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Show People
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Show People is a comedy silent film directed by King Vidor. The movie was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the great film stars of the day, including Charles Chaplin, Douglas Fairbanks, William S. Hart, and John Gilbert. Vidor also appears in a cameo as himself. The film is a comedic satire of the early days of film in Hollywood, and is considered Davies' best role. The film was re-released in the 1980s, with a new orchestral score by Carl Davis.
In 2003, Show People was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
y Pepper (Marion Davies) arrives in Hollywood from Georgia, accompanied by her father, General Marmaduke Oldfish Pepper (Dell Henderson), who is pushing his daughter to become an actress.
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Encyclopedia
Show People is a comedy silent film directed by King Vidor. The movie was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the great film stars of the day, including Charles Chaplin, Douglas Fairbanks, William S. Hart, and John Gilbert. Vidor also appears in a cameo as himself. The film is a comedic satire of the early days of film in Hollywood, and is considered Davies' best role. The film was re-released in the 1980s, with a new orchestral score by Carl Davis.
In 2003, Show People was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Plot
Peggy Pepper (Marion Davies) arrives in Hollywood from Georgia, accompanied by her father, General Marmaduke Oldfish Pepper (Dell Henderson), who is pushing his daughter to become an actress. She meets Billy Boone (William Haines) at a local buffet where studio employees frequently lunch. He helps her get work at Comet Studio doing comedies with him. After receiving a cream pie in the face, she is quite disconcerted, but her 'acting' gets a lot of laughs from the cast and crew. Peggy, however, has her eyes set on doing what she considers 'serious' acting, in other words, drama.
High Art Studio soon discovers her and she leaves Billy and Comet to work there. For her new image, the company gives her the name Patricia Pepoire and she does her best to play the part, on and off screen. One day in a nearby canyon, she is working on location in a costumed dramatic picture, Billy simultaneously on a comic short. They encounter, but "Patricia" ignores him and Billy is hurt. Her performances, in the meantime, start to estrange some of her audience, who neither understand or appreciate her "Art". She plans to marry co-star Andre Telefair (Paul Ralli) for the fake title and the publicity. Billy, still taken with the old Pepper, is determined to bring her back to him and, moreover, to herself.
Cast
- Marion Davies as Peggy Pepper / Herself
- William Haines as Billy Boone
- Dell Henderson as General Marmaduke Oldfish Pepper
- Paul Ralli as Andre Telefair
- Tenen Holtz as Casting director
- Harry Gribbon as Jim - Comedy director
- Kalla Pasha as Comic chef (uncredited)
- Sidney Bracey as Dramatic director
- Polly Moran as Peggy's maid
- Albert Conti as Producer
- Ray Cooke as Director's assistant (uncredited)
- Lillian Lawrence as Comedy player at banquet (uncredited)
- Dorothy Vernon as Comedy player at banquet (uncredited)
- Pat Harmon as Studio Gateman (uncredited)
- Bert Roach as Heavyset man in casting agency (uncredited)
- Rolfe Sedan as Portrait photographer (uncredited)
- Coy Watson as Messenger boy (uncredited)
- Bess Flowers as Undetermined bit role (uncredited)
Uncredited cameos:
Production
Show People offers an entertaining inside look at 1920s Hollywood and reflects on the actual acting career of starlet Marion Davies. Though one of the great comic talents of her day, featured in many of the decade's successful comedies, such as Tillie the Toiler (1927), she too often appeared in extravagant, costly period romance films at the behest of her newspaper tycoon lover William Randolph Hearst, who supposedly enjoyed seeing his mistress in fancy costume. For example: Janice Meredith (1924), Yolanda (1924), Bride's Play (1922) and the infamously expensive When Knighthood Was in Flower (1922), all financially backed by Hearst's Hollywood film company, Cosmopolitan Productions. Lucille Ball frequently cited Davies as a major comedic influence and all of Ball's facial techniques and comic behaviors evident in I Love Lucy are startlingly apparent in Davies' performance in this film.
The film has a remarkable number of cameo appearances from some of the top stars of the day, including Charlie Chaplin, Douglas Fairbanks, William S. Hart, and others. Many agreed to appear out of friendship with Davies, Hearst, and director Vidor, but the positive publicity value of cooperating with Hearst and MGM also played a factor.
See also
External links
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