Prosper-Didier Deshayes
Encyclopedia
Prosper-Didier Deshayes was an opera
composer
and dancer who lived and worked in France
. In 1764 he was a balletmaster at the Comédie-Française
. By 1774 he had become an assistant (adjoint) at the Paris Opéra
. His first opera La faut serment, ou La matrone de Genoesse, a comédie mêlée d'ariettes
in two acts, was first performed on 31 December 1785 at the Théâtre des Beaujolais in Paris and became a popular success. He went on to have another 18 works performed at various venues in Paris, but only two, La faut serment and Zélie, ou Le mari à deux femmes, a 3-act drame first performed at the Salle Louvois on 29 October 1791, were ever published as musical scores. He also participated in the collaborative Revolutionary
opera Le congrès des rois
, a 3-act comédie mêlée d'ariettes, which combined music written by Deshayes and 11 other composers and was first performed by the Opéra-Comique
at the Salle Favart on 26 February 1794. He died in Paris.
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
and dancer who lived and worked in France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
. In 1764 he was a balletmaster at the Comédie-Française
Comédie-Française
The Comédie-Française or Théâtre-Français is one of the few state theaters in France. It is the only state theater to have its own troupe of actors. It is located in the 1st arrondissement of Paris....
. By 1774 he had become an assistant (adjoint) at the Paris Opéra
Paris Opera
The Paris Opera is the primary opera company of Paris, France. It was founded in 1669 by Louis XIV as the Académie d'Opéra and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and renamed the Académie Royale de Musique...
. His first opera La faut serment, ou La matrone de Genoesse, a comédie mêlée d'ariettes
Comédie mêlée d'ariettes
Comédie mêlée d'ariettes is a form of French opéra comique that developed in the mid 18th century following the Querelle des Bouffons dispute over the respective merits of the French and Italian styles, between serious drama and comedy in opera.The best-known ones are Christoph Willibald Gluck's...
in two acts, was first performed on 31 December 1785 at the Théâtre des Beaujolais in Paris and became a popular success. He went on to have another 18 works performed at various venues in Paris, but only two, La faut serment and Zélie, ou Le mari à deux femmes, a 3-act drame first performed at the Salle Louvois on 29 October 1791, were ever published as musical scores. He also participated in the collaborative Revolutionary
French Revolution
The French Revolution , sometimes distinguished as the 'Great French Revolution' , was a period of radical social and political upheaval in France and Europe. The absolute monarchy that had ruled France for centuries collapsed in three years...
opera Le congrès des rois
Le congrès des rois
Le congrès des rois was a 3-act French Revolutionary opera of the genre comédie mêlée d'ariettes with a libretto by De Maillot, a stage name used by Antoine-François Ève early in his career, and music by a collaborative of twelve composers...
, a 3-act comédie mêlée d'ariettes, which combined music written by Deshayes and 11 other composers and was first performed by the Opéra-Comique
Opéra-Comique
The Opéra-Comique is a Parisian opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne, and was also called the...
at the Salle Favart on 26 February 1794. He died in Paris.
Sources
- Sadie, Stanley, ed. (1992). The New Grove Dictionary of Opera (4 volumes). London: Macmillan. ISBN 9781561592289.
- Wild, Nicole; Charlton, David (2005). Théâtre de l'Opéra-Comique Paris: répertoire 1762-1972. Sprimont, Belgium: Editions Mardaga. ISBN 9782870098981.