Miss Julie
Encyclopedia
Miss Julie is a naturalistic
Naturalism (theatre)
Naturalism is a movement in European drama and theatre that developed in the late 19th and early 20th centuries. It refers to theatre that attempts to create a perfect illusion of reality through a range of dramatic and theatrical strategies: detailed, three-dimensional settings Naturalism is a...

 play written in 1888 by August Strindberg
August Strindberg
Johan August Strindberg was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg's career spanned four decades, during which time he wrote over 60 plays and more than 30 works of fiction, autobiography,...

 dealing with class
Social class
Social classes are economic or cultural arrangements of groups in society. Class is an essential object of analysis for sociologists, political scientists, economists, anthropologists and social historians. In the social sciences, social class is often discussed in terms of 'social stratification'...

, love
Love
Love is an emotion of strong affection and personal attachment. In philosophical context, love is a virtue representing all of human kindness, compassion, and affection. Love is central to many religions, as in the Christian phrase, "God is love" or Agape in the Canonical gospels...

, lust
Lust
Lust is an emotional force that is directly associated with the thinking or fantasizing about one's desire, usually in a sexual way.-Etymology:The word lust is phonetically similar to the ancient Roman lustrum, which literally meant "purification"...

, the battle of the sexes, and the interaction among them. Set on midsummer
Midsummer
Midsummer may simply refer to the period of time centered upon the summer solstice, but more often refers to specific European celebrations that accompany the actual solstice, or that take place on a day between June 21 and June 24, and the preceding evening. The exact dates vary between different...

 night of 1874 on the estate of a Count in Sweden
Sweden
Sweden , officially the Kingdom of Sweden , is a Nordic country on the Scandinavian Peninsula in Northern Europe. Sweden borders with Norway and Finland and is connected to Denmark by a bridge-tunnel across the Öresund....

, the young woman of the title, attempting to escape an existence cramped by social mores
Mores
Mores, in sociology, are any given society's particular norms, virtues, or values. The word mores is a plurale tantum term borrowed from Latin, which has been used in the English language since the 1890s....

 and have a little fun, dances at the servants' annual midsummer party, where she is drawn to a senior servant, a footman
Footman
A footman is a male servant, notably as domestic staff.-Word history:The name derives from the attendants who ran beside or behind the carriages of aristocrats, many of whom were chosen for their physical attributes. They ran alongside the coach to make sure it was not overturned by such obstacles...

 named Jean, who is particularly well-traveled, well-mannered and well-read. The action takes place in the kitchen of Miss Julie's father's manor; here Jean's fiancée, a servant named Christine, cooks and sometimes sleeps while Jean and Miss Julie talk.

The plot is primarily concerned with power in its various forms. Miss Julie has power over Jean because she is upper-class. Jean has power over Miss Julie because he is male and uninhibited by aristocratic values. The count, Miss Julie's father (an unseen character
Unseen character
In fiction, an unseen character is a character that is never directly observed by the audience but is only described by other characters. They are a common device in drama and have been called "triumphs of theatrical invention". They are continuing characters — characters who are currently in...

), has power over both of them since he is a nobleman, an employer, and a father.

On this night, behavior between Miss Julie and Jean which was previously a flirtatious contest for power rapidly escalates to a love relationship—or is it just lust?—that is fully consummated. Over the course of the play, Miss Julie and Jean battle for control, which swings back and forth between them until Jean convinces her that the only way to escape her predicament is to commit suicide.

Characters

Miss Julie: Daughter of the count who owns the estate. She is strong-willed. Raised by her late mother to "think like and act like a man", she is a confused individual. She is aware of the power she holds, but switches between being above the servants and flirting with Jean. She longs to fall from her pillar.

Jean: Manservant to the Count. He tells a story of seeing Miss Julie many times as a child and loving her even then, but the truth of the story is later denied. There is good evidence for both the truth and fiction argument here. He left the town and traveled widely, working many different jobs as he went, before finally returning to work for the count. He has aspirations to rise from his station in life and manage his own hotel, with Miss Julie being part of his plan. He is alternately kind and callous. Despite his aspirations, he is rendered servile by the mere sight of the count's gloves and boots.

