Northumberland Apartments
Encyclopedia
The Northumberland Apartments is an historic apartment building at 2039 New Hampshire Avenue
New Hampshire Avenue
New Hampshire Avenue is a diagonal street in Washington, D.C., beginning at the Kennedy Center and extending northeast for about 5 miles and then continuing into Maryland where it is designated Maryland Route 650. New Hampshire Avenue, however, is not contiguous...

, NW in the U Street Corridor
U Street Corridor
The U Street Corridor is a commercial and residential neighborhood in Northwest Washington, D.C with many shops, restaurants, nightclubs, art galleries, and music venues along a nine-block stretch of U Street. It extends from 9th Street on the east to 18th Street and Florida Avenue on the west...

 of Washington, D.C.
Washington, D.C.
Washington, D.C., formally the District of Columbia and commonly referred to as Washington, "the District", or simply D.C., is the capital of the United States. On July 16, 1790, the United States Congress approved the creation of a permanent national capital as permitted by the U.S. Constitution....

 The Classical Revival building was constructed in 1909-10 by local real estate developer Harry Wardman
Harry Wardman
Harry Wardman was a real estate developer in Washington, D.C. during the early 20th century whose developments included landmark hotels, luxury apartment buildings, and many rowhouses.-Personal life:...

 and Albert H. Beers. In 1980, the building was placed on the National Register of Historic Places
National Register of Historic Places
The National Register of Historic Places is the United States government's official list of districts, sites, buildings, structures, and objects deemed worthy of preservation...

.

Siting

The Northumberland Apartments occupies a significant lot on New Hampshire Avenue, N.W. The irregular shape of the lot, created by the intersection of this major diagonal avenue and the grid of L'Enfant's
Pierre Charles L'Enfant
Pierre Charles L'Enfant was a French-born American architect and civil engineer best known for designing the layout of the streets of Washington, D.C..-Early life:...

 1791 plan for the Federal City, dictated the shape of the building. The Northumberland's eclectic, classical facade blends harmoniously with the buildings in the area and contributes to the visual variety and richness of the New Hampshire Avenue streetscape between Sixteenth Street and Florida Avenue. The building remains an unaltered element in a neighborhood identity created by Victorian rowhouses, large apartment buildings, and churches and institutional buildings. The variety of building types and styles, and the unusual spatial configuration of the short blocks and irregularly-shaped lots, creates a richness of streetscape seldom found so intact in the city today.

Exterior

Beers designed the Northumberland in an eclectic early-twentieth century adaptation of eighteenth-century classicism. Its design and conception were French in origin, illustrating Beers' familiarity with the current fashion in apartment design. The quality of construction, materials, and craftsmanship found in the building is exceptionally high. The Northumberland stands in its original state; this unaltered condition contributes significantly to the building's importance. The Northumberland is perhaps the only such example of an early-twentieth century luxury apartment building left intact in Washington.

The Northumberland is approached by a semi-circular driveway. The building is red and white brick and dressed limestone and features an eclectic collection of classical architectural elements. The facade
Facade
A facade or façade is generally one exterior side of a building, usually, but not always, the front. The word comes from the French language, literally meaning "frontage" or "face"....

 is divided into three horizontal bands. The upper and lower bands are white brick and stone and are each two stories high. The configuration of the fenestration is the same on both levels, although the scale is smaller in the upper band. The windows are paired vertically - an arched window above a square one -
and contained within a quoined
Quoin (architecture)
Quoins are the cornerstones of brick or stone walls. Quoins may be either structural or decorative. Architects and builders use quoins to give the impression of strength and firmness to the outline of a building...

 Gibbsian surround that encompasses the windows and the spandrel
Spandrel
A spandrel, less often spandril or splaundrel, is the space between two arches or between an arch and a rectangular enclosure....

 between. Similar limestone quoins are also found at the corners of the two bands.

The middle band of three floors is rough red brick. The rectangular windows are unusually large and are capped by pressed brick jack arch
Jack arch
A jack arch is a structural element in masonry construction that provides support at openings in the masonry. Alternate names are "flat arch" and "straight arch"....

es with stone console keystones. An eleborate metal bracketed cornice
Cornice
Cornice molding is generally any horizontal decorative molding that crowns any building or furniture element: the cornice over a door or window, for instance, or the cornice around the edge of a pedestal. A simple cornice may be formed just with a crown molding.The function of the projecting...

 forms a projecting cap for the building and eloquently defines the roofline. The variety and richness of the materials and textures contribute to the impressive dignity of the Northumberland. Other detailing, including limestone ledges and quoins, add a decorative element.

Perhaps the most distinctive feature of the facade is the Palladian-inspired recessed entry. The curved space, framed by two pairs of Ionic columns and pilasters, is 16 feet (4.9 m) high and over 22 feet (6.7 m) wide. Above is a 4 feet (1.2 m) high entablature
Entablature
An entablature refers to the superstructure of moldings and bands which lie horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave , the frieze ,...

 capped by two classical stone urns. The wide door, with its elliptical fanlight
Fanlight
A fanlight is a window, semicircular or semi-elliptical in shape, with glazing bars or tracery sets radiating out like an open fan, It is placed over another window or a doorway. and is sometimes hinged to a transom. The bars in the fixed glazed window spread out in the manner a sunburst...

 and sidelight
Sidelight
A sidelight is a window, usually with a vertical emphasis, that flanks a door. Sidelights are narrow, usually stationary and found immediately adjacent doorways...

s, is set in a deep niche.

