Symphony No. 13 (Mozart)
Encyclopedia
Symphony No. 13 in F major, K. 112, by Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...

, was written in Milan during the autumn of 1771. The symphony is in four movements, the second of which is scored for strings alone. It is a work of originality and humour, using very limited instrumentation. The third movement minuet may have been written earlier, and then incorporated into the symphony—the autograph manuscript shows the minuet copied in Leopold's hand. Nicholas Kenyon describes Symphony No. 13 as the last in "conventional mode"—thereafter "we are in the beginnings of a different world."

Movements and instrumentation

The instrumentation was: strings
String section
The string section is the largest body of the standard orchestra and consists of bowed string instruments of the violin family.It normally comprises five sections: the first violins, the second violins, the violas, the cellos, and the double basses...

, 2 oboe
Oboe
The oboe is a double reed musical instrument of the woodwind family. In English, prior to 1770, the instrument was called "hautbois" , "hoboy", or "French hoboy". The spelling "oboe" was adopted into English ca...

s, 2 horns
Horn section
In music, a horn section can refer to several groups of musicians. It can refer to the musicians in a symphony orchestra who play the horn . In a British-style brass band it refers to the tenor horn players. In popular music, it can also refer to a small group of wind instrumentalists who augment a...

, bassoon
Bassoon
The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor registers, and occasionally higher. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band and chamber music literature...

, continuo
  1. Allegro, 3/4
  2. Andante, 2/4
  3. Menuetto
    Minuet
    A minuet, also spelled menuet, is a social dance of French origin for two people, usually in 3/4 time. The word was adapted from Italian minuetto and French menuet, and may have been from French menu meaning slender, small, referring to the very small steps, or from the early 17th-century popular...

     and Trio
    Ternary form
    Ternary form, sometimes called song form, is a three-part musical form, usually schematicized as A-B-A. The first and third parts are musically identical, or very nearly so, while the second part in some way provides a contrast with them...

    , 3/4
  4. Molto Allegro, 3/8

Performance details

Its probable first performance was at a concert given by Leopold and Wolfgang Mozart at the residence of Albert Michael von Mayr, on 22 or 23 November, 1771. This concert may also have seen the premiere of Mozart's 12th symphony
Symphony No. 12 (Mozart)
Symphony No. 12 in G major, K. 110/75b, by Wolfgang Amadeus Mozart, was composed in Salzburg in the summer of 1771. The symphony was apparently prepared in anticipation of Mozart's second Italian journey, which was to take place between August and December 1771. The symphony is in four movements,...

.

Sources

  • Dearling, Robert: The Music of Wolfgang Amadeus Mozart: The Symphonies Associated University Presses Ltd, London 1982 ISBN 0-8386-2335-2
  • Kenyon, Nicholas
    Nicholas Kenyon
    Sir Nicholas Roger Kenyon CBE is an English music administrator, editor and writer on music. He was responsible for the BBC Proms 1996-2007 following which he was appointed Managing Director of the Barbican Centre, Europe's largest multi-arts centre.-Education and career:After attending St Bede's...

    : The Pegasus Pocket Guide to Mozart Pegasus Books, New York 2006 ISBN 1-933648-23-6
  • Zaslaw, Neal
    Neal Zaslaw
    Neal Zaslaw is an American musicologist.Born in New York, Zaslaw graduated from Harvard in 1961 with a BA and obtained his master's from Juilliard in 1963. He played flute in the American Symphony Orchestra under Leopold Stokowski from 1962 to 1965. In 1970 he received his Ph.D from Columbia...

    :Mozart's Symphonies: Context, Performance Practice, Reception OUP, Oxford 1991 ISBN 0-19-816286-3
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