Pyramus and Thisbe (Lampe)
Encyclopedia
Pyramus and Thisbe is a mock opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 in one act by John Frederick Lampe
John Frederick Lampe
John Frederick Lampe was a musician.He was born in Saxony, but came to England in 1724 and played the bassoon in opera houses. His wife, Isabella Lampe, was sister-in-law to the composer Thomas Arne with whom Lampe collaborated on a number of concert seasons...

 to an anonymous libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 based on Richard Leveridge
Richard Leveridge
Richard Leveridge was an English bass singer of the London stage and a composer of baroque music, including many popular songs....

’s libretto of the same name after the play-within-a-play in William Shakespeare
William Shakespeare
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...

’s A Midsummer Night’s Dream which is in turn based the Greek myth
Greek mythology
Greek mythology is the body of myths and legends belonging to the ancient Greeks, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices. They were a part of religion in ancient Greece...

 Pyramus and Thisbe
Pyramus and Thisbe
Pyramus and Thisbe are two characters of Roman mythology, whose love story of ill-fated lovers is also a sentimental romance.The tale is told by Ovid in his Metamorphoses.-Plot:...

. The opera premiered at the Covent Garden Theatre
Royal Opera House
The Royal Opera House is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The...

 in London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...

on 25 January 1745.

This was the last of Lampe’s operas, and was a much-needed success after a difficult period for musicians in the London theatre. In 1741 the revolution in Shakespearean acting initiated by Macklin and Garrick diverted attention away from music, and Lampe produced no new work in the major theatres for four years. Pyramus returns to the vein of burlesque that he mined in The Dragon of Wantley (1737), his first popular success; it ridicules Italian-style opera and opera singers rather than Shakespeare’s plays and players. The onstage audience, originally Duke Theseus and his entourage, consists of Mr Semibrief (the impresario) and two gentlemen, one of whom has experienced Italian opera at first hand on the grand tour; they interject facetious spoken comments as the all-sung opera proceeds. The story follows Shakespeare closely: the Wall (tenor) sports a chink through which Pyramus (tenor) and Thisbe (soprano) arrange to meet ‘at Ninny’s tomb’. Thisbe arrives first and is frightened away by the Lion (bass), who sings a splendid roaring aria. After the Moon (tenor) has sung a lyrical Arne-like number, Pyramus appears, fears the worst and stabs himself ‘like a hero in Italian opera, to very good time and tune’; Thisbe follows suit. But they are revived by Mr Semibrief in time to sing the epilogue. Lampe’s music is charming and largely deadpan, though there are the standard Handelian rage and revenge arias. The full score (London, 1745/ R 1988) omits the secco recitatives, a dance and the last chorus.
The source of this article is wikipedia, the free encyclopedia.  The text of this article is licensed under the GFDL.
 
x
OK