The fenestration plays a major role in determining the feeling of the facade. The windows are unusually large for the period, some measuring over 6 in 6 in (1.98 m) square. The variety of sash
Sash window
A sash window or hung sash window is made of one or more movable panels or "sashes" that form a frame to hold panes of glass, which are often separated from other panes by narrow muntins...

 types, including 16/1, add to the richness of the design. Consoles and metal ornamentation provide additional embellishment. The consoles are two types - metal under the projecting cornice and limestone above the windows. The Former are decorated with deeply chased acanthus leaves
Acanthus (ornament)
The acanthus is one of the most common plant forms to make foliage ornament and decoration.-Architecture:In architecture, an ornament is carved into stone or wood to resemble leaves from the Mediterranean species of the Acanthus genus of plants, which have deeply cut leaves with some similarity to...

. The latter are classical in style and serve as the keystones in the jack arches above the windows. Other decorative metal details include four types of molding (dentil
Dentil
In classical architecture a dentil is a small block used as a repeating ornament in the bedmould of a cornice.The Roman architect Vitruvius In classical architecture a dentil (from Lat. dens, a tooth) is a small block used as a repeating ornament in the bedmould of a cornice.The Roman architect...

, egg and dart, ogee
Ogee
An ogee is a curve , shaped somewhat like an S, consisting of two arcs that curve in opposite senses, so that the ends are parallel....

, and plain), a large floral frieze
Frieze
thumb|267px|Frieze of the [[Tower of the Winds]], AthensIn architecture the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon...

, and chamfered metal panels.

Interior

The exterior of the Northumberland, in spite of its variety of materials and architectural elements, hardly prepares one for the explosion of decorative features and materials in the main public space of the building. The lobby
Lobby (room)
A lobby is a room in a building which is used for entry from the outside. Sometimes referred to as a foyer or an entrance hall.Many office buildings, hotels and skyscrapers go to great lengths to decorate their lobbies to create the right impression....

 has been described as unique among Wardman's many buildings. Some connoisseurs of architectural history consider it the most distinctive lobby in the city. Eclectic in design and decoration, it reflects the taste in vogue in New York City luxury apartments at the turn of the 20th century. It boasts two huge fireplaces and four columns with ornamental capitals. The staircase and lighting fixtures exhibit fine handwrought iron work. The central staircase, with white-grey marble steps, branches at the landing with separate marbleized staircases leading to each wing of the building. The three stairways are well related visually. Facing the entrance at the first landing are three original curved stained glass windows with heraldic monograms (the initial N). The two fireplaces, which face one another, are 6 in 2 in (1.88 m) high, 9 feet (2.7 m) wide, and 1+1/2 ft deep.

The construction is wood, marbleized to match the color of the walls. The two marbleized staircases curve slightly and extend 6 in 2 in (1.88 m) from the lobby to the first floor. Each is headed by a finial
Finial
The finial is an architectural device, typically carved in stone and employed decoratively to emphasize the apex of a gable or any of various distinctive ornaments at the top, end, or corner of a building or structure. Smaller finials can be used as a decorative ornament on the ends of curtain rods...

 in the form of an obelisk
Obelisk
An obelisk is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape at the top, and is said to resemble a petrified ray of the sun-disk. A pair of obelisks usually stood in front of a pylon...

 5 in 7 in (1.7 m) tall, containing six marble steps, and six unusually shaped balusters. Quasi columns form the end of the staircases, complete with eclectic capitals and elements of decoration that form part of the over-all lobby pattern. An elegant arch
Arch
An arch is a structure that spans a space and supports a load. Arches appeared as early as the 2nd millennium BC in Mesopotamian brick architecture and their systematic use started with the Ancient Romans who were the first to apply the technique to a wide range of structures.-Technical aspects:The...

 highlights the entrance to the corridors. The main staircase to the first landing has thirteen marble steps. The lobby floor consists of the same ceramic tile and decorative pattern as is found in the corridors. The transom
Transom (architectural)
In architecture, a transom is the term given to a transverse beam or bar in a frame, or to the crosspiece separating a door or the like from a window or fanlight above it. Transom is also the customary U.S. word used for a transom light, the window over this crosspiece...

 over the door is in the form of an arc and is decorated with an impressive marbleized border.

The lobby of the Northumberland is distinguished by a wealth of decorative ornamentation associated with European architectural embellishments derived from classical, medieval, gothic, and renaissance motifs. Its great size (44 by 26 ft (13.4 by 7.9 m) and height (13 feet (4 m)) allowed the architect and builder great freedom in designing the motifs that make up the decoration. The marbleized walls, columns, side staircases, and fireplaces provide an elegant background for the ornamentation. The yellowish color of the imitation marble blends harmoniously with the basic buff color of the decorative plasterwork, accentuated with touches of gilt.

See also

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