Orontea is an opera

Opera

Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 in a prologue and three acts by the Italian

Italy

Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 composer Antonio Cesti

Antonio Cesti

Antonio Cesti , known today primarily as an Italian composer of the Baroque era, he was also a singer , and organist. He was "the most celebrated Italian musician of his generation".- Biography :...

 with a libretto

Libretto

A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 by Giacinto Andrea Cicognini (revised by Giovanni Filippo Apolloni). The first performance took place in Innsbruck

Innsbruck

- Main sights :- Buildings :*Golden Roof*Kaiserliche Hofburg *Hofkirche with the cenotaph of Maximilian I, Holy Roman Emperor*Altes Landhaus...

 on 19 February 1656. Orontea was one of the most popular Italian operas of the 17th century.

Roles

Role	Voice type	Premiere Cast
La filosofia (Philosophy)	soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
Amore (Love)	soprano
Orontea, Queen of Egypt	soprano
Alidoro, a young painter	tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...	Antonio Cesti
Silandra, a courtesan	soprano
Corindo, a courtier	castrato Castrato A castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's...
Creonte, a philosopher	bass
Aristea, Alidoro's presumed mother	contralto Contralto Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
Giacinta, disguised as a boy	soprano
Gelone, a fool	bass
Tibrino, a page	soprano

Act One

Queen Orontea renounces love, even though her chief adviser Creonte urges her to marry for the good of the kingdom. The young painter Alidoro arrives at the court seeking refuge from brigands with his presumed mother Aristea. He explains how he had to flee from the court of Queen Arnea of Phoenicia. In spite of vow, Orontea finds herself falling in love with Alidoro, as does the courtesan Silandra.

Act Two

Giacinta, disguised as the boy "Ismero", arrives at Orontea's court and explains she was behind the ambush of Alidoro, having been sent to kill him by the Queen of Phoenicia. Orontea can barely restrain herself from killing Giacinta with a sword. Creonte now guesses the queen is in love with Alidoro and reproaches her for choosing a commoner. Aristea falls in love with "Ismero". Meanwhile, Alidoro paints a portrait of Silandra. Orontea, mad with jealousy, bursts in during the sitting and faints. She repents and leaves Alidoro a crown and a letter confessing her love.

Act Three

Creonte forces Orontea to reject Alidoro. He is discovered to be in possession of a royal medallion and accused of theft. Aristea explains the provenance of the trinket which proves that Alidoro is none other than Floridano, the long-lost son of the King of Phoenicia. As a child he had been kidnapped by a gang of pirates led by Aristea's husband and brought up by her as her own son. He is now free to marry Orontea.

Recordings

• Orontea Helga Müller Molinari, René Jacobs, Guy de Mey, Concerto Vocale, conducted by René Jacobs (Harmonia Mundi, 1982)

Sources

• The Viking Opera Guide ed. Holden (Viking, 1993)
• Del Teatro (in Italian)
• Booklet notes to the above recording.