Ahmad Alaadeen
Encyclopedia
Jazz
Jazz is a musical style that originated at the beginning of the 20th century in African American communities in the Southern United States. It was born out of a mix of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th...
saxophonist and educator whose career spanned over six decades. A longtime fixture on the Kansas City
Kansas City, Missouri
Kansas City, Missouri is the largest city in the U.S. state of Missouri and is the anchor city of the Kansas City Metropolitan Area, the second largest metropolitan area in Missouri. It encompasses in parts of Jackson, Clay, Cass, and Platte counties...
jazz scene, Aladeen came to wider prominence in the 1990s with a series of self-released albums featuring his swing- and hard bop
Hard bop
Hard bop is a style of jazz that is an extension of bebop music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz which incorporated influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano...
-oriented compositions that led Allmusic critic Scott Yanow to declare that the saxophonist "deserves to be much better known."
Biography
Born in Kansas City, on July 24, 1934, Alaadeen grew up around music. “I listened to all types of styles. I went to Philharmonic concerts, loved Lester Young, liked T-Bone Walker and was crazy about Eddie “Cleanhead” Vinson. He began on the saxophone when he was in sixth grade, in time also mastering flute, clarinet and oboe. He studied at R.T. Coles High School under the tutelage of Leo H. Davis, a well respected music instructor reported to have taught Charlie Parker. “The way he taught improvisation was to sing the melody in my ear when I soloed so I’d always keep the melody in mind.” Alaadeen debuted as a professional with Davis’ concert band playing e-flat horn when he was 14 and his first major job was playing baritone sax with the great pianist-bandleader Jay McShann. In later years he would rejoin McShann on tenor.Alaadeen studied at the Kansas City Conservatory of Music (studying flute since the educators did not think of the saxophone as a legitimate instrument), St. Mary’s University (where he studied oboe) and DePaul University. He served in the military during 1957-59, being the Jazz saxophonist and principal oboist with the 4th Army Band. After his discharge, Alaadeen spent time in Chicago, playing in a program led by pianist-composer Richard Abrams that was the beginning of the AACM (Association for the Advancement of Creative Musicians); other members included trumpeter Lester Bowie and bassist Malachi Favors. He picked up a lot of experience living and playing in such cities as New York, Chicago, Denver, Houston, San Antonio and St. Louis. In addition to McShann, he had opportunities to work in a countless number of settings including stints with Miles Davis, Billie Holiday, Ella Fitzgerald, the Count Basie Orchestra, The Glen Miller ghost band under the direction of Tex Beneke, Della Reese, Eddie “Cleanhead” Vinson, T-Bone Walker, Claude “Fiddler” Williams and with R&B stars, Rufus Thomas, Carla Thomas, Gladys Knight, Smokey Robinson, the Temptations, Four Tops and Sam Cooke.
After returning to Kansas City, Alaadeen not only played music locally but also became a very significant educator, teaching Jazz in both the school system and privately. “I always tell my students that playing Jazz is a hard life, that it is important to always study and be current, and that they should not be afraid to make mistakes.” His skills as a teacher were recognized when he was inducted into the R.T. Coles/Lincoln High School “Outstanding Alumni Hall Of Fame.” During 1990-91, he won songwriting competitions sponsored by Billboard for his songs Big Six, Wayne Himself and Blues For R.C. Along the way he recorded with Jay McShann, Crown Prince Waterford, the City Light Orchestra and countless others. He led the Deans of Swing in the 1990s, and the ensemble was picked in 1996 as Musician Magazine’s Best Unsigned Band.
To document his music, Alaadeen started the ‘ASR label. Each of his CDs, which include Blues For RC and Josephine Too, Time Through The Ages, New Africa Suite and And The Beauty Of It All, features him with some of Kansas City’s top young Jazz players. He also prepared many of his original compositions for performance by large Jazz ensemble through his publishing company, Fandeen Publishing Company, Inc. In 2009, Alaadeen authored The Rest of the Story: Jazz Improvization and History, a method manual in which he shares the secrets of how he learned the music as handed down to him by the masters.
Alaadeen was recognized in his community and state as a master of the distinctive sound known as Kansas City Jazz with his receipt of numerous awards including Kansas City's Jazz Heritage Award, the Missouri Humanities Council's Community Heritage Award, the Missouri Arts Award and Kansas City’s Lifetime Achievement Award. In 2000, Congresswoman Karen McCarthy recognized Alaadeen in the United States House of Representatives for the contributions he has made to his community's understanding of its heritage and in 2002, Missouri Governor Bob Holden honored Alaadeen at an official dinner at the Governor's Mansion in Jefferson City. In an effort to acknowledge Alaadeen for making a significant impact in the history, development and performance of Jazz, and to applaud Alaadeen for his outstanding achievements in the art form of Jazz, Alaadeen was issued a Proclamation from the Office of the Governor, State of Missouri. The American Jazz Museum honored him with a Lifetime Achievement Award in 2010. Cancer claimed Ahmad Alaadeen's life on August 15, 2010 at the age of 76.
Discography
and the beauty of it allAlaadeen
‘ASR Records
Kansas City (2007)
New Africa Suite
Alaadeen
‘ASR Records
Kansas City (2005)
With This Voice
Luqman Hamza
Alaadeen featured
Groove Note Records
Recorded in Lenexa, KS (2000)
Louis Neal Big Band
Alaadeen featured
Kansas City, MO (1999)
Taken By Surprise
Norman Hedman’s Tropique
Alaadeen featured
New York, NY (1999)
It’s A Wonderful World
Alaadeen with Jay McShann
Groove Note Records, Los Angeles, CA
Recorded in Lenexa, KS (1999)
Time Through The Ages
Alaadeen
‘ASR 2001 (1997)
Kansas City, MO
Alaadeen and The Deans of Swing Plays Blues For RC and Josephine, too
Alaadeen
‘ASR 1001 (1995)
Kansas City, MO
Live Jazz on the Plaza
Alaadeen
Fandeen Publishing Company (1990)
Kansas City, MO
Clear Sounds of Kansas City
Sprint (1989)
Kansas City, MO
Bright Lights - Big City
Alaadeen with the City Lights Jazz Ensemble
Accent Music (1988)
Kansas City, MO
Tain’t What Cha Do, It’s The Way How Cha Do IT
Alaadeen with the City Light Orchestra
City Light Records (1986)
Kansas City, MO
Raised Spirits
Alaadeen with the City Light Orchestra
City Light Records (1984)
Kansas City, MO
Come Back Baby
Federal 12266
Linda Hopkins
Kansas City, Feb. 9th 1956
78"
I'm Going To Cry You
Right Out Of My Mind
Federal 12266
Linda Hopkins
Kansas City,
Feb. 9th 1956
78"
Mama Needs
Your Loving Baby
Federal
12365
Linda Hopkins
Kansas City, Feb. 9th 1956
78"
Danny Boy
Federal 12365
Linda Hopkins
Kansas City, Feb. 9th 1956
78"
Eatin’ Watermelon
Alaadeen with Crown Prince Waterford and Jimmy Witherspoon (1950s)