Christine: The cook in the Count's household. She is devoutly religious and apparently betrothed to Jean, although they refer to this marriage almost jokingly.

The Count: He is Miss Julie's father. Never seen, but his gloves and his boots are on stage, serving as a reminder of his power. When the bell sounds, his presence is also noted more strongly.

Summary

The play opens with Jean walking onto the stage, the set being the kitchen of the manor. He drops his boots off to the side but still within view of the audience; his clothing shows that he is a valet
Valet
Valet and varlet are terms for male servants who serve as personal attendants to their employer.- Word origins :In the Middle Ages, the valet de chambre to a ruler was a prestigious appointment for young men...

. The playwright describes the set in detail in naturalistic style. Jean talks to Christine about Miss Julie's peculiar behavior. He considers her mad since she went to the barn dance, danced with the gamekeeper, and tried to waltz with Jean, a mere servant of the count. Christine delves into the background of Miss Julie, stating how, unable to face her family after the humiliation of breaking her engagement, she stayed behind to mingle with the servants at the dance instead of going with her father to the Midsummer's Eve celebrations. Miss Julie got rid of her fiancé seemingly because he refused her demand that he jump over a riding whip she was holding. The incident, apparently witnessed by Jean, was similar to training a dog to jump through a hoop.

Jean takes out a bottle of fine wine, a wine with a "yellow seal," and reveals that he and Christine are engaged in the way he flirts with her. Noticing a stench, Jean asks what Christine is cooking so late on Midsummer's Eve. The pungent mixture turns out to be an abortifacient
Abortifacient
An abortifacient is a substance that induces abortion. Abortifacients for animals that have mated undesirably are known as mismating shots....

 for Miss Julie's dog, which was impregnated by the gatekeeper's mongrel. Jean calls Miss Julie "too stuck-up in some ways and not proud enough in others," traits apparently inherited from her mother. Despite her character flaws, Jean finds Miss Julie beautiful or perhaps simply a stepping stone to achieve his life-long goal of owning an inn. When Miss Julie enters and asks Christine if the "meal" has finished cooking, Jean instantly shapes up, becoming charming and polite. Jokingly, he asks if the women are gossiping about secrets or making a witch's broth for seeing Miss Julie's future suitor. After more niceties, Miss Julie invites Jean once more to dance the waltz, at which point he hesitates, pointing out that he already promised Christine to dance and that the gossip generated by such an act would be savage. Almost offended by this response, she justifies her request by pulling rank: she is the lady of the house and must have the best dancer as her partner. Then, insisting that rank does not matter, she convinces Jean to waltz with her. When they return, Miss Julie recounts a dream of climbing up a pillar and being unable to get down. Jean responds with a story of creeping into her walled garden as a child—he sees it as "the Garden of Eden, guarded by angry angels with flaming swords"—and gazing at her longingly from under a pile of stinking weeds. He says he was so distraught with this unrequitable love that he tried to die beautifully and pleasantly by sleeping in a bin of oats.

