TT52
Encyclopedia
The Theban
Thebes, Egypt
Thebes is the Greek name for a city in Ancient Egypt located about 800 km south of the Mediterranean, on the east bank of the river Nile within the modern city of Luxor. The Theban Necropolis is situated nearby on the west bank of the Nile.-History:...

 Tomb TT52 is located in Sheikh Abd el-Qurna
Sheikh Abd el-Qurna
The necropolis of Sheikh Abd el-Qurna is located on the West Bank at Thebes, Egypt.Named after the doomed tomb of the local saint. This is the most frequently visited cemetery on the Theban west bank, with the largest concentration of private tombs....

, part of the Theban Necropolis
Theban Necropolis
The Theban Necropolis is an area of the west bank of the Nile, opposite Thebes in Egypt. It was used for ritual burials for much of Pharaonic times, especially in the New Kingdom of Egypt.-Mortuary Temples:* Deir el-Bahri** Mortuary temple of Hatshepsut...

, on the west bank of the Nile
Nile
The Nile is a major north-flowing river in North Africa, generally regarded as the longest river in the world. It is long. It runs through the ten countries of Sudan, South Sudan, Burundi, Rwanda, Democratic Republic of the Congo, Tanzania, Kenya, Ethiopia, Uganda and Egypt.The Nile has two major...

, opposite to Luxor
Luxor
Luxor is a city in Upper Egypt and the capital of Luxor Governorate. The population numbers 487,896 , with an area of approximately . As the site of the Ancient Egyptian city of Thebes, Luxor has frequently been characterized as the "world's greatest open air museum", as the ruins of the temple...

. It is the burial place of the Ancient Egypt
Ancient Egypt
Ancient Egypt was an ancient civilization of Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. Egyptian civilization coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh...

ian official, Nakht
Nakht
The Ancient Egyptian official Nakht was an 'astronomer' , scribe, and priest during the reign of Thutmose IV, during the Eighteenth Dynasty. He is buried in the Theban Necropolis, in tomb TT52....

.

Architecture

The tomb architecture and decoration conforms to the standard design of Theban
Thebes, Egypt
Thebes is the Greek name for a city in Ancient Egypt located about 800 km south of the Mediterranean, on the east bank of the river Nile within the modern city of Luxor. The Theban Necropolis is situated nearby on the west bank of the Nile.-History:...

 tombs of the New Kingdom by using such scenes that are commonly found in contemporary tombs. Some of these decorations display differences from scenes found in Old Kingdom mastaba
Mastaba
A mastaba, or "pr-djt" , is a type of ancient Egyptian tomb in the form of a flat-roofed, rectangular structure with outward sloping sides that marked the burial site of many eminent Egyptians of Egypt's ancient period...

s of Memphis
Memphis, Egypt
Memphis was the ancient capital of Aneb-Hetch, the first nome of Lower Egypt. Its ruins are located near the town of Helwan, south of Cairo.According to legend related by Manetho, the city was founded by the pharaoh Menes around 3000 BC. Capital of Egypt during the Old Kingdom, it remained an...

, where one of the principal functions of the tomb was to ensure magical sustenance for the ka, whereas in the New Kingdom tombs, the primary function was to identify oneself on the tomb walls.

The tomb has the typical T-shaped architectural design that was common for non-royal Theban tombs of the New Kingdom; there was a broad hall, which followed from the entrance and court. This led into an inner chamber, the long hall, and the shrine, which was situated in a niche, containing the statue of the deceased. These chambers were designed to contain scenes for the service of the dead in their afterlife. Essentially, this architectural design is somewhat similar to that of the bipartite mastabas of the Old Kingdom, which contained two main chambers, the offering chapel and the burial chamber, as these New Kingdom tombs also contain two main chambers. However, in the latter tombs both of the chambers are created for different purposes to that of the chambers within the Old Kingdom mastabas. Within the mastaba, the offering chapel was dedicated to the sustenance of the deceased beyond death by magically providing food and water. Such scenes are generally not depicted as often in the New Kingdom tombs.

