Easter, 1916
Encyclopedia

Easter, 1916 is a poem by W. B. Yeats describing the poet's torn emotions regarding the events of the Easter Rising
Easter Rising
The Easter Rising was an insurrection staged in Ireland during Easter Week, 1916. The Rising was mounted by Irish republicans with the aims of ending British rule in Ireland and establishing the Irish Republic at a time when the British Empire was heavily engaged in the First World War...

 staged in Ireland
Ireland
Ireland is an island to the northwest of continental Europe. It is the third-largest island in Europe and the twentieth-largest island on Earth...

 against British rule on Easter
Easter
Easter is the central feast in the Christian liturgical year. According to the Canonical gospels, Jesus rose from the dead on the third day after his crucifixion. His resurrection is celebrated on Easter Day or Easter Sunday...

 Monday, April 24, 1916. The uprising was unsuccessful, and most of the Irish republican leaders involved were executed for treason
Treason
In law, treason is the crime that covers some of the more extreme acts against one's sovereign or nation. Historically, treason also covered the murder of specific social superiors, such as the murder of a husband by his wife. Treason against the king was known as high treason and treason against a...

. The poem was written between May and September 1916.

Commentary and Interpretation

Although a committed nationalist, Yeats generally disapproved of violence as a means to securing Irish independence, and as a result had strained relations with some of the figures who eventually led the uprising. The deaths of these revolutionary figures at the hands of the British however, were as much a shock to Yeats as they were to ordinary Irish people at the time who did not expect events to take a worse turn so soon. Yeats was working through his feelings about the revolutionary movement in this poem, and the insistent refrain that "a terrible beauty is born" turned out to be rather prescient—as the brutal execution of the Easter Rising leaders by the British had the opposite intended effect, and led to a reinvigoration of the Irish Republican movement rather than its dissipation.

The initial social and ideological distance between Yeats and some of the revolutionary figures is portrayed in the poem when, in the first stanza, the poem's narrator admits to having exchanged only "polite meaningless words" (6) with the revolutionaries prior to the uprising. However, this attitude changes with the refrain at the end of the stanza, when Yeats moves from a feeling of separation between the narrator and the revolutionaries, to a mood of distinct unity, by including all subjects of the poem in the last line with reference to the utter change that happened when the revolutionary leaders were executed by the British: "All changed, changed utterly: A terrible beauty is born." (15-16) These last lines of the stanza have rhythmic similarities to the popular ballads of the era as well as syntactic echoes of William Blake
William Blake
William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age...



In the second stanza, the narrator proceeds to describe in greater detail the key figures involved in the Easter uprising, alluding to them without actually listing names. The female revolutionary described at the opening of the stanza is Countess Markievicz, who was well-known to Yeats and a long-time friend. The man who "kept a school / And rode our winged horse" is a reference to Patrick Pearse
Patrick Pearse
Patrick Henry Pearse was an Irish teacher, barrister, poet, writer, nationalist and political activist who was one of the leaders of the Easter Rising in 1916...

, and the lines about Pearse's "helper and friend" allude to Thomas MacDonagh
Thomas MacDonagh
Thomas MacDonagh was an Irish nationalist, poet, playwright, and a leader of the 1916 Easter Rising.-Early life:MacDonagh was born in Cloughjordan, County Tipperary...

. In Yeats's description of the three, his torn feelings about the Easter uprising are most keenly communicated. He contrasts the "shrill" voice of Countess Markievicz as a revolutionary, with his remembrance of her uncomparably "sweet" voice when she was a young woman; and he contrasts the haughty public personae of Pearse against his impression of his "sensitive" nature, describing how "daring and sweet" his ideals were even though he and MacDonagh had to resort to "force".

This stanza also shows how Yeats was able to separate his own private feelings towards some of the revolutionary figures from the greater nationalist cause that the group was pursuing. Whilst Yeats had positive regard for the three Republican leaders mentioned above, he despised Major John MacBride
John MacBride
Major John MacBride was an Irish republican executed for participation in the 1916 Easter Rising.-Early life:...

, who as the estranged husband of Maud Gonne
Maud Gonne
Maud Gonne MacBride was an English-born Irish revolutionary, feminist and actress, best remembered for her turbulent relationship with William Butler Yeats. Of Anglo-Irish stock and birth, she was won over to Irish nationalism by the plight of evicted people in the Land Wars...

 (who in turn had been the object of Yeats's romantic feelings for a number of years) had abused both Gonne and their daughter during their marriage. In this poem, although MacBride is alluded to as a "vainglorious lout" (32) who had "done most bitter wrong" (33) to those close to the narrator's heart, Yeats includes him in his eulogy among those who have fallen for their republican ideals: "Yet I number him in the song;/ He, too, has resigned his part/ In the casual comedy/ He, too, has been changed in turn" (36-7). The phrase "the casual comedy" is laden with sarcasm, pointing to an unnecessary loss of life (a point he picks up again in a later stanza) as well as the senselessness of the killings. Yeats emphasises his repeated charge at the end of the stanza, that, as a result of the execution of the Easter Rising leaders, "A terrible beauty is born" (40).

