Frederick Jagel
Encyclopedia
Frederick Jagel was an American tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...

, primarily active at the Metropolitan Opera
Metropolitan Opera
The Metropolitan Opera is an opera company, located in New York City. Originally founded in 1880, the company gave its first performance on October 22, 1883. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager...

 in the 1930s and 1940s.

Life and career

Frederick Jagel studied voice in New York City and Milan, and made his debut as Rodolfo in La bohème
La bohème
La bohème is an opera in four acts,Puccini called the divisions quadro, a tableau or "image", rather than atto . by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger...

, in Livorno
Livorno
Livorno , traditionally Leghorn , is a port city on the Tyrrhenian Sea on the western edge of Tuscany, Italy. It is the capital of the Province of Livorno, having a population of approximately 160,000 residents in 2009.- History :...

, in 1924. He sang
throughout Italy under the name of Federico Jaghelli. After his return to America, he made his debut at the Metropolitan Opera on November 8, 1927, as Radames in Aida
Aida
Aida sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette...

, in twenty-three seasons with the Met, he sang 217 performances of 34 roles, primarily in the Italian and French repertories. He can be heard in many former Metropolitan Opera radio broadcasts
Metropolitan Opera radio broadcasts
The Metropolitan Opera radio broadcasts are a regular series of weekly broadcasts on network radio of full-length opera performances. They are transmitted live from the stage of the Metropolitan Opera in New York City...

, notably as Pollione in Norma
Norma (opera)
Norma is a tragedia lirica or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after Norma, ossia L'infanticidio by Alexandre Soumet. First produced at La Scala on December 26, 1831, it is generally regarded as an example of the supreme height of the bel canto tradition...

, opposite Zinka Milanov
Zinka Milanov
Zinka Milanov was a Croatian-born operatic spinto soprano who had a major career centred on the New York Metropolitan Opera.-Biography:...

, and Edgardo in Lucia di Lammermoor
Lucia di Lammermoor
Lucia di Lammermoor is a dramma tragico in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor....

, opposite Lily Pons
Lily Pons
Lily Pons was a French-American operatic soprano and actress who had an active career from the late 1920s through the early 1970s. As an opera singer she specialized in the coloratura soprano repertoire and was particularly associated with the title roles in Léo Delibes' Lakmé and Gaetano...

.

Jagel also appeared in San Francisco, Chicago, and Buenos Aires, before
retiring in 1950. He taught singing in New York after his retirement. Among his pupils were tenors Robert Moulson
Robert Moulson
Robert Moulson was an American classical tenor who had an active international career in operas and concerts from the late 1950s through the 1980s...

 and John Stewart
John Stewart (tenor)
John Harger Stewart is an American tenor, conductor, and voice teacher who had an active international singing career in concerts and operas from 1964 to 1990. He began his career singing regularly with the Santa Fe Opera from the mid 1960s through the early 1970s; after which he appeared only...

.

Sources

  • D. Hamilton (ed.),The Metropolitan Opera Encyclopedia: A Complete Guide to the World of Opera (Simon and Schuster, New York 1987). ISBN 0-671-16732-X
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