Decoration

The stela on the south wall of the broad hall shows men making offerings to images of the deceased. Beneath this, Nut is shown before a pile of offerings. This scene, therefore, shows that the dead were not wholly reliable on their family for offerings but could rely on "a divine source as well". Similar scenes could also be found on the walls of Old Kingdom burials, depicting processions of people bringing offerings for the deceased. However, Malek wrote that offerings scenes are rarer in New Kingdom tombs than in the Old Kingdom.

Two corresponding scenes are depicted on the east wall next to the entrance to the broad hall. These scenes show Nakht and his wife, Tawy, making offerings to Ra
Ra
Ra is the ancient Egyptian sun god. By the Fifth Dynasty he had become a major deity in ancient Egyptian religion, identified primarily with the mid-day sun...

, who is manifested by the sunlight that would emerge from the doorway. This scene is depicted to show the continuation of an earthly ritual in the afterlife – in the New Kingdom private individuals had access to an afterlife meaning that they could expect to enter the Field of Reeds.
A scene on the south side of the west wall represents a banquet scene. This genre of scene is frequently represented in New Kingdom tombs. The family of the deceased, in this case Nakht and Tawy, is also shown together being entertained by the musicians and dancers. Malek wrote "domestic scenes are frequent" because they emphasise the closeness of the family and their continued existence together in the afterlife. However, these scenes may also have a sexual or potent purpose for the afterlife. Mannich wrote that by including such scenes in the tomb, the deceased could be guaranteed potency in the hereafter. She writes that banquet scenes "are littered with such references" including the inclusion of mandrakes and lotus flowers, which are being held by the women in the second register
Register (sculpture)
In art and archaeology, a register is a vertical level in a work that consists of several levels, especially where the levels are clearly separated by lines; modern comic books typically use similar conventions...

. These type of scenes were highly common in New Kingdom Theban tombs.

On the south side of the east wall, there is an agricultural scene. Nakht is shown overseeing men who are ploughing, sowing and harvesting the fields. The scenes of agriculture may show the continuation of Nakht’s life in the Field of Reeds. However, as suggested by Noblecourt, these scenes may metaphorically show an eternal life through the process of farming, through the seasons. If Noblecourt’s view is accurate, then the scenes are different from that of Old Kingdom mastabas, where any agricultural scenes were designed primarily as a means of magically ensuring the continuity of farming on the estates of the deceased, thereby allowing sustenance for their ka.
On the north side of the west wall, Nakht is shown in a further frequently depicted scene: the fishing and fowling scene. This type of scene is also commonly found in New Kingdom, and although they were not uncommon in Old Kingdom mastabas, within the latter their primary purpose was to provide magical sustenance for the dead. In the tomb of Nakht, he is shown spearing fish and fowl, together with his family. Davies (1917:66) suggests that “sustenance…was not always coaxed from the soil by severe labor [sic]”, indicating that this scene was used to show a form of receiving food after death in a different way, for entertainment for the deceased and for an artistic change of genre. However, there is a different interpretation that they were, like banquet scenes, depicted to show an image of potency and creativity after death as some of the equipment is similar and "the women present…wear outfits similar to that worn for a banquet".

Davies writes that all of these scenes may have had a further important motif in showing the family of the deceased together. He wrote that the Egyptians enjoyed family life and "the strength with which love of family survived death is witnessed to by the family groups painted on nearly every wall", suggesting that one purpose of the tomb scenes was to guarantee their company beyond death.

The architecture and decoration display much evidence for the thought of the Egyptians regarding their afterlife. As the tomb was split into two chambers, it can be said that they regarded their death in two parts, their afterlife and the transition phase between death and the afterlife, the latter not being depicted in the Tomb of Nakht. The decoration shows that, in contrast to Old Kingdom beliefs, as depicted of the walls of Memphite mastabas, its most important function was depict a life after death, together with family, with indications of creativity and potency, and "thus the picture of Theban life in a tomb of the Eighteenth Dynasty is a clear mirror of existence…of the homesteads around it where the nature-loving Egyptian preferred to dwell".

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