Scoring A Century
Encyclopedia
Scoring A Century is an opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 with music by English composer David Blake
David Blake (composer)
David Blake is a British composer born in London in 1936. Following National Service Blake learnt Mandarin Chinese and spent one year in Hong Kong. He went on to read music at Gonville and Caius College, Cambridge, where his teachers were Patrick Hadley, Peter Tranchell and Raymond Leppard...

. The libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 was written by Opera Director Keith Warner. It is described as a 'low entertainment for highbrows, or vice versa'.

It tells the history of Mr and Mrs Jedermann, a couple of song and dance merchants, and incidentally of the twentieth century too.

The Jedermanns stumble through the momentous events, politics and social change of the last one hundred years, never ageing and only begrudgingly developing. Their sole aim is to provide some songs and snatches, to raise a laugh or provoke a tear. The form the piece adopts is more that of musical comedy than opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

. It is a modern Singspiel
Singspiel
A Singspiel is a form of German-language music drama, now regarded as a genre of opera...

, a review of a century in nineteen panels. There is dialogue and songs, but from time to time the action is interrupted by through-composed mini-operas which contain the serious, imaginative heart of the show.

Performance History

Scoring a Century was originally conceived as part of the millennium celebrations. Scenes from the work were premiered by the University of York Music Department in November 1999 whilst the complete work was being lined up to debut at Portland Opera
Portland Opera
Portland Opera is an American opera company based at The Hampton Opera Center in Portland, Oregon. Its mainstage performances take place in the Keller Auditorium, while the Portland Opera Studio Theater at the Hampton center is used for performances of chamber operas...

, Oregon
Oregon
Oregon is a state in the Pacific Northwest region of the United States. It is located on the Pacific coast, with Washington to the north, California to the south, Nevada on the southeast and Idaho to the east. The Columbia and Snake rivers delineate much of Oregon's northern and eastern...

. Just as plans were beginning to finalise, however, the US suffered the 9/11 terrorist attacks. “After 9/11, American opera houses immediately lost their budgets and Portland Opera decided to do Bohèmes and Magic Flutes instead,” Blake says. “It was a big disappointment.”

On March 4, 2010 the Opera received its World Premiere at the Crescent Theatre, Birmingham
Birmingham
Birmingham is a city and metropolitan borough in the West Midlands of England. It is the most populous British city outside the capital London, with a population of 1,036,900 , and lies at the heart of the West Midlands conurbation, the second most populous urban area in the United Kingdom with a...

, by students from the Birmingham Conservatoire Vocal Department. Directed by Keith Warner and Conducted by Lionel Friend.

Roles

Role Voice Type Premiere Cast,
4 March 2010
(Conductor
Conducting
Conducting is the art of directing a musical performance by way of visible gestures. The primary duties of the conductor are to unify performers, set the tempo, execute clear preparations and beats, and to listen critically and shape the sound of the ensemble...

: Lionel Friend)
Ernest Jedermann Baritone Matthew Cooper
Edith Jedermann Mezzo Lucie Louvrier
Private Tenor Ben Gillham http://www.bengillham.co.uk
Sergeant Baritone Joseph Kennedy
Nurse Mezzo Anna Jeffers
Woodrow Wilson Tenor Kristian Cleworth
Clemenceau Tenor Mikael Onelius
Lloyd George Bass James Davies
Lenin Bass Ian McFarlane
Manager Spoken Debbie Oliver
Jedermann's Son Spoken Dale Harris
Berthold Tenor Henrik Lagercrantz
Studio Assistant Spoken Hannah Nye
Young Man Spoken Ben Gillham
Violinist Spoken Joshua Takacs
Tartine Soprano Francesca Saracino
Man in Nazi Uniform Spoken Thomas Arnold-Haynes
Gestapo Officer Spoken Craig Jackson
Father Baritone Hedd Owen Griffiths
Mother Mezzo Fiona Krober/Shira Lang
Station Master Bass Timothy Elliot
Voice Of Son Spoken Dale Harris
Kommissar Spoken Andrea Tjader
American Chairman Tenor Lee Beaumont
Soviet Prosecutor Bass Matthew Durkan
Girl in Jeans Soprano Penny Appleyard
Old Man Tenor Mitesh Khatri
Woman 1 Mezzo Olivia Barry http://www.oliviabarry.co.uk/Harriet Campbell(alternating)
Woman 2 Soprano Lianne Birkett/Georgina Stalbow(alternating)
Woman 3 Soprano Claire Lees/Roma Loukes(alternating)
Woman in Black Spoken Andrea Pfenninger
Hippy 1 Spoken Joe Kennedy
Hippy 2 Spoken Stephanie Darkins
Hippy 3 Spoken Yukimi Muta
Hippy 4 Spoken Rosie Secker
Mary Lou Spoken Rachel Farr
Stage Manager Spoken Rose Mitchell
Police Officer Spoken Kay Standen
African-American Spoken Roberta Turner
Nurse(Act 2) Spoken Amelia Burns
Yuppie Tenor Craig Jackson
Bennie Blumenkohl Spoken Joe Kennedy
Evita Spoken Rosie Secker
Studio Producer Spoken Austine Broad
Engineer Spoken Timothy Elliott
Chorus All of the above plus Phillippa Cairns, Rachel Bowden, Claire Barnett Jones and Stephanie McClean

External links



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