a strange, but amusing sight: a middle-aged woman in a little girl's outfit (and none of the other cast seem to find this unusual). Brice handled herself well on the live TV broadcast but later admitted that the character of Baby Snooks just didn’t work properly when seen.
She returned with Stafford and the Snooks character to the safety of radio for her next appearance, on Tallulah Bankhead's legendary big-budget, large-scale radio variety show, The Big Show, in November 1950, sharing the bill with Groucho Marx and Jane Powell. In one routine Snooks knocks on Bankhead's dressing room door for advice on becoming an actress when she grew up in spite of Daddy's warning that she already lacked what it took.
Six months after her Big Show appearance, Fanny Brice died in Hollywood at the age of 59 of a cerebral hemorrhage. She is interred in the Westwood Village Memorial Park Cemetery in Los Angeles. The May 29 1951 episode of The Baby Snooks Show was broadcast as a memorial to the star who created the brattish toddler, crowned by Hanley Stafford's brief on-air eulogy: "We have lost a very real, a very warm, a very wonderful woman." Her original interment was located at Home of Peace Memorial Park.
Brice portrayals
Although the names of the principal characters were changed, the plot of the 1939 film Rose of Washington Square was inspired heavily by Brice's marriage and career, to the extent it borrowed its title from a tune she performed in the Follies and included "My Man." She sued 20th Century Fox for invasion of privacy and won the case. Producer Darryl F. Zanuck was forced to delete several production numbers closely associated with the star.
Barbra Streisand starred as Brice in the 1964 Broadway musical Funny Girl, which centered on Brice's rise to fame and troubled relationship with Arnstein. In 1968, Ms. Streisand won the Academy Award for Best Actress for reprising her role in the film version. The 1975 sequel Funny Lady focused on Brice's turbulent relationship with impresario Billy Rose and was as highly fictionalized as the original. Streisand also recorded the Brice songs "My Man," "I'd Rather Be Blue Over You (Than Happy with Somebody Else)" and "Second Hand Rose," which became a Top 40 hit.
Funny Girl and Funny Lady are examples of how plays and films take great liberties with the lives of historical figures and/or events. The Streisand film makes no mention of Brice's first husband at all. It also suggests that Arnstein turned to crime because his pride wouldn't allow him to live off Fanny, and that he was wanted by the police for selling phony bonds. In reality, however, Arnstein shamelessly sponged off Brice even before their marriage and was eventually named as a member of a gang that stole $5 million of Wall Street securities. Instead of turning himself in, as in the movie, Arnstein went into hiding. When he finally surrendered, he did not plead guilty as he did in the movie, but fought the charges for four years, taking a toll on his wife's finances. It is thought that Ray Stark, the producer of the play and both movies and Brice's son-in-law, changed Arnstein's story in order to avoid a lawsuit, as Arnstein was still alive at the time. Brice's son William was not mentioned in the play or movies by mutual agreement; other changes (such as the portrayal of Brice's parents as poor rather than well-off or the omission of Brice's first husband) may have been done to increase the dramatic power of the story.
Two children were born of the Brice-Arnstein marriage. Daughter Frances (1919-1992) married Ray Stark, while son William (1921-2008) became an artist of note, using his mother's surname.
The campus of the State University of New York (SUNY) at Stony Brook formerly had a Fannie Brice Theatre, a small 75-seat venue which has been used for a variety of performances over the years, including a 1988 production of the musical Hair, staged readings, and a studio classroom space. The building was razed in 2007 to make way for new dormitories.
The 1946 Warner Bros. cartoon Quentin Quail features a character based on Brice's characterization of Baby Snooks.
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