Too Much of Nothing
Encyclopedia
Too Much of Nothing is a song written by Bob Dylan
Bob Dylan
Bob Dylan is an American singer-songwriter, musician, poet, film director and painter. He has been a major and profoundly influential figure in popular music and culture for five decades. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly...

 in 1967, first released by him on the album The Basement Tapes
The Basement Tapes
The Basement Tapes is a 1975 studio album by Bob Dylan and The Band. The songs featuring Dylan's vocals were recorded in 1967, eight years before the album's release, at houses in and around Woodstock, New York, where Dylan and the Band lived...

(1975).

Dylan – vocal, guitar; Robbie Robertson
Robbie Robertson
Robbie Robertson, OC; is a Canadian singer-songwriter, and guitarist. He is best known for his membership as the guitarist and primary songwriter within The Band. He was ranked 59th in Rolling Stone magazine’s list of the 100 Greatest Guitarists of All Time...

 – electric guitar; Garth Hudson
Garth Hudson
Eric Garth Hudson is a Canadian multi-instrumentalist. As the organist, keyboardist and saxophonist for Canadian-American rock group The Band, he was a principal architect of the group's unique sound...

 – organ; Richard Manuel
Richard Manuel
Richard George Manuel was a Canadian composer, singer, and multi-instrumentalist, best known for his contributions to and membership in The Band....

 – piano, backing vocal; Rick Danko
Rick Danko
Richard Clare "Rick" Danko was a Canadian musician and singer, best known as a member of The Band.-Early years :...

 – bass, backing vocal. Overdubbed 1975: Hudson – additional keyboards; Helm – (possibly) drums, backing vocal.

Themes and history of song

One of the most haunting themes of The Basement Tapes is an apprehension of the void. Shelton hears in this song an echo of the bald statement that Lear makes to his daughter Cordelia, "Nothing will come of nothing" (act I, scene 1). Marcus asserts that this was one of the songs recorded at the end of "the basement summer" in August or September 1967. He writes that these songs "are taken slowly, with crying voices. Dylan’s voice is high and constantly bending, carried forward not by rhythm or by melody but by the discovery of the true terrain of the songs as they’re sung. Richard Manuel’s and Rick Danko’s voices are higher still, more exposed."

By November 1967, this song was a Top 40 hit for Peter, Paul and Mary. In Dylan's original, the chorus addresses two ladies—"Say hello to Valerie/Say hello to Vivian/Send them all my salary/On the waters of oblivion"—but Peter, Paul and Mary changed the second name to "Marion," displeasing Dylan. According to the trio's Paul Stookey, Dylan consequently became disenchanted with the group: "We just became other hacks that were doing his tunes." Patrick Humphries notes that, whether by accident or design, the two women originally named share the names of the two wives of the major 20th-century poet T. S. Eliot
T. S. Eliot
Thomas Stearns "T. S." Eliot OM was a playwright, literary critic, and arguably the most important English-language poet of the 20th century. Although he was born an American he moved to the United Kingdom in 1914 and was naturalised as a British subject in 1927 at age 39.The poem that made his...

.Eliot married Vivienne Haigh-Wood in 1915; they separated in 1933. Critics consider their marriage central to his writing The Waste Land
The Waste Land
The Waste Land[A] is a 434-line[B] modernist poem by T. S. Eliot published in 1922. It has been called "one of the most important poems of the 20th century." Despite the poem's obscurity—its shifts between satire and prophecy, its abrupt and unannounced changes of speaker, location and time, its...

. Eliot married Valerie Fletcher
Valerie Eliot
Valerie Eliot née Esmé Valerie Fletcher is the surviving widow and second wife of the Nobel prize-winning poet, T. S. Eliot...

in January 1957, near the end of his life .

External links

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