Dances of Sri Lanka
Encyclopedia
The origin of the dances of Sri Lanka lies with the indigenous people of Sri Lanka
, the Wanniyala-Aetto
and "yakkas" ("those who work with iron").
Kandyan dance takes its name from Kandy
, the last royal capital of Sri Lanka
, which is situated about 120 kilometers from the modern capital at Colombo
. This genre is today considered the classical dance of Sri Lanka. In Sanskrit terminology it is considered pure dance (nrtta); it features a highly developed system of "tala" (rhythm), provided by cymbals called "thalampataa". There are five distinct types; the ves, naiyandi, uddekki, pantheru, and vannams.
The three classical dance forms differ in their styles of body-movements and gestures, in the costumes worn by the performers, and in the shape and size of the drum
s use to provide rhythmic sound patterns to accompany the dancing.
The drum used in Kandyan dancing is known as the Geta Bera, the drum in Ruhunu dancing as the "Yak Bera", and drum in Sabaragamu dancing as the "Davula" (the word Bera or Bereya in Sinhale means "Drum") The Geta Bera is beaten with the hands as is also Yak Bera, while the Davula is played with a stick on one side and with one hand on the other side; the Geta Bera has a body which tapers on both sides while the Yak Bera and the Davula both have cylindrical bodies.
The main distinguishing feature between Kandyan and Sabaragamu dancing, and Ruhunu dancing, is that Ruhunu dancers wear masks.
Only toward the end of the nineteenth century were ves dancers first invited to perform outside the precincts of the Kankariya Temple at the annual Kandy Perahera festival. Today the elaborately costumed ves dancer epitomizes Kandyan dance.
. It resembles a tambourine (without the skin) and has small cymbals attached at intervals around its circumference. The dance is said to have originated in the days of Prince Siddhartha, who became Buddha. The gods were believed to use this instrument to celebrate victories in war, and Sinhala kings employed pantheru dancers to celebrate victories in the battlefield. The costume is similar to that of the uddekki dancer, but the pantheru dancer wears no beaded jacket and substitutes a silk handkerchief at the waist for the elaborate frills of the uddekki dancer.
It is said that the kavi (poetry sung to music) for the eighteen principal vannams were composed by an old sage named Ganithalankara, with the help of a Buddhist priest from the Kandy temple. The vannams were inspired by nature, history, legend, folk religion
, folk art, and sacred lore, and each is composed and interpreted in a certain mood (rasaya) or expression of sentiment. The eighteen classical vannams are gajaga ("elephant"), thuranga ("hourse") , mayura ("peacock"), gahaka ("conch shell"), uranga ("crawling animals"), mussaladi ("hare"), ukkussa ("eagle"), vyrodi ("precious stone"), hanuma ("monkey"), savula ("cock"), sinharaja ("lion"), naga ("cobra"), kirala ("red-wattled lapwing"), eeradi ("arrow"), Surapathi (in praise of the goddess Surapathi), Ganapathi (in praise of the god Ganapathi), uduhara (expressing the pomp and majesty of the king), and assadhrusa (extolling the merit of Buddha). To these were added samanala ("Butterfly"),bo (the sacred bo tree at Anuradhapura, a sapling of the original bo tree under which Buddha attained enlightenment), and hansa vannama ("swan"). The vannama dance tradition has seven components.
The 'thovil' can be a simple ritualistic ceremony at home restricted to family and immediate neighbours or involving the whole village like the 'gam-maduva' or the 'devol-maduva' which is closely linked to the worship of gods. Masked dancers take part in at least two of the well-known 'thovil' ceremonies referred to as the 'Maha Sohon Samayama' and the 'Gara Yakuma'. The mention of 'Maha Sohona
' frightens the people since he is believed to be the demon of the graveyards.
The performer disguises himself as a bear and wears a mask and a dress to resemble one. Often the 'thovil' involves the 'sanni' dances where all the dancers wear masks. The 'daha ata sanniya' refers to sixteen ailments with a demon being responsible for each one of them.