The third stanza differs from the first two stanzas by abandoning the first-person narrative of "I" and moving to the natural realm of streams, clouds, and birds. The speaker elaborates on the theme of change ("Minute by minute they change (48) ... Changes minute by minute" (50)) and introduces the symbol of the stone, which opens and closes the stanza. Unlike the majority of images presented in this stanza, of clouds moving, seasons changing, horse-hoof sliding, which are characterized by their transience, the stone is a symbol of permanence. Yeats compares the fixedness of the revolutionaries' purpose to that of the stone, their hearts are said to be "enchanted to a stone" (43). The stone disturbs or "trouble[s]" "the living stream" (44), a metaphor for how the steadfastness of the revolutionaries' purpose contrasts sharply with the shifting transience of popular moods. The singularity of their purpose, leading to their ultimate deaths, cut through the complacency and indifference of everyday Irish society at the time.

The fourth and last stanza of the poem resumes the first person narrative of the first and second stanzas. The stanza returns to the image of the stony heart: "Too long a sacrifice/ Can make a stone of the heart" (57-8), Yeats wrote, putting the determined struggle of Irish republicans in the Easter Rising in the context of the long, turbulent history of British colonialism in Ireland, as well as alluding to the immense psychological costs of the long struggle for independence. Indeed, the narrator cries, "O when may it suffice?", and answering his own question with the line, "That is heaven's part" (making an allusion to Shakespeare's play Hamlet
Hamlet
The Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...

-- the parallel line occurs in Act I, scene V, regarding Gertrude
Gertrude (Hamlet)
In William Shakespeare's play Hamlet, Gertrude is Hamlet's mother and Queen of Denmark. Her relationship with Hamlet is somewhat turbulent, since he resents her for marrying her husband's brother Claudius after he murdered the King...

's guilt: "Against thy mother aught: leave her to heaven"). In Yeats's schema, Heaven's role is to determine when the suffering will end and when the sacrifices are considered sufficient (59-60); whilst the role of the people left behind is to forever remember the names of those who had fallen in order to properly lay their wandering spirits to rest: "our part/ To murmur name upon name,/ as a mother names her child/ when sleep at last has come/ On limbs that had run wild." (60-3).

In the second half of the last stanza, the narrator wonders aloud whether the sacrifices were indeed warranted: "Was it needless death after all?" (67), contemplating the possibility that the British might still allow the Home Rule Act 1914
Home Rule Act 1914
The Government of Ireland Act 1914 , also known as the Third Home Rule Bill, was an Act passed by the Parliament of the United Kingdom intended to provide self-government for Ireland within the United Kingdom of Great Britain and Ireland.The Act was the first law ever passed by the Parliament of...

 to come into force without the uprising. However, Yeats made the point that what's done was done. All that is important is to remember the revolutionaries' dream and carry on: "We know their dream; enough/ To know they dreamed and are dead." There is no point arguing over whether these revolutionaries should or shouldn't have acted so rashly for their cause as they did: "And what if excess of love/ bewildered them till they died?" These are some of the most poignant lines in the poem, with the phrase "excess of love" (72) recalling the character of Oisin
Oisin
Oisin , is a common boy's name.-Origin:The name Oisin probably originated in the myth of Tír na nÓg.Oisin was the son of Fionn mac Cumhaill and was brand to the land of youth by beautiful Niamh.-McPherson and Ossian:...

 in Yeats's long poem "The Wanderings of Oisin
The Wanderings of Oisin
The Wanderings of Oisin is an epic poem published by William Butler Yeats in 1889 in the book The Wanderings of Oisin and Other Poems. It was his first publication outside of magazines, and immediately won him a reputation as a significant poet....

."

In the end, the narrator resigns to commemorating the names of those fallen revolutionary figures, viz. Thomas MacDonagh, John MacBride, James Connolly
James Connolly
James Connolly was an Irish republican and socialist leader. He was born in the Cowgate area of Edinburgh, Scotland, to Irish immigrant parents and spoke with a Scottish accent throughout his life. He left school for working life at the age of 11, but became one of the leading Marxist theorists of...

 and Patrick Pearse, as eternal heros of the Irish Republican movement (symbolised by the colour green), with Yeats adapting the final refrain to reflect the price these people paid to change the course of Irish history:

"I write it out in a verse -

MacDonagh and MacBride

And Connolly and Pearse

Now and in time to be,

Wherever green is worn,

Are changed, changed utterly:

A terrible beauty is born."

The extent to which Yeats was willing to eulogize the members of the Easter Rising can be seen in his usage of "green" (78) to commemorate said members above, even though he generally abhors the use of the colour green
Green
Green is a color, the perception of which is evoked by light having a spectrum dominated by energy with a wavelength of roughly 520–570 nanometres. In the subtractive color system, it is not a primary color, but is created out of a mixture of yellow and blue, or yellow and cyan; it is considered...

as a political symbol (Yeats's abhorrence is such that he forbade green as the color of the binding of his books). In commemorating the names of the revolutionaries in eloquent lamentation in the final stanza, including even his love rival Major John MacBride, Yeats reconciled his personal private sentiments towards some of the individuals involved with the larger nationalist sentiments upheld and championed by the poem, even if there were revolutionaries whose strategies he didn't fully agree with. Yeats has an interesting perspective on the historical significance of his poem, adding to the tension of his recording. The revolutionaries "now and in time to be (77)... are changed, changed utterly" (79)-- the knowledge of which shows Yeats's astute insight into the historical importance of his poetic memorial of these revolutionary figures.

Interestingly, the date of the Easter Rising can be seen in the structure of the poem also: there are 16 lines (for 1916) in the first and third stanzas, 24 lines (for April 24, the date the Rising began) in the second and fourth stanzas, and four stanzas in total (which refers to April, the fourth month of the year).

External links

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