William and Lewis Hallam
Encyclopedia
The Hallam Company, which later became the American Company, was the first fully professional theatre company to perform in North America.

The company was organised by William Hallam (1712?–1758?), former proprietor of the New Wells Theatre in London, and was led by his brother Lewis Hallam
Lewis Hallam
Lewis Hallam was an English-born actor and theatre director in the colonial United States.-Career:He arrived in North America in 1752 with his theatrical company, which first performed in Williamsburg, Virginia. In 1752, Hallam built the first theater in New York City, New York, on Nassau Street...

 (1714?–1756?). Their company consisted of 12 adults and 3 children, drawn from English actors of "modest accomplishment". They arrived by the vessel Charming Sally at Yorktown, Virginia, on 2 June 1752, and made their early performances in nearby Williamsburg. Their first performance, The Merchant of Venice
The Merchant of Venice
The Merchant of Venice is a tragic comedy by William Shakespeare, believed to have been written between 1596 and 1598. Though classified as a comedy in the First Folio and sharing certain aspects with Shakespeare's other romantic comedies, the play is perhaps most remembered for its dramatic...

, is generally considered to be the first professional staging of Shakespeare
William Shakespeare
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...

 in America.

In 1753 the Hallam company moved to New York, and in 1754 they played in Philadelphia and in Charleston, South Carolina. In 1755 the company moved to the West Indies, and merged with the company of David Douglass. On Lewis' death, Douglass married his widow. Three years later, the company returned to tour the mainland, as the "American Company".

Lewis' son, Lewis Hallam, Jr., eighteen at the time of the American Company's first tour, took leading roles alongside Douglass. Lewis Jr.'s style was described as declaratory rather than realistic, but he was much admired and became known as America's leading Shakespearean interpreter. Douglass had his limitations: one Alexander Graydon described him as "rather a decent than shining actor". However, he was a capable manager and he gave North America its first Falstaff
Falstaff
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare. In the two Henry IV plays, he is a companion to Prince Hal, the future King Henry V. A fat, vain, boastful, and cowardly knight, Falstaff leads the apparently wayward Prince Hal into trouble, and is...

 and King John. Within the repertoire was Cymbeline
Cymbeline
Cymbeline , also known as Cymbeline, King of Britain or The Tragedy of Cymbeline, is a play by William Shakespeare, based on legends concerning the early Celtic British King Cunobelinus. Although listed as a tragedy in the First Folio, modern critics often classify Cymbeline as a romance...

, which proved a popular vehicle for two of the company's actresses, Margaret Cheer and Nancy Hallam.

In Quaker and Puritan areas, the company encountered religious opposition to theatre in general. At Rhode Island in 1761 they were obliged to perform Othello disguised as "a series of moral dialogues". In 1774, the Continental Congress
Continental Congress
The Continental Congress was a convention of delegates called together from the Thirteen Colonies that became the governing body of the United States during the American Revolution....

 banned theatre entirely, and the company resettled in Jamaica. By that time, Hugh F. Ranking calculates that the company had performed at least 180 times, their repertoire having included fourteen of Shakespeare's plays. After the peace of 1783, the company returned to New York, with Lewis Hallam Jr. as the leading actor, and John Henry as his co-manager.

Lewis Jr. is believed to be the first actor in America to perform in blackface
Blackface
Blackface is a form of theatrical makeup used in minstrel shows, and later vaudeville, in which performers create a stereotyped caricature of a black person. The practice gained popularity during the 19th century and contributed to the proliferation of stereotypes such as the "happy-go-lucky darky...

in 1769.
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