Portrait of a Cardinal (Raphael)
Encyclopedia
The Portrait of a Cardinal is a painting
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...

 by the Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...

 artist Raphael
Raphael
Raffaello Sanzio da Urbino , better known simply as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur...

. It is housed in the Prado Museum in Madrid
Madrid
Madrid is the capital and largest city of Spain. The population of the city is roughly 3.3 million and the entire population of the Madrid metropolitan area is calculated to be 6.271 million. It is the third largest city in the European Union, after London and Berlin, and its metropolitan...

.

The Cardinal has been identified as either Alidosi, Bibbiena, Cybo or Trivulzio, in the court of Pope Julius II
Pope Julius II
Pope Julius II , nicknamed "The Fearsome Pope" and "The Warrior Pope" , born Giuliano della Rovere, was Pope from 1503 to 1513...

.

Painted in Rome, Rafael mastered the art of realism in his paintings, the ability to “paint people as more real than they really are,” as his peers put it.

Like Leonardo da Vinci’s Mona Lisa, the subject is seated, with formation of a triangle pyramid by the subjects' body and arms. The contrasts are striking between the red of his hat, whiteness of his sleeve and his face. Meticulous brushstrokes give the audience a three-dimensional character, revealing Rapahel’s interest in sculpture during those years.

While still a prince, the painting was acquired by Carlos IV of Spain
Charles IV of Spain
Charles IV was King of Spain from 14 December 1788 until his abdication on 19 March 1808.-Early life:...

 (1748–1819) in Rome.

The picture was attributed to Antonio Moro, due to its technique, considered unusual in Raphael.


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