Philosophy of film
Encyclopedia
The philosophy of film is a branch of aesthetics
Aesthetics
Aesthetics is a branch of philosophy dealing with the nature of beauty, art, and taste, and with the creation and appreciation of beauty. It is more scientifically defined as the study of sensory or sensori-emotional values, sometimes called judgments of sentiment and taste...

 within the discipline of philosophy
Philosophy
Philosophy is the study of general and fundamental problems, such as those connected with existence, knowledge, values, reason, mind, and language. Philosophy is distinguished from other ways of addressing such problems by its critical, generally systematic approach and its reliance on rational...

 that seeks to understand the most basic questions regarding film
Film
A film, also called a movie or motion picture, is a series of still or moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects...

.

History

The earliest person to explore philosophical questions regarding film was Hugo Münsterberg
Hugo Münsterberg
Hugo Münsterberg was a German-American psychologist. He was one of the pioneers in applied psychology, extending his research and theories to Industrial/Organizational , legal, medical, clinical, educational and business settings. Münsterberg encountered immense turmoil with the outbreak of the...

. During the silent film
Silent film
A silent film is a film with no synchronized recorded sound, especially with no spoken dialogue. In silent films for entertainment the dialogue is transmitted through muted gestures, pantomime and title cards...

 era, he sought to understand what it was about film that made it conceptually distinct from theater. He concluded that the use of close-ups, flash-backs, and edits were unique to film and constituted its nature.

Rudolf Arnheim, with the beginning of the era of sound for film, argued that the silent film era was aesthetically superior to the "talkies". He held that by adding sound to previously silent moving images, the unique status of film had been removed. Instead of being a unique art form that could carefully study bodies in motion, film had become merely a combination of two other art forms.

André Bazin
André Bazin
André Bazin was a renowned and influential French film critic and film theorist.-Life:Bazin was born in Angers, France, in 1918...

, contrary to Arnheim, held that whether or not a film has sound is largely irrelevant. He believed that film, due mainly to its foundation in and relationship with photography, had a realist aspect to it. He argued that film has the ability to capture the real world. The film Waking Life
Waking Life
Waking Life is an American animated film , directed by Richard Linklater and released in 2001. The entire film was shot using digital video and then a team of artists using computers drew stylized lines and colors over each frame.The film focuses on the nature of dreams, consciousness, and...

also features a discussion of the philosophy of film where the theories of Bazin are emphasized. In it, the character waxes philosophic that every moment of film is capturing an aspect of God
God
God is the English name given to a singular being in theistic and deistic religions who is either the sole deity in monotheism, or a single deity in polytheism....

.

American philosopher Noël Carroll
Noël Carroll
Noël Carroll is an American philosopher considered to be one of the leading figures in contemporary philosophy of art. Although Professor Carroll is best known for his work in the philosophy of film, he works in general on philosophy of art, theory of media, and also philosophy of history...

 has argued that the earlier characterizations of film made by philosophers too narrowly defined the nature of film and that the incorrectly conflated aspects of genres of films with film in general.

Aspects of Bazin's realist theories have been accepted by philosophers in spite of Carroll's critique. The transparency thesis, which says that film is a medium transparent to true reality, has been accepted by Kendall Walton
Kendall Walton
Kendall Lewis Walton is an American philosopher, the Charles Stevenson Collegiate Professor of Philosophy and Professor of Art and Design at the University of Michigan. His work mainly deals with theoretical questions about the arts and issues of philosophy of mind, metaphysics, and philosophy of...

.
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