At this point Jean and Miss Julie notice some servants heading up to the house, singing a song that mocks the pair of them. They hide in Jean's room. Although Jean swears he won't take advantage of her there, when they emerge later it becomes apparent that the two have had sexual relations. Now they are forced to figure out how to deal with it, as Jean theorizes that they can no longer live together anymore — he feels they will be tempted to continue their relationship until they are caught. Now he confesses that he was only pretending when he said he had tried to commit suicide for love of her. Furiously, Miss Julie tells him of how her mother raised her to be submissive to no man. They then decide to run away together to start a hotel, with Jean running it and Miss Julie providing the capital. Miss Julie agrees and steals some of her father's money, but angers Jean when she insists on bringing her little bird along—she insists that it is the only creature that loves her, after her dog Diana was "unfaithful" to her. When Miss Julie insists that she would rather kill the bird than see it in the hands of strangers, Jean cuts off its head. In the midst of this confusion, Christine comes downstairs, prepared to go to church. She is shocked by Jean and Miss Julie's planning and unmoved when Miss Julie asks her to come along with them as head of the kitchen of the hotel. Christine explains to Miss Julie about God and forgiveness and heads off for church, telling them as she leaves that she will tell the stablemasters not to let them take out any horses so that they cannot run off. Shortly after, they receive word that Miss Julie's father, the Count, has returned. At this, both lose courage and find themselves unable to go through with their plans. Miss Julie realizes that she has nothing to her name, as her thoughts and emotions were taught to her by her mother and her father. She asks Jean if he knows of any way out for her. He takes a shaving razor and hands it to her and the play ends as she walks through the door with it, presumably to commit suicide
Suicide
Suicide is the act of intentionally causing one's own death. Suicide is often committed out of despair or attributed to some underlying mental disorder, such as depression, bipolar disorder, schizophrenia, alcoholism, or drug abuse...

.

Adaptations

  • In 1912, Anna Hofman-Uddgren directed a film version, based on her own and Gustaf Uddgren's screenplay; Manda Björling played Julie and August Falck played Jean (based in turn on the stage production in Stockholm in 1906).
  • In 1950, Birgit Cullberg
    Birgit Cullberg
    Birgit Cullberg was a Swedish choreographer. The daughter of bank manager Carl Cullberg and Elna Westerström, Cullberg was born in Nyköping and married from 1942 to 1949 to actor Anders Ek...

     made a ballet version to music of Ture Rangström
    Ture Rangström
    Anders Johan Ture Rangström belonged to a new generation of Swedish composers who in the first decade of the 20th century introduced modernism to their compositions. In addition to composing Rangström was also a musical critic and conductor.Rangström was born in Stockholm, where initially he...

  • In 1951, Alf Sjöberg made a film version
    Miss Julie (1951 film)
    Miss Julie is a 1951 Swedish drama film directed by Alf Sjöberg and starring Anita Björk and Ulf Palme, based on the play of the same name by August Strindberg. The film deals with class, sex and power as the title character, the daughter of a Count in 19th century Sweden, begins a relationship...

     from his own screenplay.
  • In 1965, it was adapted as an opera
    Miss Julie (opera)
    Miss Julie is an opera by Ned Rorem to an English libretto by Kenward Elmslie, based on the play, Miss Julie by Swedish playwright August Strindberg on the subject of the intersection of social class and illicit sexual relations in late 19th-century Sweden.-Performance history:The opera was...

     by Ned Rorem
    Ned Rorem
    Ned Rorem is a Pulitzer prize-winning American composer and diarist. He is best known and most praised for his song settings.-Life:...

     to an English libretto by Kenward Elmslie
  • In 1972, John Glenister
    John Glenister
    John Glenister is a British television director. His credits include Rumpole of the Bailey, Play For Today and Dennis Potter's 1971 biopic of Casanova, A Touch of Frost, Hetty Wainthropp Investigates and A Bit of a Do.He is the father of actors Philip Glenister and Robert Glenister.-External links:...

     and Robin Phillips
    Robin Phillips
    Robin Phillips is an English actor and director.Phillips was born in Haslemere, Surrey, the son of EllenAnne and James William Phillips. He trained at the Bristol Old Vic and worked as an actor and director for many years in the United Kingdom, finishing as Artistic Director at the Greenwich...

     directed a television version, with Helen Mirren
    Helen Mirren
    Dame Helen Mirren, DBE is an English actor. She has won an Academy Award for Best Actress, four SAG Awards, four BAFTAs, three Golden Globes, four Emmy Awards, and two Cannes Film Festival Best Actress Awards.-Early life and family:...

     and Donal McCann
    Donal McCann
    Donal McCann was an Irish stage, film, and television actor best known for his roles in the works of Brian Friel and for his lead role in John Huston's last film, The Dead.-Early life:...

     as Julie and Jean.
  • In 1977, William Alwyn
    William Alwyn
    William Alwyn, CBE, born William Alwyn Smith was an English composer, conductor, and music teacher.-Life and music:...

