Pierre Parrocel
Encyclopedia
Pierre Parrocel was an French
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...

 painter of the late-Baroque
Baroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...

 period.

He was born in Avignon
Avignon
Avignon is a French commune in southeastern France in the départment of the Vaucluse bordered by the left bank of the Rhône river. Of the 94,787 inhabitants of the city on 1 January 2010, 12 000 live in the ancient town centre surrounded by its medieval ramparts.Often referred to as the...

 to a large family of artists, including his uncle Joseph Parrocel
Joseph Parrocel
Joseph Parrocel was a French Baroque painter, best known for his paintings and drawings of battle scenes....

 and his father, Louis Parrocel. He was first instructed by his uncle, and then trained with Carlo Maratti in Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...

, and in 1730 became a member of the Accademia di San Luca
Accademia di San Luca
The Accademia di San Luca, was founded in 1577 as an association of artists in Rome, under the directorship of Federico Zuccari, with the purpose of elevating the work of "artists", which included painters, sculptors and architects, above that of mere craftsmen. Other founders included Girolamo...

 there. His principal work, as a painter, was in the gallery of the Hôtel de Noailles at St. Germain-en-Laye, where he represented the history of Tobit in thirteen pictures. He also painted a Coronation of the Virgin in the church of St. Mary at Marseilles, He also etched and engraved in a style analogous to that of A. Rivalz ; but he was not equally successful with the graver. Of the fourteen etchings left by him, The Triumph of Aphrodite is perhaps the most noteworthy.
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