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Roger Corman
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Roger William Corman (born April 5 1926), sometimes nicknamed "King of the Bs" for his output of B-movies (though he himself rejects this as inaccurate), is a prolific American producer and director of low-budget movies, some of which have an established critical reputation: his cycle of films derived from the tales of Edgar Allan Poe for example.
Corman has apprenticed many now-famous directors, stressing the importance of budgeting and resourcefulness; Corman once joked he could make a film about the fall of the Roman Empire with two extras and a sagebush.
an was born in Detroit, Michigan, the son of Anne and William Corman, an engineer.
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Encyclopedia
Roger William Corman (born April 5 1926), sometimes nicknamed "King of the Bs" for his output of B-movies (though he himself rejects this as inaccurate), is a prolific American producer and director of low-budget movies, some of which have an established critical reputation: his cycle of films derived from the tales of Edgar Allan Poe for example.
Corman has apprenticed many now-famous directors, stressing the importance of budgeting and resourcefulness; Corman once joked he could make a film about the fall of the Roman Empire with two extras and a sagebush.
Biography
Early life
Corman was born in Detroit, Michigan, the son of Anne and William Corman, an engineer. His brother Gene Corman has also produced numerous films, sometimes in collaboration with his brother. Roger Corman received an industrial engineering degree from Stanford University, beginning his film career in 1953 as a producer and screenwriter. Corman started directing films in 1955.
Career
In Corman's most active period, he would produce up to seven movies a year. His fastest film was perhaps The Little Shop of Horrors (1960), which was reputedly shot in two days and one night. Supposedly, he had made a bet that he could shoot an entire feature film in less than three days. Another version of the story claims that he had a set rented for a month, and finished using it with three days to spare, thus pushing him to use the set to make a new film. These claims are disputed by others who worked on the film, who have called it part of Corman's own myth-building.
Corman is probably best known for his filmings of various Edgar Allan Poe stories at American International Pictures, mostly in collaboration with writer/scenarist Richard Matheson, including House of Usher (1960), The Pit and the Pendulum (1961), The Premature Burial (1962), Tales of Terror (1962) The Raven (1963), The Masque of the Red Death (1964), and The Tomb of Ligeia (1964). All but Premature Burial starred Vincent Price. After the film version of The Raven was completed, he reportedly realized he still had some shooting days left before the sets were torn down and so made another film, The Terror (1963) on the spot with the remaining cast, crew and sets.
He also directed one of William Shatner's earliest appearances in a lead role with The Intruder (1962). Based on a novel by Charles Beaumont, the film, made for approximately USD $80,000, has become famous for its treatment of segregation and civil rights.
In 1970, Corman founded New World Pictures which became a small independently owned production/distribution studio, releasing many cult films such Death Race 2000(1975) and the Joe Dante film Piranha (1978). Corman eventually sold New World to an investment group in 1983, and later formed Concorde Pictures and later New Horizons.
Corman's penultimate film as director was 1971's Von Richthofen & Brown (he had always wanted to make an aviation movie, he being a pilot himself); he then returned to directing once more with 1990's Frankenstein Unbound. In total, Roger Corman has produced over 300 movies and directed over 50.
Proteges
A number of noted film directors worked with Corman, usually early in their careers, including Francis Ford Coppola, Martin Scorsese, Ron Howard, Peter Bogdanovich, Jonathan Demme, Donald G. Jackson, Gale Anne Hurd, Carl Colpaert, Joe Dante, James Cameron, John Sayles, Monte Hellman, Paul Bartel, George Armitage, Jonathan Kaplan, George Hickenlooper, Curtis Hanson, and Jack Hill. Many have said that Corman's influence taught them some of the ins-and-outs of filmmaking. In the extras for the DVD of The Terminator, director James Cameron refers to his work for Corman as, "I trained at the Roger Corman Film School." The British director Nicolas Roeg served as the cinematographer on The Masque of the Red Death. Actors who obtained their career breaks working for Corman include Jack Nicholson, Peter Fonda, Bruce Dern, Michael McDonald, Dennis Hopper, Talia Shire, and Robert De Niro.
Many of Corman's proteges have rewarded him with cameos in their works, notably The Godfather Part II, The Silence of the Lambs, and Apollo 13.
His autobiography, titled How I Made a Hundred Movies in Hollywood and Never Lost a Dime (ISBN 0-306-80874-9), documents his experiences in the film industry. In 2000, Corman was featured alongside cult filmmakers Harry Novak, Doris Wishman, David F. Friedman and former collaborators Sam Arkoff, Dick Miller and Peter Bogdanovich in the documentary SCHLOCK! The Secret History of American Movies, a film about the rise and fall of American exploitation cinema.
Corman was honored with the Lifetime Achievement Award at the 2005 New York City Horror Film Festival. Corman was the fourth recipient, following George A. Romero, Tom Savini and Tobe Hooper.
"The Corman Film School"
A number of important and influential filmmakers and actors had their first big break with Roger Corman. The following list is limited to Oscar winners.
Directors
Other major directors from the Corman school have included Peter Bogdanovich, Joe Dante, Jonathan Kaplan, and John Sayles.
Partial filmography (as Director)
External links
- (via UC Berkeley)
- on (re)Search my Trash
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