    's opera
    Miss Julie (Alwyn)
    Miss Julie is an opera in two acts by William Alwyn with a libretto by the composer, based on the play Miss Julie by Swedish playwright August Strindberg.-Performance history:...

    , with an English libretto adapted from the play by the composer, was premiered as a BBC Radio 3 broadcast.
  • In 1986, Bob Heaney and Mikael Wahlforss directed a television adaptation, set in South Africa in the 1980s, in which the two main characters were separated by race as well as class and gender. It was based on a 1985 stage production at the Baxter Theatre in Cape Town. Sandra Prinsloo
    Sandra Prinsloo
    Sandra Prinsloo, also known as Sandra Prinzlow, is a South African actress best known for her role as Kate Thomson in 1980 film The Gods Must Be Crazy....

     played Julie and John Kani
    John Kani
    Bonsile John Kani is a South African actor, director and playwright.He was born in New Brighton, South Africa.Kani joined The Serpent Players in Port Elizabeth in 1965 and helped to create many plays that went unpublished but were performed to a resounding reception.These...

     played Jean.
  • In 1987, Michael Simpson directed a television version, in which Patrick Malahide
    Patrick Malahide
    Patrick Malahide is a British actor, who has played many major film and television roles.-Personal life:Malahide, real name Patrick Gerald Duggan, was born in Reading, Berkshire, the son of Irish immigrants, a cook mother and a school secretary father...

     played Jean and Janet McTeer
    Janet McTeer
    Janet McTeer, OBE is a British actress.-Life and career:McTeer was born in Newcastle upon Tyne, England, United Kingdom, the daughter of Jean and Alan McTeer...

     played Julie.
  • In 1991, David Ponting directed a television version, in which Sean Galuszka played Jean and Eleanor Comegys played Julie.
  • In 1995, Patrick Marber
    Patrick Marber
    Patrick Albert Crispin Marber is an English comedian, playwright, director, puppeteer, actor and screenwriter.-Early life and education:...

     wrote and directed After Miss Julie
    After Miss Julie
    After Miss Julie is a play which relocates August Strindberg's naturalist tragedy, Miss Julie , to an English country house in July 1945...

    , in which the events of the play were transposed to an English country house on the eve of the Labour Party's landslide 1945 General Election win. The play was staged in 2003.
    • In 2009 the Roundabout Theatre Company
      Roundabout Theatre Company
      The Roundabout Theatre Company is a leading non-profit theatre company based in New York City.-History:The company was founded in 1965 by Gene Feist and Elizabeth Owens and now operates five theatres, all in Manhattan: the American Airlines Theatre ; Studio 54 ; the Stephen Sondheim Theatre The...

       produced After Miss Julie in New York, directed by Mark Brokaw
      Mark Brokaw
      Mark Brokaw is a stage director. He won the Drama Desk Award, Obie Award and Lucille Lortel Award as Outstanding Director of a Play for How I Learned to Drive.Brokaw was raised in Aledo, Illinois and graduated from the Yale Drama School...

       and starring Sienna Miller
      Sienna Miller
      Sienna Rose Diana Miller is a British-American actress, model, and fashion designer, best known for her roles in Layer Cake, Alfie, Factory Girl, The Edge of Love and G.I. Joe: The Rise of Cobra. In 2007, the London Film Criticsnamed her British Actress of the Year for Interview...

      , Johnny Lee Miller and Marin Ireland
      Marin Ireland
      Marin Ireland is an American film, stage and television actress.She won the 2009 Theatre World Award and was nominated for a 2009 Tony Award for Best Performance by a Featured Actress in a Play for her performance in reasons to be pretty.-Education:...

