Description

The painting depicts two topless

Toplessness

Toplessness is the state in which a female's breasts are uncovered, with the areolae and nipples visible, usually in a public space. It can also refer to a female not wearing any clothing above the waist, which is the female equivalent to a male barechestedness.The history and even the present-day...

 women, one holding mango

Mango

The mango is a fleshy stone fruit belonging to the genus Mangifera, consisting of numerous tropical fruiting trees in the flowering plant family Anacardiaceae. The mango is native to India from where it spread all over the world. It is also the most cultivated fruit of the tropical world. While...

 blossoms, on the Pacific Island of Tahiti

Tahiti

Tahiti is the largest island in the Windward group of French Polynesia, located in the archipelago of the Society Islands in the southern Pacific Ocean. It is the economic, cultural and political centre of French Polynesia. The island was formed from volcanic activity and is high and mountainous...

. Currently, the painting is housed at the National Gallery of Art

National Gallery of Art

The National Gallery of Art and its Sculpture Garden is a national art museum, located on the National Mall between 3rd and 9th Streets at Constitution Avenue NW, in Washington, DC...

, on loan from the Metropolitan Museum of Art

Metropolitan Museum of Art

The Metropolitan Museum of Art is a renowned art museum in New York City. Its permanent collection contains more than two million works, divided into nineteen curatorial departments. The main building, located on the eastern edge of Central Park along Manhattan's Museum Mile, is one of the...

 in New York.

Although Tahiti is depicted as an innocent paradise, the two women in the painting confront the viewer in a way similar to that in Manet's Le déjeuner sur l'herbe (1863) or Olympia (1863), and follow an artistic tradition of comparing woman's breasts to flowers or fruit. The women in the painting also appear in two other works by Gauguin, Faa Iheihe (Tahitian Pastoral) (1898) and Rupe, Rupe (1899).

The painting was attacked April 1, 2011, when a woman banged on the painting's plastic cover. Due to the protection of the plexiglass, the painting was not harmed. The woman was “immediately restrained and detained” by the museum’s security guards who charged her with destruction of property and attempted theft.