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100 Club Punk Festival
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The 100 Club Punk Festival was a two-day event held at the 100 Club - a typically jazz-oriented venue in Oxford Street, London, England - on September 20 and 21, 1976. The gig showcased eight punk rock bands, most of which were unsigned. The bands in attendance were each associated with the evolving punk rock music scene and movement of the United Kingdom. The concert marked a watershed for the movement, as punk began to move from the "underground" and emerge into the "mainstream" music scene.
arly September 1976, concert promoter Ron Watts approached Malcolm McLaren, manager of the punk band, the Sex Pistols, and proposed that the Sex Pistols headline the event.
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Encyclopedia
The 100 Club Punk Festival was a two-day event held at the 100 Club - a typically jazz-oriented venue in Oxford Street, London, England - on September 20 and 21, 1976. The gig showcased eight punk rock bands, most of which were unsigned. The bands in attendance were each associated with the evolving punk rock music scene and movement of the United Kingdom. The concert marked a watershed for the movement, as punk began to move from the "underground" and emerge into the "mainstream" music scene.
Promotion
In early September 1976, concert promoter Ron Watts approached Malcolm McLaren, manager of the punk band, the Sex Pistols, and proposed that the Sex Pistols headline the event. After that, they presented the idea to The Damned and The Clash, both of which quickly agreed to participate. Siouxsie Sioux directly approached Watts and requested to join the lineup as well. McLaren then volunteered the Stinky Toys and a handful of other bands from Manchester.
The enthusiasm for this event was partly due to the very positive and extensive promotion by Melody Maker journalist Caroline Coon.
The Line-Up
Monday, September 20
Tuesday, September 21
Performances
The Vibrators were a new group that had only recently begun to write their own music and, at the encouragement of Ron Watts, they decided to back Chris Spedding for the show (who was booked to play the second night but didn't have a band behind him). Spedding taught The Vibrators a few songs in the dressing room immediately prior the actual show, leaving no real time for an actual rehearsal.
Siouxsie & the Banshees' set, however, was completely improvisational. They didn't know or play any songs, and their act had a very "performance art" quality. Siouxsie, for instance, recited The Lord's Prayer and similar memorized pieces of text.
None of the shows were rehearsed, says Ron Watts, "It was just people, getting up and trying to do something."
Attendees
A great many people who were later to become involved in the punk scene claimed to have "been there" during the two-day festival, but this is an unlikely claim; the venue had a 600-person capacity. However, amongst the known attendees were: Shane MacGowan (later of The Nipple Erectors and The Pogues), Shanne Bradley (of The Nipple Erectors and The Men They Couldn't Hang), Viv Albertine of The Slits, Chrissie Hynde (later of The Pretenders), Vivienne Westwood (McLaren's then partner and co-manager of the Chelsea boutique SEX), Gaye Advert and TV Smith (later of The Adverts), as well as members of the Bromley Contingent, the punk fashion avant-garde.
The event was unfortunately marred by violence when a glass, reputedly thrown by then Banshees drummer and later Sex Pistols bass player Sid Vicious, shattered against a pillar during The Damned's set, blinding a young girl in one eye. Vicious also notoriously attacked NME journalist Nick Kent with a bicycle chain at the same event.
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