My Last Duchess
Encyclopedia
Poetry
Poetry is a form of literary art in which language is used for its aesthetic and evocative qualities in addition to, or in lieu of, its apparent meaning...
by Robert Browning
Robert Browning
Robert Browning was an English poet and playwright whose mastery of dramatic verse, especially dramatic monologues, made him one of the foremost Victorian poets.-Early years:...
, frequently anthologized
Anthology
An anthology is a collection of literary works chosen by the compiler. It may be a collection of poems, short stories, plays, songs, or excerpts...
as an example of the dramatic monologue
Dramatic monologue
M. H. Abrams notes the following three features of the dramatic monologue as it applies to poetry:-Types of monologues:One of the most important influences on the development of the dramatic monologue is the Romantic poets...
. It first appeared in 1842 in Browning's Dramatic Lyrics
Dramatic Lyrics
Dramatic Lyrics is a collection of English poems by Robert Browning, first published in 1842 as the second volume in a series of self-published books entitled Bells and Pomegranates...
.
Poem structure and historical background
The poem is written in 28 rhymeRhyme
A rhyme is a repetition of similar sounds in two or more words and is most often used in poetry and songs. The word "rhyme" may also refer to a short poem, such as a rhyming couplet or other brief rhyming poem such as nursery rhymes.-Etymology:...
d couplets of iambic pentameter
Iambic pentameter
Iambic pentameter is a commonly used metrical line in traditional verse and verse drama. The term describes the particular rhythm that the words establish in that line. That rhythm is measured in small groups of syllables; these small groups of syllables are called "feet"...
.
The poem is preceded by the word Ferrara:, indicating that the speaker is most likely Alfonso II d'Este, the fifth Duke of Ferrara
Ferrara
Ferrara is a city and comune in Emilia-Romagna, northern Italy, capital city of the Province of Ferrara. It is situated 50 km north-northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located 5 km north...
(1533–1598) who, at the age of 25, married Lucrezia di Cosimo de' Medici, 14-year-old daughter of Cosimo I de' Medici, Grand Duke of Tuscany
Tuscany
Tuscany is a region in Italy. It has an area of about 23,000 square kilometres and a population of about 3.75 million inhabitants. The regional capital is Florence ....
, and Eleonora di Toledo
Eleonora di Toledo
Eleanor of Toledo Eleanor of Toledo Eleanor of Toledo (Italian: Eleonora di Toledo (1522 – 17 December 1562), born Doña Leonor Álvarez de Toledo y Osorio, was a Spanish noblewoman who was Duchess of Florence from 1539. She is credited with being the first modern first lady, or consort...
.
Lucrezia was not well educated, and the Medicis' status could be termed "nouveau riche
Nouveau riche
The nouveau riche , or new money, comprise those who have acquired considerable wealth within their own generation...
" in comparison with that of the venerable and distinguished Este
Este
The House of Este is a European princely dynasty. It is split into two branches; the elder is known as the House of Welf-Este or House of Welf historically rendered in English, Guelf or Guelph...
family. The Duke's remark regarding his gift of a "nine-hundred-years-old name" clearly indicates that he considered his bride beneath him socially. She came, however, with a sizeable dowry
Dowry
A dowry is the money, goods, or estate that a woman brings forth to the marriage. It contrasts with bride price, which is paid to the bride's parents, and dower, which is property settled on the bride herself by the groom at the time of marriage. The same culture may simultaneously practice both...
. The couple married in 1558. He then abandoned her for two years before she died on April 21, 1561, at age 17. There was a strong suspicion of poisoning. The Duke then sought the hand of Barbara
Barbara of Austria
Barbara of Austria was born in Vienna to Ferdinand I, Holy Roman Emperor and Anna of Bohemia and Hungary...
, eighth daughter of the Holy Roman Emperor Ferdinand I
Ferdinand I, Holy Roman Emperor
Ferdinand I was Holy Roman Emperor from 1558 and king of Bohemia and Hungary from 1526 until his death. Before his accession, he ruled the Austrian hereditary lands of the Habsburgs in the name of his elder brother, Charles V, Holy Roman Emperor.The key events during his reign were the contest...
and Anna of Bohemia and Hungary
Anna of Bohemia and Hungary
Anna of Bohemia and Hungary, also sometimes known as Anna Jagellonica was, by marriage to Ferdinand I, King of the Romans and later Holy Roman Emperor, Queen of the Romans.-Family:She was the elder child and only daughter of king Vladislaus II of Bohemia and Hungary and his third...
and the sister of the Count of Tyrol
County of Tyrol
The County of Tyrol, Princely County from 1504, was a State of the Holy Roman Empire, from 1814 a province of the Austrian Empire and from 1867 a Cisleithanian crown land of Austria-Hungary...
, Ferdinand II. The count was in charge of arranging the marriage; the chief of his entourage, Nikolaus Madruz, a native of Innsbruck
Innsbruck
- Main sights :- Buildings :*Golden Roof*Kaiserliche Hofburg *Hofkirche with the cenotaph of Maximilian I, Holy Roman Emperor*Altes Landhaus...
, was his courier. Madruz is presumably the silent listener in the poem.
