La Carreta
Encyclopedia
La Carreta is a 1940s play
Play (theatre)
A play is a form of literature written by a playwright, usually consisting of scripted dialogue between characters, intended for theatrical performance rather than just reading. There are rare dramatists, notably George Bernard Shaw, who have had little preference whether their plays were performed...

 by Puerto Rican
Puerto Rico
Puerto Rico , officially the Commonwealth of Puerto Rico , is an unincorporated territory of the United States, located in the northeastern Caribbean, east of the Dominican Republic and west of both the United States Virgin Islands and the British Virgin Islands.Puerto Rico comprises an...

 playwright René Marqués
René Marques
René Marqués was a renowned Puerto Rican short story writer and playwright.-Early years:Marqués was born, raised and educated in the city of Arecibo...

. The story follows a family of "jíbaros" that in an effort to find better opportunities end up moving to the United States
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...

(see Puerto Rican migration to New York).

The story is divided in three acts, each focusing on a specific location. The first act begins with the family preparing to move from the countryside to San Juan
San Juan, Puerto Rico
San Juan , officially Municipio de la Ciudad Capital San Juan Bautista , is the capital and most populous municipality in Puerto Rico, an unincorporated territory of the United States. As of the 2010 census, it had a population of 395,326 making it the 46th-largest city under the jurisdiction of...

, capital of Puerto Rico
Puerto Rico
Puerto Rico , officially the Commonwealth of Puerto Rico , is an unincorporated territory of the United States, located in the northeastern Caribbean, east of the Dominican Republic and west of both the United States Virgin Islands and the British Virgin Islands.Puerto Rico comprises an...

, in search of a "better life". The second act takes place a year later in San Juan, specifically in La Perla
La Perla, San Juan, Puerto Rico
La Perla is a slum aside of the northern historic city wall of Old San Juan, Puerto Rico, stretching about 650 yards along the rocky Atlantic coast immediately east of the Santa Maria Magdalena de Pazzis Cemetery and down the slope from Calle Norzagaray.La Perla was established in the late 19th...

 slum
Slum
A slum, as defined by United Nations agency UN-HABITAT, is a run-down area of a city characterized by substandard housing and squalor and lacking in tenure security. According to the United Nations, the percentage of urban dwellers living in slums decreased from 47 percent to 37 percent in the...

, where the family has moved. The final act takes place yet another year apart, in The Bronx
The Bronx
The Bronx is the northernmost of the five boroughs of New York City. It is also known as Bronx County, the last of the 62 counties of New York State to be incorporated...

, New York
New York
New York is a state in the Northeastern region of the United States. It is the nation's third most populous state. New York is bordered by New Jersey and Pennsylvania to the south, and by Connecticut, Massachusetts and Vermont to the east...

, where the family has ended, looking for a better life.

The most recent production of the play stars Johanna Rosaly in the role of Gabriela. It was performed on March 2009 in Caguas and Santurce in Puerto Rico and will return to the stage in September and October 2009 in Mayaguez and Santurce. The show is produced by New Moon Productions and directed by Pablo Cabrera.