Dancers wearing masks take part in processions while at certain ceremonies, masks are used to depict different characters. Of later origin are the masks worn by children and teenagers at street performances during Vesak. Popularly known as 'olu bakko' for the simple reason that oversize masks are worn, these performances keep the younger-folk, in particular, entertained.
The simple version of the devil dance ritual usually starts in the morning with the building of the stage, decorations and preparation of the costumes. The performers build an intricate stage before which the dancing commences. The stage consists of a wall made of freshly cut natural materials such as coconut palm tree and banana tree trunks. Depending on the region and the available materials the stage may also be coated with clay mud. The dances are accompanied by drummers which also herald the begin of the ritual. The distinctive sound ensures all neighbours turn up to take part. The full ritual usually lasts until the morning, with the dancers consuming betel-nut juice and drinking coke to stay awake. Dances can however also go on for multiple days.
(a hand drum) folk dances prevalent at the present time.
and had later become a dance-drama independent of ritual elements.
The pre-Buddhistic folk religion consisted of the belief in a variety of deities and demons who were supposed to be capable of awarding benefits and blessings but also causing afflictions and diseases. Accordingly they had to be either propitiated or exorcised with offerings and the performance of rituals and ceremonies.
The repertoire of Dances in Kandyan dancing has its origins in the ritual known as the Kohomba Kankariya, which is performed to propitiate the deity
known as Kohomba for the purpose of obtaining relief from personal afflictions or from communal calamities such as pestilence. Although this ritual is rarely performed at the present the various dances associated with its performance could be seen in the Kandy Perahera, and annual religion-cultural event which takes place in the city of Kandy in honour of the sacred tooth-relic of the Buddha housed in the Dalada Maligawa, the Temple of the Sacred Tooth.
The repertoire of Ruhunu dancing has its origins in the rituals of the Devol Maduwa - used to propitiate the Deity
/demon
Devol
- and in exorcistic rituals known as the Rata Yakuma and the Sanni Yakuma - associated with various demons who are supposed to cause a variety of afflictions and incurable illnesses.
Saparagamu dancing is associated with the ritual known as the Gam Maduwa, which is performed to propitiate the goddess Pattini
. The purpose is to obtain a good harvest or to ward off evil or to be rid of and infectious disease.
Sri Lanka
Sri Lanka, officially the Democratic Socialist Republic of Sri Lanka is a country off the southern coast of the Indian subcontinent. Known until 1972 as Ceylon , Sri Lanka is an island surrounded by the Indian Ocean, the Gulf of Mannar and the Palk Strait, and lies in the vicinity of India and the...
, the Wanniyala-Aetto
Wanniyala-Aetto
Veddas or Veddahs , are an indigenous people of Sri Lanka, an island nation in the Indian Ocean. They amongst other self identified native communities such as Coast Veddas and Anuradhapura Veddas are accorded indigenous status...
and "yakkas" ("those who work with iron").
Classical Dances
There are three main styles of Sri Lankan classical dance:- The Kandyan danceKandyan DanceKandyan Dance is a dance form that originated in the area called Kandy of the Central hills region in Sri Lanka. But today it has been widespread to other parts of the country.-History:...
s of the Hill Country, known as Uda Rata Natum; - The low country dances of the southern plains, known as Pahatha Rata Natum;
- Sabaragamuwa dances, or Sabaragamuwa Natum.
Kandyan dance takes its name from Kandy
Kandy
Kandy is a city in the center of Sri Lanka. It was the last capital of the ancient kings' era of Sri Lanka. The city lies in the midst of hills in the Kandy plateau, which crosses an area of tropical plantations, mainly tea. Kandy is one of the most scenic cities in Sri Lanka; it is both an...
, the last royal capital of Sri Lanka
Sri Lanka
Sri Lanka, officially the Democratic Socialist Republic of Sri Lanka is a country off the southern coast of the Indian subcontinent. Known until 1972 as Ceylon , Sri Lanka is an island surrounded by the Indian Ocean, the Gulf of Mannar and the Palk Strait, and lies in the vicinity of India and the...
