Apollo of Veii
Encyclopedia
The Apollo of Veii is an over-life-size painted terracotta Etruscan
statue of Apollo
(Aplu). Originally at Veii
, it dates from c. 550 - 520 BC ans was sculpted in the in the so-called "international" Ionic or late-archaic Etruscan style. It was discovered in 1916, and is now on show in the National Etruscan Museum
in Rome
, central Italy.
The statue was probably made by Vulca
, the only Etruscan artist whose name is known. It was part of a scene of Apollo and Heracles
contending over the Ceryneian Hind
, 12 metres above the ground on beams on the acroterion
of the Portonaccio Sanctuary of Minerva. The statue is dressed in a tunic and short cloak, advancing towards the left with the right arm outstretched and bent (the statue's left arm is towards the ground and may have held a bow).
Together with other statues, it decorated the roof beams of the Temple of Veio in Portonaccio, a sanctuary dedicated to Minerva. Placed on high plinths they were erected with an acroterial function twelve metres high and even though they were created separately, they narrated Greek mythical events at least in part tied to the god Apollo. The statue, which is currently undergoing restoration work, together with the statue of Heracles, formed a group representing one of the labours of the hero before his apotheosis among the divinities of Olympus. The myth narrates the contention between the god and the hero for the possession of the doe with the golden horns. There was probably also a statue of Mercury united to this group of which only the head and a part of the body remain. Apollo, dressed in a tunic and short cloak advances towards his left with his right arm outstretched and bent (his left arm is towards the ground maybe with a bow in his hand); Heracles, with the doe tied around his legs, is outstretched towards the right, leaning forwards to attack with his bludgeon and with his torso in a violent curve.
The Group was conceived for a lateral vision and the solid volume of the figures united with the dissymmetry both in Apollo (the torso and face) and Heracles torso suggest that the artist was knowledgeable regarding optical deformations. The style of the statues is in the ambit of the “international” Ionic manner that characterizes not only the Etruscan artistic culture of the late archaic period of the last years of the 6th century BC but the result achieved reaches very high expressive levels. The creator of the acroterial statues can be identified as the “Artist from Veio, an expert in coroplastic art”.
Etruscan civilization
Etruscan civilization is the modern English name given to a civilization of ancient Italy in the area corresponding roughly to Tuscany. The ancient Romans called its creators the Tusci or Etrusci...
statue of Apollo
Apollo
Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
(Aplu). Originally at Veii
Veii
Veii was, in ancient times, an important Etrurian city NNW of Rome, Italy; its site lies in Isola Farnese, a village of Municipio XX, an administrative subdivision of the comune of Rome in the Province of Rome...
, it dates from c. 550 - 520 BC ans was sculpted in the in the so-called "international" Ionic or late-archaic Etruscan style. It was discovered in 1916, and is now on show in the National Etruscan Museum
National Etruscan Museum
The National Etruscan Museum is a museum of the Etruscan civilization housed in the Villa Giulia in Rome, Italy.-History:The villa was built by the popes and remained their property until 1870 when, in the wake of the Risorgimento and the demise of the Papal States, it became the property of the...
in Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
, central Italy.
The statue was probably made by Vulca
Vulca
Vulca was an Etruscan artist from the town of Veii. The only Etruscan artist mentioned by ancient writers, he worked for the last of the Roman kings, Tarquinius Superbus. He is responsible for creating a terracotta statue of Jupiter that was inside the Temple of Jupiter Optimus Maximus on the...
, the only Etruscan artist whose name is known. It was part of a scene of Apollo and Heracles
Heracles
Heracles ,born Alcaeus or Alcides , was a divine hero in Greek mythology, the son of Zeus and Alcmene, foster son of Amphitryon and great-grandson of Perseus...
contending over the Ceryneian Hind
Ceryneian Hind
In Greek mythology, the Ceryneian Hind , also called Cerynitis, was an enormous hind , who lived in Keryneia, Greece. It was sacred to Artemis, the chaste goddess of the hunt, animals and unmarried women. It had golden antlers like a stag and hooves of bronze or brass, and it was said that it could...
, 12 metres above the ground on beams on the acroterion
Acroterion
An acroterion or acroterium is an architectural ornament placed on a flat base called the acroter or plinth, and mounted at the apex of the pediment of a building in the Classical style. It may also be placed at the outer angles of the pediment; such acroteria are referred to as acroteria angularia...
of the Portonaccio Sanctuary of Minerva. The statue is dressed in a tunic and short cloak, advancing towards the left with the right arm outstretched and bent (the statue's left arm is towards the ground and may have held a bow).
Together with other statues, it decorated the roof beams of the Temple of Veio in Portonaccio, a sanctuary dedicated to Minerva. Placed on high plinths they were erected with an acroterial function twelve metres high and even though they were created separately, they narrated Greek mythical events at least in part tied to the god Apollo. The statue, which is currently undergoing restoration work, together with the statue of Heracles, formed a group representing one of the labours of the hero before his apotheosis among the divinities of Olympus. The myth narrates the contention between the god and the hero for the possession of the doe with the golden horns. There was probably also a statue of Mercury united to this group of which only the head and a part of the body remain. Apollo, dressed in a tunic and short cloak advances towards his left with his right arm outstretched and bent (his left arm is towards the ground maybe with a bow in his hand); Heracles, with the doe tied around his legs, is outstretched towards the right, leaning forwards to attack with his bludgeon and with his torso in a violent curve.
The Group was conceived for a lateral vision and the solid volume of the figures united with the dissymmetry both in Apollo (the torso and face) and Heracles torso suggest that the artist was knowledgeable regarding optical deformations. The style of the statues is in the ambit of the “international” Ionic manner that characterizes not only the Etruscan artistic culture of the late archaic period of the last years of the 6th century BC but the result achieved reaches very high expressive levels. The creator of the acroterial statues can be identified as the “Artist from Veio, an expert in coroplastic art”.