Nadezhda Zabela-Vrubel
Encyclopedia
Nadezhda Ivanovna Zabela-Vrubel ( 1 April [OS 20 March] 1868, Kovno – 4 July [OS 21 June] 1913, St. Petersburg) was a Russian opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 singer. Vocally, she is best described as a lyrical (coloratura
Coloratura
Coloratura has several meanings. The word is originally from Italian, literally meaning "coloring", and derives from the Latin word colorare . When used in English, the term specifically refers to elaborate melody, particularly in vocal music and especially in operatic singing of the 18th and...

) soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...

, with a particularly high tessitura
Tessitura
In music, the term tessitura generally describes the most musically acceptable and comfortable range for a given singer or, less frequently, musical instrument; the range in which a given type of voice presents its best-sounding texture or timbre...

.

In 1891 she graduated from the Saint Petersburg Conservatory
Saint Petersburg Conservatory
The N. A. Rimsky-Korsakov Saint Petersburg State Conservatory is a music school in Saint Petersburg. In 2004, the conservatory had around 275 faculty members and 1,400 students.-History:...

, having been in the class of Natalia Iretskaya
Natalia Iretskaya
Natalia Alexandrovna Iretskaya was a Russian singer and teacher of singing. Vocally, she is best described as a soprano.-Biography:She was born in 1845 and graduated from the Saint Petersburg Conservatory, where studied with Henriette Nissen-Saloman . She also studied in Paris with Pauline Viardot...

. She also studied in Paris with Mathilde Marchesi
Mathilde Marchesi
Mathilde Marchesi was a German mezzo-soprano, a renowned teacher of singing, and a proponent of the bel canto vocal method.-Biography:...

. She sang her debut in 1893 at the I. Setov operatic troupe in Kiev
Kiev
Kiev or Kyiv is the capital and the largest city of Ukraine, located in the north central part of the country on the Dnieper River. The population as of the 2001 census was 2,611,300. However, higher numbers have been cited in the press....

. In the season 1894-1895 she sang in Tiflis, in 1895-96 in the St. Petersburg Private opera, and in 1896-1897 in Kharkov. During 1897-1904 she was a leading soprano in Savva Mamontov
Savva Mamontov
Savva Ivanovich Mamontov was a famous Russian industrialist, merchant, entrepreneur, and patron of the arts.-Biography:He was a son of the wealthy merchant and industrialist Ivan Feodorovich Mamontov and Maria Tikhonovna . In 1841 the family moved to Moscow. From 1852 he studied in St...

's Private Russian Opera
Private Opera
The Private Opera , also known as:*The Russian Private Opera ;*Moscow Private Russian Opera, ;*Mamontov's Private Russian Opera in Moscow ;*Korotkov's Theatre ;*Vinter's Theatre ;*Private Opera Society ; and...

. In 1904-1911 she became the soloist of the Mariinski Theatre in St. Petersburg.

In 1896 she married the famous Russian artist Mikhail Vrubel
Mikhail Vrubel
Mikhail Aleksandrovich Vrubel is usually regarded amongst the Russian painters of the Symbolist movement. In reality, he deliberately stood aloof from contemporary art trends, so that the origin of his unusual manner should be sought in Late Byzantine and Early Renaissance painting.-Early...

, who created a series of her portraits.

Roles

Her roles include:
  • Gorislava in Ruslan and Lyudmila
    Ruslan and Lyudmila
    Ruslan and Lyudmila is an opera in five acts composed by Mikhail Glinka between 1837 and 1842. The opera is based on the 1820 poem of the same name by Alexander Pushkin. The Russian libretto was written by Valerian Shirkov, Nestor Kukolnik and N. A. Markevich, among others...

    ;
  • Tatiana in Eugene Onegin
    Eugene Onegin (opera)
    Eugene Onegin, Op. 24, is an opera in 3 acts , by Pyotr Ilyich Tchaikovsky. The libretto was written by Konstantin Shilovsky and the composer and his brother Modest, and is based on the novel in verse by Alexander Pushkin....

