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• One good song with a message can bring a point more deeply to more people than a thousand rallies.
  • Statement in Broadside magazine (1962), quoted in Songs of the Vietnam Conflict (2001) by James E. Perone, p. 19

• Before the days of television and mass media, the folksinger was often a traveling newspaper spreading tales through music. There is an urgent need for Americans to look deeply into themselves and their actions, and musical poetry is perhaps the most effective mirror available. Every newspaper headline is a potential song.
  • Introduction to "(The Marines Have Landed on the Shores of) Santo Domingo," Phil Ochs in Concert (1966)

• In every political community there are varying shades of political opinion. One of the shadiest of these is the liberals. An outspoken group on many subjects. Ten degrees to the left of center in good times. Ten degrees to the right of center if it affects them personally. Here, then, is a lesson in safe logic.
  • Introduction to "Love Me, I'm a Liberal" on Phil Ochs in Concert (1966)

• Does defending liberalism leave you friendless and perhaps wondering about your breath?
  • "Have you Heard? The War is Over!" The Village Voice (1967-11-23) [later published in Ochs' The War is Over (1968)]

• I was over there, entertaining the troops. I won't say which troops.
  • Introduction to "The World Began In Eden And Ended in Los Angeles" from There and Now: Live in Vancouver (1968)

• Leave the old and dying America and use your creative energies to help form a new America, which would be de-militarized, more humanistic, where the police are less hostile and closer to the community, where the wealthy are not given unleashed power for the exploitation of the people. And, mostly because it's now a matter of life and death, reassert an ecological balance with the environment, which means the people in the oil companies and the car companies and the space industry and all the other industries will have to be brought into account, so that there will be a new definition of government which has to be closer to the people and less close to special interests which are far more harmful than any revolutionaries.
  • Broadside magazine interview (1968; published 1976)

• I write all my own songs and they are just simple melodies with a lot of lyrics. They usually have to do with current events and what is going on in the news. You can call them topical songs, songs about the news, and then developing into more philosophical songs later.
  • Testimony at the Chicago Seven trial (1969-12-11)

• MR. KUNSTLER: Now, Mr. Ochs, have you ever been associated with what is called the Youth International Party, or, as we will say, the Yippies?
  THE WITNESS: Yes. I helped design the party, formulate the idea of what Yippie was going to be, in the early part of 1968.
  MR. KUNSTLER: Can you indicate to the Court and jury what Yippie was going to be, what its purpose was for its formation?
  THE WITNESS: The idea of Yippie was to be a form of theater politics, theatrically dealing with what seemed to be an increasingly absurd world and trying to deal with it in other than just on a straight moral level. They wanted to be able to act out fantasies in the street to communicate their feelings to the public.
  • Testimony at the Chicago Seven trial (1969-12-11)

• I can spare a dime, brother, but in these morally inflationary times, a dime goes a lot farther if it's demanding work rather than adding to the indignity of relief.
  • Interview with Michael Ross (1969)

• It is wrong to expect a reward for your struggles. The reward is the act of struggle itself, not what you win. Even though you can't expect to defeat the absurdity of the world, you must make that attempt. That's morality, that's religion. That's art. That's life.
  • As quoted in The Complete Phil Ochs : Chords of Fame (1978) by Almo publications

• [The Yippie demonstrations] were merely an attack of mental disobedience on an obediently insane society ... and if you feel you have been living in an unreal world for the last couple of years, it is particularly because this power structure has refused to listen to reason ... Step outside the guidelines of the official umpires and make your own rules and your own reality.
  • Quoted in An American Ordeal: The Antiwar Movement of the Vietnam Period (1990) by Charles DeBenedetti, p. 223

Lyrics

• Now they sing out his praises on every distant shore
  But so few remember what he was fightin' for
  Oh why sing the songs and forget about the aim?
  He wrote them for a reason, why not sing them for the same?
  • "Bound For Glory" from All the News That's Fit to Sing (1964)

