, Op. 40, was written in 1837 by Felix Mendelssohn
and premiered at the Birmingham Festival of 1837, an event that also saw the premier of Mendelssohn's St. Paul Oratorio
. He had already written a piano concerto in A minor with string accompaniment (1822), two concertos with two pianos (1823 – 4), and his first Piano Concerto
. The concerto is about 23 minutes in length.
History
Unusually for Mendelssohn, who often produced his compositions quickly, the Second Piano Concerto took him a great deal of effort. Its genesis dates to the period shortly after his marriage, and is first mentioned in a letter to his friend Karl Klingemann while on honeymoon: "aber ein Konzert machte ich mir so gern für England, und kann immer noch nicht dazu kommen. Ich möchte wissen, warum mir das so schwer wird." Mendelssohn's difficulties probably stemmed from a desire to excel in the new work, written expressly for the Birmingham Music Festival, and thereby impress English audiences. The arduousness of the task is attested to by the fact that more autograph sources for the concerto exist than for any other composition he wrote for piano and orchestra. Work on the piece lasted from April through to early September 1837, although his progress was significant enough that he felt confident enough to mention the work to his publisher, Breitkopf and Härtel in early August, having shortly before completed an autograph copy of the both the piano part and orchestral score. However it was not until six weeks after the Birmingham première and a second performance at the Gewandhaus in Leipzig, in early November, that Mendelssohn began actively to negotiate publication. He continued to work on the score through that month, delivering a final score to his publishers on December 12. The publisher sent Mendelssohn the proofs of the score on May 11 of 1838, which the composer promised to return a copied version of shortly thereafter. The work was published later that summer, although Mendelssohn was unhappy with the result, complaining, among other matters, that the title page was in French rather than German.Critical Reaction
Despite the effort it took Mendelssohn to write the concerto, it has been seen as a somewhat slight contribution to the repertoire. The composer Robert Schumann, writing in the Neue Zeitschrift fur Musik
, offered a frank assessment of the piece, observing:
This concerto, to be sure, will offer virtuosos little in which to show off their monstrous dexterity. Mendelssohn gives them almost nothing to do that they have not already done a hundred times before. We have often heard them complain about it. And not unjustly! ...One will ask how it compares with his First Concerto. It's the same, and yet not the same; the same because it comes from the same practised master hand, different because it comes ten years later. Sebastian Bach is discernible in the harmonization. The rest, melody, form and instrumentation are all Mendelssohn.
Let us enjoy the fleeting, cheerful gift! It resembles one of those works thrown off by the older masters while recuperating from one of their great exertions. Our younger master will certainly not forget how the older ones would suddenly emerge with something magnificent - MozartWolfgang Amadeus MozartWolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...
's Concerto in D minorPiano Concerto No. 20 (Mozart)The Piano Concerto No. 20 in D minor, K. 466, was written by Wolfgang Amadeus Mozart in 1785. The first performance took place at the Mehlgrube Casino in Vienna on February 11, 1785, with the composer as the soloist.-Background:...
, BeethovenLudwig van BeethovenLudwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time.Born in Bonn, then the capital of the Electorate of Cologne and part of...
's in GPiano Concerto No. 4 (Beethoven)Ludwig van Beethoven's Piano Concerto No. 4 in G major, Op. 58, was composed in 1805–1806, although no autograph copy survives.-Musical forces and movements:...
!
Despite being overshadowed by other Romantic Piano Concertos (including Schumann's own 1845 Concerto
) and the relative simplicity of the piano part, it is nonetheless frequently performed and recorded.
Movements
There are three movements (played attacca):- Allegro appassionato
- Adagio. Molto sostenuto
- Finale. Presto scherzando
External links
- Piano Concerto No. 2 (Mendelssohn) Free scores at the International Music Score Library ProjectInternational Music Score Library ProjectThe International Music Score Library Project , also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a project for the creation of a virtual library of public domain music scores, based on the wiki principle...
. - Pianopedia entry