Young Spartans Exercising
Encyclopedia
Young Spartans Exercising, also known as Young Spartans, is an oil on canvas
Oil painting
Oil painting is the process of painting with pigments that are bound with a medium of drying oil—especially in early modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or even frankincense; these were called 'varnishes' and were prized for their body...

 painting by French
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...

 impressionist
Impressionism
Impressionism was a 19th-century art movement that originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s...

 artist Edgar Degas
Edgar Degas
Edgar Degas[p] , born Hilaire-Germain-Edgar De Gas, was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist...

. The work depicts two groups of male and female Sparta
Sparta
Sparta or Lacedaemon, was a prominent city-state in ancient Greece, situated on the banks of the River Eurotas in Laconia, in south-eastern Peloponnese. It emerged as a political entity around the 10th century BC, when the invading Dorians subjugated the local, non-Dorian population. From c...

n youths exercising, though the subject matter of the painting has, in recent times, been challenged. The work is now in the permanent collection of The National Gallery
National gallery
The National Gallery is an art gallery on Trafalgar Square, London, United Kingdom.National Gallery may also refer to:*Armenia: National Gallery of Armenia, Yerevan*Australia:**National Gallery of Australia, Canberra...

 in London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...

.

Depiction

The painting depicts as its subject matter two groups of youths, four women and five men, with the young women apparently taunting or beckoning the men. The women are positioned to the left of the painting, the men to the right, while in-between the two groups in the background appear a third group watching the youths; their appearance striking as they are fully dressed while the youths in the foreground stand naked or topless. Behind the onlookers, identified as Lycurgus and the youths' mothers, lies the city of Sparta, dominated by Mount Taygetus
Taygetus
Mount Taygetus, Taugetus, or Taigetus is a mountain range in the Peloponnese peninsula in Southern Greece. The name is one of the oldest recorded in Europe, appearing in the Odyssey. In classical mythology, it was associated with the nymph Taygete...

, from which the bodies of the society's "unfit" children were supposedly thrown.

History

Begun in 1860, the painting remained unfinished upon the death of Degas, with the artist returning to the canvas to rework the piece on several occasions. X-rays taken of the work during the early 21st century have revealed that Degas changed the positioning of the youths, their faces, and even their number; this last change resulted in the strange image of the four women in the foreground having ten legs among them. Degas' revisitation of the faces of the youths is often mentioned in art criticism, as it is believed the artist changed the features of the youths from the classic handsome Greek ideal, to a more urban modernistic look. The French art historian André Lemoisne, was first to note on this fact, remarking that the subjects had a contemporary Parisian look, more akin to the "gamins of Montmartre". More recent critics agree with Lemoisne, believing Degas was attempting to "update" his painting.

A second full-scale version of the painting exists, held by the Art Institute of Chicago
Art Institute of Chicago
The School of the Art Institute of Chicago is one of America's largest accredited independent schools of art and design, located in the Loop in Chicago, Illinois. It is associated with the museum of the same name, and "The Art Institute of Chicago" or "Chicago Art Institute" often refers to either...

. This version is much less finished, but it shows a vastly different background, with a more detailed landscape and a large architectural structure, around which the characters in the background are resting. The work also shows how Degas changed the number of foreground figures with an additional boy on the right of the painting.

Young Spartans Exercising was purchased by the National Gallery in 1924, and is presently displayed in Room 46.

Criticism

In 1879, Italian art critic Diego Martelli, described the unfinished work as "one of the most classicizing paintings imaginable"; though after Martelli's remarks, Degas returned to the painting removing the classicizing architecture.

In a 1985 edition of The Art Bulletin
College Art Association
The College Art Association of America is the principal professional association in the United States for practitioners and scholars of art, art history, and art criticism...

, art critic Carol Salus hypothesises that the work "... has traditionally been interpreted as representing young women challenging young men to wrestle or race, is instead a presentation of Spartan courtship rites". This position was challenged in the same publication the following year, with Linda Nochlin arguing that the work could encompass a variety of meanings, and by referring to Degas' own reluctance to explain the work in any great detail, allows the viewer to interpret the work to their own merit. This view is echoed by Christopher Riopelle, curator of 19th century painting at the National Gallery, who in 2004 stated that the painting, "...starts as a traditional historical painting, closely based on classical accounts and meticulous research. It ends as something much more enigmatic."
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