       (as Christine).
  • In 1999, Mike Figgis
    Mike Figgis
    Michael "Mike" Figgis is an English film director, writer, and composer.-Personal life:Figgis was born in Carlisle, England and grew up in Africa. Figgis for several years had a relationship with the actress Saffron Burrows and cast her in several films...

     made a film version from a screenplay by Helen Cooper; Saffron Burrows
    Saffron Burrows
    Saffron Dominique Burrows is an English actress and former fashion model, who starred as Det. Serena Stevens on Law & Order: Criminal Intent and Lorraine Weller on Boston Legal.-Early life:...

     played and Peter Mullan
    Peter Mullan
    Peter Mullan is a Scottish actor and film-maker who has been appearing in films since 1990.-Early life:Mullan, the sixth of eight children, was born in Peterhead in the northeast of Scotland, the son of Patricia, a nurse, and Charles Mullan, a lab technician who worked at Glasgow University. He...

     played Julie and Jean.
  • In July 2006, a new translation by Frank McGuinness
    Frank McGuinness
    Professor Frank McGuinness is an award-winning Irish playwright and poet. As well as his own works, which include Observe the Sons of Ulster Marching Towards the Somme, he is recognised for a "strong record of adapting literary classics, having translated the plays of Racine, Sophocles, Ibsen and...

     was produced at the Theatre Royal, Bath
    Theatre Royal, Bath
    The Theatre Royal in Bath, England, is over 200 years old. It is one of the more important theatres in the United Kingdom outside London, with capacity for an audience of around 900....

     by director Rachel O'Riordan. Set in 19th-century Northern Ireland
    Northern Ireland
    Northern Ireland is one of the four countries of the United Kingdom. Situated in the north-east of the island of Ireland, it shares a border with the Republic of Ireland to the south and west...

    ; this version relies on the tension between the Roman Catholic Irish
    Irish people
    The Irish people are an ethnic group who originate in Ireland, an island in northwestern Europe. Ireland has been populated for around 9,000 years , with the Irish people's earliest ancestors recorded having legends of being descended from groups such as the Nemedians, Fomorians, Fir Bolg, Tuatha...

     servant class and Anglo-Irish
    Anglo-Irish
    Anglo-Irish was a term used primarily in the 19th and early 20th centuries to identify a privileged social class in Ireland, whose members were the descendants and successors of the Protestant Ascendancy, mostly belonging to the Church of Ireland, which was the established church of Ireland until...

     Protestant gentry to carry Strindberg's message to an English-speaking
    Anglosphere
    Anglosphere is a neologism which refers to those nations with English as the most common language. The term can be used more specifically to refer to those nations which share certain characteristics within their cultures based on a linguistic heritage, through being former British colonies...

     audience.
  • In 2009, Toronto's CanStage staged a new version. Set in 1964 Mississippi, playwright Stephen Sachs wove in themes of racial violence and miscegeny
    Anti-miscegenation laws
    Anti-miscegenation laws, also known as miscegenation laws, were laws that enforced racial segregation at the level of marriage and intimate relationships by criminalizing interracial marriage and sometimes also sex between members of different races...

     against the backdrop of the American Civil Rights Movement.
  • In June 2010 Scandinavian American Theater Company produced the Craig Lucas adaptation of "Miss Julie", directed by Henning Hegland and starring Lisa Pettersson as Miss Julie, Albert Bendix as Jean and Anette Norgaard as Kristine.

In performance

1984 January performance of `Miss Julie` by Internnationalist Theatre (founded by Angelique Rockas)at the Richard Steel London. "I have not seen a better production od Strindberg`s `Miss Julie` than the Internationalist Theatre staging ..directed by Alkis Kritikos . It is wild raw , steeped in emotion and dramatic drive...reveals the aristocratic Julie and the servant Jean in all their vivid colouring and depth of corruption...played with force and insight, tenderness and ferocity by Angelique Rockas as Julie and Garry Cooper as Jean..."R.B. Marriott The Stage

2011, 22nd-26th November. A performance of Helen Cooper's 1999 adaptation will take place at the Corpus Christi Playroom, Cambridge, by students of Cambridge University.
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