Characters

  • Chaguito: a mischievous adolescent, very street wise, who hates school and is extremely aggressive and disrespectful—he ends up arrested for theft.
  • Doña Gabriela: a widow and mother of Chaguito and Juanita and stepmother of Luis; she has a strong character which is undermined during the transition to the city; she is bound by her role as mother and is very protective of the insecure Luis by supporting his decision to move the family, thereby stifling her true feelings
  • Juanita: the character who experiences the most development in her transition from a docile personality to a strong, politicized one; she challenges the traditional concept of honor and the double standard that obligates women, not men, to maintain the family honor, which she defies by becoming a prostitute; her political development comes as a result of witnessing the oppression of minority groups in New York City, especially through judicial inequalities
  • Don Chago: Doña Gabriela’s widowed father who is stubborn in his refusal to follow the family when it leaves the farm for the city; he symbolizes the strength of traditional values through his idealistic love of the land and his nostalgic treatment of the “old days”; he is very sensitive and intelligent with definite anti-government, anti-capitalistic, and anti-clerical tendencies; he stays behind to spend his remaining days in a cave and dies
  • Luis: Doña Gabriela’s oldest “son” (he is actually the son of her husband and another woman) who assumes leadership of the family; his idealism takes the form of love of progress exemplified in machines and industry; he is completely assimilated into the mechanized world and is insensitive to his surroundings; he dies, ironically, from a freak accident at the factory
  • Germana: a nosey neighbor on the farm who tries to marry her daughter off to Luis, to no avail
  • Lito: a lively, happy-go-lucky boy who lives in the family’s neighborhood in San Juan
  • Matilde: described as a plump 35 year old who encourages Juanita to enter into the life of prostitution in “La Perla”, San Juan
  • Doña Isabel: 44 year old former teacher who now helps her husband, Don Severo, at the saloon; she is described as tall and slender, well-spoken and well-dressed; has a brief affair with Luis, who is really interested in her niece, Martita
  • Paco: 30 year old Puerto Rican writer and radio announcer who meets Juanita in New York and proposes marriage
  • Lidia: 26 year old friend of Juanita in New York; slender and tall with long hair and bangs
  • Mr. Parkinton: 40 year old American preacher, described as tall and thin, with a patronizing attitude towards the Puerto Ricans he is trying to convert

Synopsis Of The Play

Act I takes place in an unidentified mountainous region outside of San Juan. The family—Doña Gabriela, Luis, Juanita, and Chaguito, are packing for their move to San Juan. There is a great deal of tension in this scene as the family remembers nostalgically its traditions as they break away from them. Don Chago, the grandfather, refuses to move, and unbeknownst to the family, intends to live out his days in the solitude of a cave. He is Marqués personified in his love of the land and his attitude against industrial development. He blames his deceased son-in-law for the family’s inability to keep up with the mortgage payments and the subsequent loss of the farm. Luis, technically the head of the family now that his father has died, decides for them that a move to the city will bring prosperity, and they unquestioningly follow out his wishes. In reality, Luis is the son of his father and another woman, but is accepted totally by Doña Gabriela, who cautiously guards this “secret” from him, not realizing that he indeed knows. Luis’ strong determination to secure a better life for his family in a mechanized world can be seen almost as overcompensation for the gratitude he feels as an undeserving stepchild who enjoys the rights and privileges of a blood-relative. Juanita is ambivalent about the move as a local farmer, Miguel, is now courting her. Her mother worries about the sexual implications of this relationship and is relieved to know that it will be severed by their move. Ironically, her attempt to preserve the family honor fails when Juanita falls into prostitution in the city. There is a touching farewell scene as the oxcart approaches to carry them away and their nosey neighbor, Germana, provides comic relief.

Act II finds the family in a San Juan slum, ironically called “The Pearl”. They live alongside a noisy bar and Lito is introduced as a liaison between the family and this establishment. He infers that Luis is involved in gambling and in an illicit love affair with the owner’s wife. By the end of this act, Luis has been unsuccessful in 5 factory jobs and ironically ends up as a gardener for a wealthy family, thus returning to the land he had hoped to flee. Chaguito has taken on all the influences of the street and his thievery results in incarceration. The first threads of Juanita’s prostitution appear, encouraged by her friend, Matilde. She is torn between her traditional upbringing and the lure of the streets and unsuccessfully attempts suicide after an abortion. Doña Gabriela is distraught with grief and accepts Luis’ suggestion of yet another move—this time to New York City as a solution to their problems.

Act III develops in Morrisania, a Puerto Rican area of the Bronx. It is wintertime and they are suffering the bitter cold for the first time. Juanita is “working” and rents a room in another part of town. Luis is disgusted by her independence and wants her to move back so that he can support her. She refuses a marriage proposal by a Puerto Rican radio announcer who perceives her sensitivity beyond her citified faCade. Doña Gabriela refuses to confront Juanita by not believing in the obvious source of her income. She is overwhelmed by the changes in the family and gradually loses her fiery spirit. She silently accepts her fate, continuing to accept whatever Luis plans for them. Luis is obsessed by his job in a boiler factory as he provides the family with the trappings of a “better” life. The play ends as the tragic hero succumbs to his flaw when the machine which he idolizes causes his death. The family returns to Puerto Rico to bury him, again ironically, in the land which he fled.

See also

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