2-3-4
Encyclopedia
2-3-4 is an album by American jazz drummer Shelly Manne
Shelly Manne
Shelly Manne , born Sheldon Manne in New York City, was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz and fusion, as well as contributing...

 featuring performances recorded in 1962 for the Impulse!
Impulse! Records
Impulse! Records was an American jazz record label, originally established in 1960 by producer Creed Taylor as a subsidiary of ABC-Paramount Records, based in New York City...

 label.

Background

2-3-4 was not a typical album for Manne. Then associated primarily with West Coast jazz
West coast jazz
West Coast jazz refers to various styles of jazz music that developed around Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a sub-genre of cool jazz, which featured a less frenetic, calmer style than bebop or hard bop. The music tended to be more heavily arranged,...

, on February 5, 1962, he flew from Los Angeles to New York City by arrangement with producer Bob Thiele
Bob Thiele
Bob Thiele was an American record producer who worked on countless classic jazz albums and record labels.-Biography:...

, to be reunited with pioneering tenor saxophonist
Tenor saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor, with the alto, are the two most common types of saxophones. The tenor is pitched in the key of B, and written as a transposing instrument in the treble...

 Coleman Hawkins
Coleman Hawkins
Coleman Randolph Hawkins was an American jazz tenor saxophonist. Hawkins was one of the first prominent jazz musicians on his instrument. As Joachim E. Berendt explained, "there were some tenor players before him, but the instrument was not an acknowledged jazz horn"...

 and pianist Hank Jones
Hank Jones
Henry "Hank" Jones was an American jazz pianist, bandleader, arranger, and composer. Critics and musicians described Jones as eloquent, lyrical, and impeccable. In 1989, The National Endowment for the Arts honored him with the NEA Jazz Masters Award...

, with both of whom he had recorded at different times in the 1940s. In an unusual session lasting through the wee hours of the morning, he ended by recording one tune as a duet with Hawkins, who for the first time in his career was recorded also playing the piano.

The album also includes a second recording session at the same studio a few days later. Bassist George Duvivier
George Duvivier
George Duvivier was an American jazz double-bass player.Duvivier was born in New York City and took up the cello and also the violin while in high school before settling on the bass. He also learned composition and scoring before going out on the road with Lucky Millinder and then with the Cab...

 stayed on with Manne, and they were joined by rising star Eddie Costa
Eddie Costa
Eddie Costa, , was an American jazz pianist and vibraphonist born in Atlas, Pennsylvania near Mount Carmel, PA in Northumberland County....

. Playing both piano
Piano
The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...

 and vibes
Vibraphone
The vibraphone, sometimes called the vibraharp or simply the vibes, is a musical instrument in the struck idiophone subfamily of the percussion family....

, Costa recorded two tunes with Manne and Duvivier.

The name of the album is derived from its inclusion of a duet ("2"), two trio performances ("3"), and three tunes played by a quartet ("4"). Unusually, the standards "Take the "A" Train" and "Cherokee" were played in two tempos simultaneously, with Manne playing in double time consistently throughout "Cherokee".

A fourth tune recorded by the quartet at the first session, "Avalon
Avalon (Al Jolson song)
"Avalon" is a 1920 popular song written by Al Jolson, Buddy DeSylva and Vincent Rose. It was introduced by Jolson and interpolated in the musicals Sinbad and Bombo. Jolson's recording rose to number two on the charts in 1921. The song was possibly written by Rose, but Jolson's popularity as a...

", was released at first only in the Impulse! collection The Definitive Jazz Scene, Volume 1. Some thirty years later, it was included on the first CD reissue of 2-3-4 as a bonus track.

Reception

The Allmusic review by Scott Yanow
Scott Yanow
Scott Yanow is an American jazz commentator, known for many contributions to the Allmusic website, for writing ten books on jazz and for reviewing jazz recordings for over 30 years.-Biography:...

 awarded the album four stars, calling it "a very interesting set with more than its share of surprises".

Track listing

  • Recorded at Fine Recording Ballroom Studio A in New York City on February 5 (tracks 1, 3, 5, 6 & 8), and February 8 (tracks 2, 4 & 7), 1962
Note that tracks 7 & 8 do not appear on the same CD reissues.

Personnel

  • Shelly Manne
    Shelly Manne
    Shelly Manne , born Sheldon Manne in New York City, was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz and fusion, as well as contributing...

     – drums
    Drum kit
    A drum kit is a collection of drums, cymbals and often other percussion instruments, such as cowbells, wood blocks, triangles, chimes, or tambourines, arranged for convenient playing by a single person ....

  • Coleman Hawkins
    Coleman Hawkins
    Coleman Randolph Hawkins was an American jazz tenor saxophonist. Hawkins was one of the first prominent jazz musicians on his instrument. As Joachim E. Berendt explained, "there were some tenor players before him, but the instrument was not an acknowledged jazz horn"...

     – tenor saxophone
    Tenor saxophone
    The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor, with the alto, are the two most common types of saxophones. The tenor is pitched in the key of B, and written as a transposing instrument in the treble...

     (tracks 1, 3, 5, 6 & 8)
  • Hank Jones
    Hank Jones
    Henry "Hank" Jones was an American jazz pianist, bandleader, arranger, and composer. Critics and musicians described Jones as eloquent, lyrical, and impeccable. In 1989, The National Endowment for the Arts honored him with the NEA Jazz Masters Award...

     – piano
    Piano
    The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...

     (tracks 1, 3, 5 & 8)
  • Eddie Costa
    Eddie Costa
    Eddie Costa, , was an American jazz pianist and vibraphonist born in Atlas, Pennsylvania near Mount Carmel, PA in Northumberland County....

     – piano, vibes
    Vibraphone
    The vibraphone, sometimes called the vibraharp or simply the vibes, is a musical instrument in the struck idiophone subfamily of the percussion family....

     (tracks 2, 4 & 7)
  • George Duvivier
    George Duvivier
    George Duvivier was an American jazz double-bass player.Duvivier was born in New York City and took up the cello and also the violin while in high school before settling on the bass. He also learned composition and scoring before going out on the road with Lucky Millinder and then with the Cab...

     – bass
    Double bass
    The double bass, also called the string bass, upright bass, standup bass or contrabass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra, with strings usually tuned to E1, A1, D2 and G2...

    (tracks 1–5, 7 & 8)
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