Regatta at Sainte-Adresse (Monet)
Encyclopedia
The Regatta at Sainte-Adresse is a painting by the impressionist
Impressionism
Impressionism was a 19th-century art movement that originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s...

 painter, Claude Monet
Claude Monet
Claude Monet was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. . Retrieved 6 January 2007...

.

This painting and "The Beach in Sainte-Adresse" (Art Institute of Chicago
Art Institute of Chicago
The School of the Art Institute of Chicago is one of America's largest accredited independent schools of art and design, located in the Loop in Chicago, Illinois. It is associated with the museum of the same name, and "The Art Institute of Chicago" or "Chicago Art Institute" often refers to either...

) were probably conceived as a pair. They are identical in size, and their viewing point differs by only a few yards.

Sainte-Adresse
Sainte-Adresse
Sainte-Adresse is a commune in the Seine-Maritime department in the Haute-Normandie region in northern France.-Geography:A coastal suburb situated some northwest of Le Havre city centre, at the junction of the D147 and the D940...

, the well-to-do suburb of Le Havre
Le Havre
Le Havre is a city in the Seine-Maritime department of the Haute-Normandie region in France. It is situated in north-western France, on the right bank of the mouth of the river Seine on the English Channel. Le Havre is the most populous commune in the Haute-Normandie region, although the total...

, was the home of Monet's father. Destitute, Monet spent the summer of 1867 with his father and aunt Sophie Lecadre at the cost of abandoning his companion, Camille Doncieux, and their newborn son, Jean. Monet attended the birth in Paris and returned to the coast a few days later.

The pair of paintings juxtaposes this sunny regatta watched at high tide by well dressed bourgeois, with an overcast scene at low tide, fishing boats hauled onto the beach peopled with sailors and workers. Since Monet never exhibited the paintings side by side, the contrast between them was probably not intended as a social manifesto but instead reflected differing conditions under which the same place could be painted.

Source

  • The Metropolitan Museum of Art
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