, which is situated about 120 kilometers from the modern capital at Colombo
Colombo
Colombo is the largest city of Sri Lanka. It is located on the west coast of the island and adjacent to Sri Jayawardenapura Kotte, the capital of Sri Lanka. Colombo is often referred to as the capital of the country, since Sri Jayawardenapura Kotte is a satellite city of Colombo...
. This genre is today considered the classical dance of Sri Lanka. In Sanskrit terminology it is considered pure dance (nrtta); it features a highly developed system of "tala" (rhythm), provided by cymbals called "thalampataa". There are five distinct types; the ves, naiyandi, uddekki, pantheru, and vannams.
The three classical dance forms differ in their styles of body-movements and gestures, in the costumes worn by the performers, and in the shape and size of the drum
Drum
The drum is a member of the percussion group of musical instruments, which is technically classified as the membranophones. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a...
s use to provide rhythmic sound patterns to accompany the dancing.
The drum used in Kandyan dancing is known as the Geta Bera, the drum in Ruhunu dancing as the "Yak Bera", and drum in Sabaragamu dancing as the "Davula" (the word Bera or Bereya in Sinhale means "Drum") The Geta Bera is beaten with the hands as is also Yak Bera, while the Davula is played with a stick on one side and with one hand on the other side; the Geta Bera has a body which tapers on both sides while the Yak Bera and the Davula both have cylindrical bodies.
The main distinguishing feature between Kandyan and Sabaragamu dancing, and Ruhunu dancing, is that Ruhunu dancers wear masks.
Ves dance
"Ves" dance, the most popular, originated from an ancient purification ritual, the Kohomba Yakuma or Kohomba Kankariya. The dance was propitiatory, never secular, and performed only by males. The elaborate ves costume, particularly the headgear, is considered sacred and is believed to belong to the deity Kohomba.Only toward the end of the nineteenth century were ves dancers first invited to perform outside the precincts of the Kankariya Temple at the annual Kandy Perahera festival. Today the elaborately costumed ves dancer epitomizes Kandyan dance.
Naiyandi dance
Dancers in Naiyandi costume perform during the initial preparations of the Kohomba Kankariya festival, during the lighting of the lamps and the preparation of foods for the demons. The dancer wears a white cloth and white rurban, beadwork decorations on his chest, a waistband, rows of beads around his neck, silver chains, brass shoulder plates, anklets, and jingles. This is a graceful dance, also performed in Maha Visnu (Vishnu) and Kataragama Devales temples on ceremonial occasions.Uddekki dance
Uddekki is a very prestigious dance. Its name comes from the uddekki, a small lacquered hand drum in the shape of an hourglass, about seven and half inches (18 centimeters) high, believed to have been given to people by the gods. The two drumskins are believed to have been given by the god Iswara, and the sound by Visnu; the instrument is said to have been constructed according to the instructions of Sakra and was played in the heavenly palace of the gods. It is a very difficult instruments to play. The dancer sings as he plays, tightening the strings to obtain variations of pitch.Pantheru dance
The pantheruwa is an instrument dedicated to the goddess PattiniPattini
In Sinhala Buddhist belief the Pattini is a guardian deity of Buddhism. She is the deification of Kannagi, who is the central character of the Tamil epic Silapadhikaram of Ilango Adigal...
. It resembles a tambourine (without the skin) and has small cymbals attached at intervals around its circumference. The dance is said to have originated in the days of Prince Siddhartha, who became Buddha. The gods were believed to use this instrument to celebrate victories in war, and Sinhala kings employed pantheru dancers to celebrate victories in the battlefield. The costume is similar to that of the uddekki dancer, but the pantheru dancer wears no beaded jacket and substitutes a silk handkerchief at the waist for the elaborate frills of the uddekki dancer.