    ;
  • Maria in Mazeppa
    Mazeppa (opera)
    Mazeppa, properly Mazepa , is an opera in 3 acts by Pyotr Ilyich Tchaikovsky. The libretto was written by Victor Burenin and is based on Pushkin's poem Poltava....

    ;
  • Volkhova in Sadko
    Sadko (opera)
    Sadko is an opera in seven scenes by Nikolai Rimsky-Korsakov. The libretto was written by the composer, with assistance from Vladimir Belsky, Vladimir Stasov, and others. Rimsky-Korsakov was first inspired by the bylina of Sadko in 1867, when he completed a tone poem on the subject, his Op. 5...

    ;
  • Swan Princess in The Tale of Tsar Saltan
    The Tale of Tsar Saltan (Rimsky-Korsakov)
    The Tale of Tsar Saltan is an opera in four acts with a prologue, seven scenes, by Nikolai Rimsky-Korsakov. The libretto was written by Vladimir Belsky, and is based on the poem of the same name by Aleksandr Pushkin...

    ;
  • Snegurochka in The Snow Maiden
    The Snow Maiden
    The Snow Maiden: A Spring Fairy Tale is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed during 1880–1881. The Russian libretto, by the composer, is based on the like-named play by Alexander Ostrovsky .The first performance of Rimsky-Korsakov's opera took place at the...

    ;
  • Marfa in The Tsar's Bride
    The Tsar's Bride (opera)
    The Tsar's Bride is an opera in four acts by Nikolai Rimsky-Korsakov, the composer's tenth opera. The libretto, by Il’ya Tyumenev, is based on the drama of the same name by Lev Mey. Mey's play was first suggested to the composer as an opera subject in 1868 by Mily Balakirev...

    ;
  • Princess in Kashchey the Immortal
    Kashchey the Immortal (opera)
    Kashchey the Deathless , aka Kashchey the Immortal, is a one-act opera in three scenes by Nikolai Rimsky-Korsakov. The libretto was written by the composer, and is based on a Russian fairy tale about Koschei the Deathless, an evil, ugly old wizard, who menaced principally young women...

    ;
  • Fevronia in Kitezh
    The Legend of the Invisible City of Kitezh and the Maiden Fevroniya
    The Legend of the Invisible City of Kitezh and the Maiden Fevroniya is an opera in four acts by Nikolai Rimsky-Korsakov. The libretto was written by Vladimir Belsky, and is based on a combination of two Russian legends: that of St. Fevroniya of Murom, and the city of Kitezh, which became invisible...

    ;
  • Margarita in Faust
    Faust (opera)
    Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...

    ;
  • Nedda in Pagliacci
    Pagliacci
    Pagliacci , sometimes incorrectly rendered with a definite article as I Pagliacci, is an opera consisting of a prologue and two acts written and composed by Ruggero Leoncavallo. It recounts the tragedy of a jealous husband in a commedia dell'arte troupe...

    ;
  • Desdemona in Otello
    Otello
    Otello is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello. It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan, on February 5, 1887....

    , and many others.

Quotations

  • "Always so reasonable and sober-minded, Rimsky-Korsakov fell head over heels in love with Nadezhda. Marriage was out of the question, though, because he had a talented and very intelligent wife and growing up kids in St.Petersburg and Nadezhda was married to the outstanding Russian artist Mikhail Vrubel
    Mikhail Vrubel
    Mikhail Aleksandrovich Vrubel is usually regarded amongst the Russian painters of the Symbolist movement. In reality, he deliberately stood aloof from contemporary art trends, so that the origin of his unusual manner should be sought in Late Byzantine and Early Renaissance painting.-Early...

    . For many years Nadezhda Zabela-Vrubel and her inimitable voice inspired the composer to write a whole constellation of beautiful arias that immortalized Rimsky-Korsakov’s name and also that of the woman he loved so much..." (Musical Tales)

External links

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