Harlem Detective
Encyclopedia
The Harlem Detective series of novels by Chester Himes
Chester Himes
Chester Bomar Himes was an American writer. His works include If He Hollers Let Him Go and a series of Harlem Detective novels...

 comprises nine hardboiled
Hardboiled
Hardboiled crime fiction is a literary style, most commonly associated with detective stories, distinguished by the unsentimental portrayal of violence and sex. The style was pioneered by Carroll John Daly in the mid-1920s, popularized by Dashiell Hammett over the course of the decade, and refined...

 novels set in the 1950s and early 1960s:
  • For Love of Imabelle, AKA A Rage in Harlem
  • The Crazy Kill
  • The Real Cool Killers
    The Real Cool Killers
    The Real Cool Killers is a Hardboiled Crime Fiction novel written by Chester Himes. Published in 1959, it is the second book in the Grave Digger Jones & Coffin Ed Johnson Mysteries. The protagonists of the novel, Grave Digger Jones and Coffin Ed are a pair of black detectives who patrol the...

  • All Shot Up
  • The Big Gold Dream
  • The Heat's On
  • Cotton Comes to Harlem
  • Blind Man With A Pistol
  • Plan B
    Plan B (novel)
    Plan B is an unfinished novel published posthumously in 1993 by Chester Himes, which is the final volume in the Harlem Cycle. The story is even darker and more nihilistic than the preceding volumes, culminating in a violent revolutionary movement in the streets of America.-Plot summary:The story...

     (unfinished)


Their protagonists are two black NYPD
New York City Police Department
The New York City Police Department , established in 1845, is currently the largest municipal police force in the United States, with primary responsibilities in law enforcement and investigation within the five boroughs of New York City...

 detectives—Gravedigger Jones and Coffin Ed Johnson—whose names suggest the nature of their police methods and reputation. Jones and Johnson generally go easy with, and even tolerate, numbers operators, madames, whores, and gamblers; but they are extremely hostile to violent criminals, drug dealers, confidence tricksters and pimps. Himes says that they are tough, "but they never came down hard on anybody that was in the right".

One reviewer states:

Himes's two Harlem detectives are mythic heroes of sorts—indomitable forces of nature, their status as heavy-handed enforcers for the Man elevated to Harlem legends. So pervasive is the legend that their presence isn't needed to inspire awe or fear, mention of their name is enough. They are the law, the Man, the "mens", also a law onto themselves, using extralegal means to induce compliance. http://www.projectedletters.com/idealism--realism/chester-himes-a-rage-in-america.html


The "extralegal means" frequently include physical brutality in the case of men suspected of violent crime, and psychological torture
Torture
Torture is the act of inflicting severe pain as a means of punishment, revenge, forcing information or a confession, or simply as an act of cruelty. Throughout history, torture has often been used as a method of political re-education, interrogation, punishment, and coercion...

 and intimidation with women who withhold information: Coffin Ed threatening to pistol-whip a woman "until no man will ever look at you again"; or Gravedigger stripping another woman naked, tying her up, and making a hairline incision across her neck with a razor, then forcing her to look at the blood in a mirror.

Himes attempts to portray this brutality in such a way that the reader does not wholly lose sympathy with the detectives. For example, in the throat-cutting incident, the woman was a key witness in a case where a young girl was being held hostage and threatened with death by a street gang, and Himes says of Gravedigger's actions: "He knew what he had done was unforgivable, but he couldn't stand any more lies". Jones and Johnson get away with these methods because they manage to solve high profile cases under great pressure and because the victims of their brutality always either get killed off by other criminals, or are found to be implicated in serious crimes, themselves.

Notwithstanding the above, Gravedigger and Coffin Ed have deep and genuine sympathy for the innocent victims of crime. They frequently intervene to protect their black brothers and sisters from the random and truly pointless brutality of the white cops (as portrayed by Himes). Finally, the detectives seem sympathetic because they are under constant pressure to prove themselves, as the only black detectives in a precinct where the other cops are openly racist; and the flip side of their brutality is their willingness to put their own reputations and their own lives on the line whenever the interests of justice require it.

There is abundant, and very effective, use of "black" (i.e., macabre) humor to lighten the mood of the stories, and they also contain many interesting sidelights touching on subjects as diverse as political corruption
Political corruption
Political corruption is the use of legislated powers by government officials for illegitimate private gain. Misuse of government power for other purposes, such as repression of political opponents and general police brutality, is not considered political corruption. Neither are illegal acts by...

, jazz
Jazz
Jazz is a musical style that originated at the beginning of the 20th century in African American communities in the Southern United States. It was born out of a mix of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th...

, soul food
Soul food
Soul food cuisine consists of a selection of foods traditional in the cuisine of African Americans. It is closely related to the cuisine of the Southern United States...

, and the sexual underside of Harlem life in that era.

Three films have been made based on the characters of Coffin Ed and Gravedigger: Cotton Comes to Harlem
Cotton Comes to Harlem (film)
Cotton Comes to Harlem is a 1970 blaxploitation film co-written and directed by Ossie Davis and starring Godfrey Cambridge, Raymond St. Jacques, and Redd Foxx: it is based on Chester Himes' novel of the same name...

, Come Back, Charleston Blue
Come Back, Charleston Blue
Come Back Charleston Blue is a 1972 film starring Godfrey Cambridge and Raymond St. Jacques, loosely based on Chester Himes' novel The Heat's On. It is a sequel to the 1970 film Cotton Comes to Harlem.-Plot:...

and A Rage in Harlem.
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