Vannams
The word "vannam" comes from the Sinhala word "varnana" (descriptive praise). Ancient Sinhala texts refer to a considerable number of "vannams" that were only sung; later they were adapted to solo dances, each expressing a dominant idea. History reveals that the Kandyan king Sri Weeraparakrama Narendrasinghe gave considerable encouragement to dance and music. In this Kavikara Maduwa (a decorated dance arena) there were song and poetry contests.It is said that the kavi (poetry sung to music) for the eighteen principal vannams were composed by an old sage named Ganithalankara, with the help of a Buddhist priest from the Kandy temple. The vannams were inspired by nature, history, legend, folk religion
Folk religion
Folk religion consists of ethnic or regional religious customs under the umbrella of an organized religion, but outside of official doctrine and practices...
, folk art, and sacred lore, and each is composed and interpreted in a certain mood (rasaya) or expression of sentiment. The eighteen classical vannams are gajaga ("elephant"), thuranga ("hourse") , mayura ("peacock"), gahaka ("conch shell"), uranga ("crawling animals"), mussaladi ("hare"), ukkussa ("eagle"), vyrodi ("precious stone"), hanuma ("monkey"), savula ("cock"), sinharaja ("lion"), naga ("cobra"), kirala ("red-wattled lapwing"), eeradi ("arrow"), Surapathi (in praise of the goddess Surapathi), Ganapathi (in praise of the god Ganapathi), uduhara (expressing the pomp and majesty of the king), and assadhrusa (extolling the merit of Buddha). To these were added samanala ("Butterfly"),bo (the sacred bo tree at Anuradhapura, a sapling of the original bo tree under which Buddha attained enlightenment), and hansa vannama ("swan"). The vannama dance tradition has seven components.
Devil Dances
The "Devil Dances" are an attempt to respond to the common belief that certain ailments are caused by unseen hands and that they should be chased away for the patient to get cured. If an individual or a family is not doing well, the village-folk believe that it's because that person or the family is being harassed by unseen hands. A 'thovil' ceremony is the answer.The 'thovil' can be a simple ritualistic ceremony at home restricted to family and immediate neighbours or involving the whole village like the 'gam-maduva' or the 'devol-maduva' which is closely linked to the worship of gods. Masked dancers take part in at least two of the well-known 'thovil' ceremonies referred to as the 'Maha Sohon Samayama' and the 'Gara Yakuma'. The mention of 'Maha Sohona
Maha Sohona
Maha Sohona is a demon in Sinhalese folklore, who is said to haunt cemeteries. The name Maha Sohona means "great graveyard demon" or "demon of the cemetery" in the Sinhala language. It is one of the most feared demons in Sri Lanka...
' frightens the people since he is believed to be the demon of the graveyards.
The performer disguises himself as a bear and wears a mask and a dress to resemble one. Often the 'thovil' involves the 'sanni' dances where all the dancers wear masks. The 'daha ata sanniya' refers to sixteen ailments with a demon being responsible for each one of them.
Dancers wearing masks take part in processions while at certain ceremonies, masks are used to depict different characters. Of later origin are the masks worn by children and teenagers at street performances during Vesak. Popularly known as 'olu bakko' for the simple reason that oversize masks are worn, these performances keep the younger-folk, in particular, entertained.
The simple version of the devil dance ritual usually starts in the morning with the building of the stage, decorations and preparation of the costumes. The performers build an intricate stage before which the dancing commences. The stage consists of a wall made of freshly cut natural materials such as coconut palm tree and banana tree trunks. Depending on the region and the available materials the stage may also be coated with clay mud. The dances are accompanied by drummers which also herald the begin of the ritual. The distinctive sound ensures all neighbours turn up to take part. The full ritual usually lasts until the morning, with the dancers consuming betel-nut juice and drinking coke to stay awake. Dances can however also go on for multiple days.