• Yet she's only as rich as the poorest of the poor
  Only as free as a padlocked prison door
  Only as strong as our love for this land
  Only as tall as we stand!
  • "The Power and the Glory" from All the News That's Fit to Sing (1964)

• Here is a land full of power and glory
  Beauty that words cannot recall
  Oh her power shall rest on the strength of her freedom
  Her glory shall rest on us all.
  • "The Power and the Glory"

• It's always the old to lead us to the war
  It's always the young to fall
  Now look at all we've won with the sabre and the gun
  Tell me is it worth it all.
  • "I Ain't Marching Anymore" from I Ain't Marching Anymore(1965)

• Call it peace or call it treason,
  Call it love or call it reason,
  But I ain't marching anymore!
  • "I Ain't Marching Anymore"

• Well I've seen travel in many ways
  I've traveled in cars and old subways
  But in Birmingham some people chose
  To fly down the street from a fire hose.
  Doin' some hard travelin'...from hydrants of plenty.
  • "Talking Birmingham Jam" from I Ain't Marching Anymore (1965)

• And the evil is done in hopes that evil surrenders
  but the deeds of the devil are burned too deep in the embers
  and a world of hunger in vengeance will always remember
  So please be reassured, we seek no wider war,
  we seek no wider war.
  • "We Seek No Wider War" (1965) from Farewells & Fantasies (1997)
  • Note: The song title alludes to a speech by Lyndon Johnson, dated 1965-02-17, in which he said, referring to the war in Vietnam: "We have no ambition there for ourselves, we seek no wider war."

• Dump the reds in a pile, boys
  Dump the reds in a pile
  You'd better wipe off that smile, boys
  Better wipe off that smile
  We'll spit through the streets of the cities we wreck
  We'll find you a leader that you can't elect
  Those treaties we signed were a pain in the neck
  'Cause we're the cops of the world, boys
  We're the cops of the world.
  • "Cops of the World" from Phil Ochs in Concert (1966)

• And I won't be laughing at the lies when I'm gone
  And I can't question how or when or why when I'm gone
  Can't live proud enough to die when I'm gone
  So I guess I'll have to do it while I'm here.
  • "When I'm Gone" from Phil Ochs in Concert (1966)

• So do your duty, boys, and join with pride
  Serve your country in her suicide
  Find the flags so you can wave goodbye
  But just before the end even treason might be worth a try
  This country is to young to die
  I declare the war is over
  It's over, it's over.
  • "The War Is Over" from Tape from California (1968)

• Oh you tell me that there's danger to the land you call your own
  And you watch them build the war machine right beside your home
  And you tell me that you're ready to go marchin' to the war
  I know you're set for fighting, but what are you fighting for?
  • Are You Fighting For" from Songs for Broadside (1976)

Pleasures of the Harbor (1967)

Full lyrics online

• I watched my life fade-away in a flash
  A quarter of a century dash through closets full of candles with never a room
  For rapture through a kingdom had been captured.
  And so I turn away from my drizzling furniture and pass old ladies
  Sniffling by movie stars' tombs, yes I must be home again soon.
  To face the unspoken unguarded thoughts of habitual hearts
  A vanguard of electricians a village full of tarts
  Who say you must protest you must protest
  It is your diamond duty...
  Ah but in such an ugly time the true protest is beauty
  And the bleeding seer crawled from the ruins of the empire
  And stood bleeding, bleeding on the border
  He said, passion has led to chaos and now chaos will lead to order.
  Oh I have been away for a while and I hope to be back again soon.
  • Liner notes; part of this statement is often paraphrased "In such ugly times, the only true protest is beauty."