The other characters named in the poem, painter Frà Pandolf and sculptor Claus of Innsbruck, are fictional.
Themes
The main themes are power, influence, marriage, aristocracy and egotism. It is possible to use blanket terms such as love and death when commenting on themes, yet love does not seem to play on the duke's mind heavily. At least he does not love women, however he does love the painting and gains joy from intimidating the messenger by commenting on how he had her killed. Death does occur prior to the poem, but can only be considered as an expression of the duke's control and not a comment on death itself. The themes of death and ego can be found in some of Browning's other work such as The Bishop Orders His Tomb.
Story
The poem is set during the late Italian RenaissanceItalian Renaissance
The Italian Renaissance began the opening phase of the Renaissance, a period of great cultural change and achievement in Europe that spanned the period from the end of the 13th century to about 1600, marking the transition between Medieval and Early Modern Europe...
. The speaker
Narrator
A narrator is, within any story , the fictional or non-fictional, personal or impersonal entity who tells the story to the audience. When the narrator is also a character within the story, he or she is sometimes known as the viewpoint character. The narrator is one of three entities responsible for...
(presumably the Duke of Ferrara) is giving the emissary of his prospective second wife a tour of the artworks in his home. He draws a curtain to reveal a painting of a woman, explaining that it is a portrait of his late wife; he invites his guest to sit and look at the painting. As they look at the portrait of the late Duchess, the Duke describes her happy, cheerful and flirtatious nature, which had displeased him. He says, "She had a heart -- how shall I say? -- too soon made glad..." He goes on to say that his complaint of her was that "'twas not her husband's presence only" that made her happy. Eventually, "I gave commands; then all smiles stopped together." He now keeps her painting hidden behind a curtain that only he is allowed to draw back, meaning that now she only smiles for him. The Duke then resumes an earlier conversation regarding wedding arrangements, and in passing points out another work of art, a bronze statue of Neptune
Neptune (mythology)
Neptune was the god of water and the sea in Roman mythology and religion. He is analogous with, but not identical to, the Greek god Poseidon. In the Greek-influenced tradition, Neptune was the brother of Jupiter and Pluto, each of them presiding over one of the three realms of the universe,...
taming a sea-horse.
In an interview, Browning said, "I meant that the commands were that she should be put to death . . . Or he might have had her shut up in a convent."
The Poem
My Last DuchessThat's my last Duchess' painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Fra Pandolf’s hands
Worked busily a day, and there she stands.
Will’t please you sit and look at her? I said
“Fra Pandolf” by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, ’twas not
Her husband’s presence only, called that spot
Of joy into the Duchess’ cheek: perhaps
Fra Pandolf chanced to say “Her mantle laps
Over my lady’s wrist too much,” or “Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat”: such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart—how shall I say?—too soon made glad,
Too easily impressed; she liked whate’er
She looked on, and her looks went everywhere.
Sir, ’twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace—all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,—good! but thanked
Somehow—I know not how—as if she ranked
My gift of a nine-hundred-years-old name
With anybody’s gift. Who’d stoop to blame
This sort of trifling? Even had you skill
In speech—(which I have not)—to make your will
Quite clear to such an one, and say, “Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark”—and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
—E’en then would be some stooping; and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene’er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will’t please you rise? We’ll meet
The company below, then. I repeat,
The Count your master’s known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter’s self, as I avowed
At starting, is my object. Nay, we’ll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
Modern Adaptations
- The 20th century American poet Richard HowardRichard HowardRichard Howard is an American poet, literary critic, essayist, teacher, and translator. He was born in Cleveland, Ohio and is a graduate of Columbia University, where he studied under Mark Van Doren, and where he now teaches...
wrote a sequel to the poem, "Nikolaus Mardruz [sic] to his Master Ferdinand, Count of Tyrol, 1565", in the form of a letter from the listener in Browning's original that details his response to the Duke's monologue. - British author Gabrielle Kimm released her novel His Last Duchess in 2010 based upon the poem.
- Shahd Al-Shemmari adapted the poem into a play titled The Duke of Ferrara (2007). It was performed in Kuwait University. The play examined the Duke's murder of the Last Duchess, Lucrezia, by highlighting his egocentricism. Two other duchesses were introduced as Lucrezia's predecessors.
- American author Elizabeth Loupas released her novel The Second Duchess in 2011, based on the poem and the duke's subsequent marriage to Barbara of Austria.
Parodies
The poem was parodied in a New StatesmanNew Statesman
New Statesman is a British centre-left political and cultural magazine published weekly in London. Founded in 1913, and connected with leading members of the Fabian Society, the magazine reached a circulation peak in the late 1960s....
competition to suggest unexpected second lines for poems: "That's my last Duchess painted on the wall. Ignore those artist's boobs, she had none at all." In his 1962 book, Punctured Poems, Richard Armour
Richard Armour
Richard Willard Armour was an American poet and author who wrote over sixty-five books.-Life and work:Armour was born in San Pedro, Los Angeles, California. His father was a druggist, and Armour's autobiographical Drug Store Days recalls his childhood in both San Pedro and Pomona...
does something similar: "That's my last Duchess painted on the wall. I've tried, but I can't scrape her off at all."