Paul Patterson
Encyclopedia
Paul Patterson is a British
United Kingdom
The United Kingdom of Great Britain and Northern IrelandIn the United Kingdom and Dependencies, other languages have been officially recognised as legitimate autochthonous languages under the European Charter for Regional or Minority Languages...

 composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...

 and Manson Professor of Composition at the Royal Academy of Music
Royal Academy of Music
The Royal Academy of Music in London, England, is a conservatoire, Britain's oldest degree-granting music school and a constituent college of the University of London since 1999. The Academy was founded by Lord Burghersh in 1822 with the help and ideas of the French harpist and composer Nicolas...

.

Patterson studied trombone and composition at the Royal Academy of Music
Royal Academy of Music
The Royal Academy of Music in London, England, is a conservatoire, Britain's oldest degree-granting music school and a constituent college of the University of London since 1999. The Academy was founded by Lord Burghersh in 1822 with the help and ideas of the French harpist and composer Nicolas...

. He returned there to become Head of Composition and Contemporary Music until 1997, when he became Manson Professor of Composition. In his time at the Academy, it is fair to say that Patterson has almost single-handedly been responsible for the creation of the Contemporary Music Department. A regular guest on composition competition panels both in the UK and further afield, his devotion to new music, along with his desire to introduce the music of contemporary masters to students (in both composition and performance fields), has resulted in the creation of annual festivals devoted to a single composer at the Academy.

He has worked with South East Arts, the University of Warwick the London Sinfonietta and is currently Composer-in-Residence with the National Youth Orchestra of Great Britain and celebrated his tenth year with them in 2007.

Patterson is an important figure in the choral field and his enthusiasm for music both challenging and enjoyable to performers and audiences has produced a number of important large-scale choral works, most notably the Mass of the Sea (1983), Stabat Mater
Stabat Mater
Stabat Mater is a 13th-century Roman Catholic hymn to Mary. It has been variously attributed to the Franciscan Jacopone da Todi and to Innocent III...

 (1986), Te Deum
Te Deum
The Te Deum is an early Christian hymn of praise. The title is taken from its opening Latin words, Te Deum laudamus, rendered literally as "Thee, O God, we praise"....

 (1988) the Millennium Mass (2000).

His works are performed regularly by leading performers in the United Kingdom and abroad, most popular among which are the orchestral setting of Roald Dahl’s Little Red Riding Hood and the Violin Concerto.

Patterson was awarded the John Armitage Memorial Commission for 2005. For this, he composed The Fifth Continent, a work for solo counter tenor, choir, brass quintet and organ, which received its premiere in Southwark Cathedral in March 2005 and has subsequently been heard in Edinburgh. The work received further performances by the BBC Singers during the 2007/8 and 2008/9 seasons. Other awards include the PRS/RPS Leslie Boosey Award.

Recent commissions include an Oboe Concerto (Phoenix Concerto) for the International Double Reed Society Conference in Birmingham and a Viola Concerto for the Hampstead & Highgate Festival, both of which received their premieres during the latter part of 2009.

Recent CD releases have included The Three Little Pigs and Little Red Riding Hood, narrated by the TV presenter Chris Jarvis, with the London Philharmonic under David Parry, and a recording of the Cello Concerto with Raphael Wallfisch and the South West German Chamber Orchestra (Pforzheim). Future CD releases include his Phoenix Concerto with Emily Pailthorpe and the English Chamber Orchestra.

His Opus 50 Luslawice Variations for solo violin, was included on Tasmin Little
Tasmin Little
Tasmin Little is an English violinist.She studied under Pauline Scott at the Yehudi Menuhin School and later at the Guildhall School of Music, coming to prominence as a string section finalist in the 1982 BBC Young Musician of the Year competition...

's free to download CD of recordings as part of her Three Step Challenge.

Orchestral

  • Sonors, Op.17 (1973)
  • Fusions, Op.23 (1974), for orchestra & electronics
  • Circular Ruins, Op.31 (1975)
  • Clarinet Concerto, Op.34 (1976), for clarinet & string orchestra
  • Concerto for Orchesra, Op.45 (1981)
  • Sinfonia, Op.46 (1982), for string orchestra
  • Upside-Down-Under Variations, Op.56 (1985)
  • Violin Concerto, Op.72 (1992), for violin & string orchestra
  • Four Rustic Sketches, Op.80 (1997)
  • The City Within, Op.87 (2000)
  • Jubilee Dances, Op.89 (2002)
  • Cello Concerto, Op.90 (2002), for cello & string orchestra
  • Orchestra on Parade, Op.94 (2004)
  • Allusions, Op.99 (2007), for two violins & string orchestra
  • Viola Concerto (2008–09), for viola & string orchestra
  • Phoenix Concerto (2009), for oboe & string orchestra
  • Arabesque (2009)

Choral

  • Voices of Sleep, Op.40 (1979), for S.A.T.B. choir & orchestra
  • Mass of the Sea, Op.47 (1983), for soprano & bass soli, S.A.T.B. choir & orchestra
  • Missa Brevis, Op.54 (1985), for a cappella S.A.T.B. choir
  • Hell's Angels, Op.81 (1998), for soprano solo, S.A.T.B. choir, four percussion & string quartet
  • Gloria, Op.83 (1999), for soprano & tenor soli, S.A.T.B. choir & orchestra
  • Millenium Mass, Op.85 (1999), for soprano solo, S.A.T.B. choir, organ & chamber orchestra
  • The Fifth Continent, Op.96 (2005), for counter-tenor/mezzo-soprano solo, S.A.T.B. choir, brass quintet & organ

Chamber

  • Deviations, Op.88 (2001), for string octet
  • Tate Modern Mobiles, Op.91 (2003), for ensemble
  • Elegiac Blues, Op.97 (2005), for violin/cello & piano
  • Aguecheek's Antics, Op.98 (2005), for violin & piano

Solo Instrumental

  • Luslawice Variations, Op.50 (1984), for violin
  • Tides of Mananan, Op.64 (1988), for viola
  • A Tunnel of Time, Op.66 (1989), for piano
  • Soliloquy, Op.79 (1995), for clarinet
  • Bugs, Op.93 (2003), for harp
  • Tsunami, Op.95 (2005), for organ
  • Brumba, Op.100 (2007), for organ

External links

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