• I'm gonna give all I've got to give
  Cross my heart, and I hope to live.
  • "Cross My Heart"

• The painter paints his brushes black
  Through the canvas runs a crack
  Portrait of the pain never answers back.
  • "The Flower Lady"

• Look outside the window, there's a woman being grabbed
  They've dragged her to the bushes and now she's being stabbed
  Maybe we should call the cops and try to stop the pain
  But Monopoly is so much fun, I'd hate to blow the game
  And I'm sure it wouldn't interest anybody
  Outside of a small circle of friends.
• "Outside Of A Small Circle Of Friends"

• Smoking marijuana is more fun than drinking beer,
  But a friend of ours was captured and they gave him thirty years
  Maybe we should raise our voices, ask somebody why
  But demonstrations are a drag, besides we're much too high.
  • "Outside Of A Small Circle Of Friends"

• In the green fields a turnin', a baby is born
  His cries crease the wind and mingle with the morn
  An assault upon the order, the changing of the guard
  Chosen for a challenge that is hopelessly hard
  And the only single sound is the sighing of the stars
  But to the silence and distance they are sworn.
  • "Crucifixion"

• So dance dance dance
  Teach us to be true
  Come dance dance dance
  'Cause we love you
  • "Crucifixion"

• Images of innocence charge him go on
  But the decadence of destiny is looking for a pawn
  To a nightmare of knowledge he opens up the gate
  And a blinding revelation is laid upon his plate
  That beneath the greatest love is a hurricane of hate
  And God help the critic of the dawn.
  • "Crucifixion"

• They say they can't believe it, it's a sacreligious shame
  Now, who would want to hurt such a hero of the game?
  But you know I predicted it; I knew he had to fall
  How did it happen? I hope his suffering was small.
  Tell me every detail, I've got to know it all,
  And do you have a picture of the pain?
  • "Crucifixion"

• Time takes her toll and the memory fades
  but his glory is broken, in the magic that he made.
  Reality is ruined; it's the freeing from the fear
  The drama is distorted, to what they want to hear
  Swimming in their sorrow, in the twisting of a tear
  As they wait for a new thrill parade.
  • "Crucifixion"

The Broadside Tapes 1 (made in the 1960s; published ca. 1980)

• When they show the destruction of society on color TV, I want to be able to look out over Los Angeles and make sure they get it right.
  • Liner notes

• The final story, the final chapter of Western man, I believe, lies in Los Angeles.
  • Liner notes

• Leaving America is like losing twenty pounds and finding a new girlfriend.
  • Liner notes

• A protest song is a song that's so specific that you cannot mistake it for bullshit.
  • Liner notes

• And if there's any hope for America, it lies in a revolution, and if there's any hope for a revolution in America, it lies in getting Elvis Presley to become Che Guevara.
  • Liner notes

• America is two Mack trucks colliding on a superhighway because all the drivers are on amphetamines.
  • Liner notes

• God isn't dead — he's just missing in action.
  • Liner notes

Quotes about Ochs

• I just can't keep up with Phil. And he's getting better and better and better.
  • Bob Dylan

• We got our heads bashed in Chicago; we saw students shot to death at Kent State; we had people stabbed to death at the Rolling Stones' Altamont concert — what do we have to believe in anymore? Unfortunately, for Phil Ochs, he couldn't give an answer. He lost his faith.
  • Michael Schumacher, There But For Fortune: The Life of Phil Ochs (1996)

• That was really Phil's strong point. The big rally. He was a topical singer. He sang a lot of songs about the news of the day. When he performed in that kind of venue, he was at his absolute best.
  • Michael Schumacher, There But For Fortune: The Life of Phil Ochs (1996)

• Phil believed strongly that one could change events, or change people's perception, through a well-crafted song.
  • Michael Schumacher, There But For Fortune: The Life of Phil Ochs (1996)

• He was kind of forbidden fruit in a way. Everybody thinks of the '60s as being nothing but radicals and hippies and crazy people, but when you were going to school, people discouraged you from listening to people like Phil Ochs or Bob Dylan, or reading Jack Kerouac and Allen Ginsberg... He was seen as this of radical which is really kind of funny. When you look back, his message was so humanistic, how could it possibly have seemed so radical? He was singing for equality and freedom and the end of war.
  • Michael Schumacher, There But For Fortune: The Life of Phil Ochs (1996)