Folk dances
Apart from the classical dance forms there are also folk dances, which are associated with folk activities and festivities. Leekeli (stick dance), Kalageldi (pot dance) and RabanRaban
Raban or Rabana is one-sided traditional drum type played with the hands, used in Sri Lanka. The body of these drums are made by carving the Jack or Vitex trees. The skin used is that of a goat. There are two types of Rabans as Hand Raban and Bench Raban.* Hand Raban is about one foot in diameter...
(a hand drum) folk dances prevalent at the present time.
Dance drama
There is also in the low country a dance-drama called Kolam in which the performers wear masks depicting animals or people such as kings or high officials, and provides amusement and social satire. It has been suggested by scholars that Kolam may have developed from the ritual known as Sanni YakumaSanni Yakuma
Sanni yakuma, sometimes known as Daha ata sanniya is a traditional Sinhalese exorcism ritual. The ritual consists of 18 dances, each depicting a particular illness or ailment affecting humans. These 18 dances are the main dances of the Pahatharata, or low country, dancing form, which is one of the...
and had later become a dance-drama independent of ritual elements.
Dances today and then
The classical dance forms are associated with performance of various rituals and ceremonies which are centuries old and are based on folk religion and folk beliefs going back to before the advent and of Buddhism and its acceptance by the Sinhalese people in the third century B.C. These rituals and ceremonies reflect the values, beliefs and customs of an agricultural civilisation.The pre-Buddhistic folk religion consisted of the belief in a variety of deities and demons who were supposed to be capable of awarding benefits and blessings but also causing afflictions and diseases. Accordingly they had to be either propitiated or exorcised with offerings and the performance of rituals and ceremonies.
The repertoire of Dances in Kandyan dancing has its origins in the ritual known as the Kohomba Kankariya, which is performed to propitiate the deity
Deity
A deity is a recognized preternatural or supernatural immortal being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by believers....
known as Kohomba for the purpose of obtaining relief from personal afflictions or from communal calamities such as pestilence. Although this ritual is rarely performed at the present the various dances associated with its performance could be seen in the Kandy Perahera, and annual religion-cultural event which takes place in the city of Kandy in honour of the sacred tooth-relic of the Buddha housed in the Dalada Maligawa, the Temple of the Sacred Tooth.
The repertoire of Ruhunu dancing has its origins in the rituals of the Devol Maduwa - used to propitiate the Deity
God
God is the English name given to a singular being in theistic and deistic religions who is either the sole deity in monotheism, or a single deity in polytheism....
/demon
Yaksha
Yaksha is the name of a broad class of nature-spirits, usually benevolent, who are caretakers of the natural treasures hidden in the earth and tree roots. They appear in Hindu, Jain and Buddhist mythology. The feminine form of the word is ' or Yakshini .In Hindu, Jain, and Buddhist mythology,...
Devol
Devol
Devol can refer to:*George Devol, inventor of the first industrial robot*Frank Denny De Vol, sometimes known simply as DeVol, was an American arranger, composer and actor*Devol, Oklahoma*Devoll or Devolli, a river in southern Albania...
- and in exorcistic rituals known as the Rata Yakuma and the Sanni Yakuma - associated with various demons who are supposed to cause a variety of afflictions and incurable illnesses.
Saparagamu dancing is associated with the ritual known as the Gam Maduwa, which is performed to propitiate the goddess Pattini
Pattini
In Sinhala Buddhist belief the Pattini is a guardian deity of Buddhism. She is the deification of Kannagi, who is the central character of the Tamil epic Silapadhikaram of Ilango Adigal...
. The purpose is to obtain a good harvest or to ward off evil or to be rid of and infectious disease.
See also
- KummiKummiKummi is a folk dance, popular in Tamil Nadu and Kerala in India, danced mostly by Tamil women in circle. Dancing may be different. In some places, it is very simple, with rhythmic clapping. In other places dancers imitate various harvesting activities. Kummi often accompany by songs, called...
- http://www.lankalibrary.com/phpBB/viewtopic.php?p=2706&
- http://www.gammeddehewa.addr.com/thovil.htm