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Hrafnkels saga is one of the Icelanders' sagas. It tells of struggles between chieftains and farmers in the east of Iceland in the 10th century. The eponymous main character, Hrafnkell, starts out his career as a fearsome duelist and a dedicated worshiper of the god Freyr.
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Quotations
Ek hygg þat hégóma at trúa á goð.
Translation: "I think it is folly to have faith in gods." - Hrafnkell Freysgoði
Mörgum mundi betr þykkja skjótr dauði en slíkar hrakningar, en mér mun fara sem mörgum öðrum, at lífit mun ek kjósa, ef kostr er. - Hrafnkell Freysgoði.
Translation: "Many would prefer a quick death to such misfortune but I will do as many others and choose life if it is an option."
Eigi mun ek flýja undan þeim mönnum, er ek hefi ekki til miska gört. - Eyvindr Bjarnason.
Translation: "I will not run away from men to whom I have done no harm."
Því verðr engi uppreist yðar ungra manna, at yðr vex allt í augu. - Þorbjörn.
Translation: "The reason you young men don't get anywhere is that everything seems like such a big deal to you."
Category:Literary works
Encyclopedia
Hrafnkels saga is one of the Icelanders' sagas. It tells of struggles between chieftains and farmers in the east of Iceland in the 10th century. The eponymous main character, Hrafnkell, starts out his career as a fearsome duelist and a dedicated worshiper of the god Freyr. After suffering defeat, humiliation, and the destruction of his temple, he becomes an atheist. His character changes and he becomes more peaceful in dealing with others. After gradually rebuilding his power base for several years, he achieves revenge against his enemies and lives out the rest of his life as a powerful and respected chieftain. The saga has been interpreted as the story of a man who arrives at the conclusion that the true basis of power does not lie in the favor of the gods but in the loyalty of one's subordinates.
The saga remains widely read today and is appreciated for its logical structure, plausibility, and vivid characters. For these reasons, it has served as a test case in the dispute on the origins of the Icelandic sagas.
Synopsis
We learn of the Norwegian man Hallfreðr who becomes one of the original settlers of Iceland, arriving on the east coast around the year 900 with his teenage son Hrafnkell, a promising young man. Hrafnkell has ambition and soon – with the permission of his father – establishes his own settlement. He selects an uninhabited valley for his farm and names it Aðalból (Noble home). The valley subsequently receives the name Hrafnkelsdalr (Hrafnkell's valley).
Hrafnkell also has a large temple erected and performs lavish sacrificial ceremonies. He dedicates the best of his livestock to his patron deity Freyr, including his favourite horse, Freyfaxi. He swears that he will kill anyone who rides Freyfaxi without permission. From his religious activities Hrafnkell comes to be known as Freysgoði (Freyr's goði).
Hrafnkell longs for power and soon establishes himself as a chieftain by bullying people in neighbouring valleys. He has a penchant for duels and never pays weregild for anyone he kills.
Now the saga introduces Einarr, a shepherd of Hrafnkell's. On one occasion Einarr needs to ride to perform his duties, but every horse he approaches runs away from him except Freyfaxi. He then takes Freyfaxi and rides him for the day. But after the horse has been ridden it runs home to Aðalból and starts neighing. On seeing his horse dirty and wet with sweat, Hrafnkell realises what has happened. He rides out with his axe and reluctantly kills Einarr to fulfil his oath.
Einarr's father, Þorbjörn, upset at the death of his son, goes to Hrafnkell to seek wergild. Hrafnkell tells him that he pays wergild for no man. He does, however, think that this killing was among the worst he has done and is prepared to make some amends. He makes a seemingly favourable offer to Þorbjörn of taking care of him for the rest of his days.
Þorbjörn, however, wants nothing short of a formal settlement as between equals. Upon Hrafnkell's rejection of this, Þorbjörn starts searching for ways to achieve satisfaction. The laws of the Icelandic Commonwealth guarantee every free man the same rights — but since no central executive power exists, a common man would have difficulty in prosecuting a chieftain. He would generally need the support of another chieftain, both for the complicated legal manoeuvring often necessary and, if successful at the assembly, for subsequently enforcing the verdict.
Þorbjörn tries to get the support of his brother Bjarni, but the latter doesn't want to become involved in a dispute with the powerful Hrafnkell. Þorbjörn then goes to Bjarni's son, Sámr. He, in turn, first advises Þorbjörn to accept Hrafnkell's offer but Þorbjörn remains adamant. Sámr has no desire to join the conflict, but after his uncle gets emotional he reluctantly agrees. Sámr formally accepts the case from Þorbjörn so that he effectively becomes the plaintiff.
Sámr starts preparing the case against Hrafnkell and summons him to the Alþing the next summer. Hrafnkell regards the attempt as laughable. When Sámr and Þorbjörn reach the assembly at Þingvellir they quickly discover that no major chieftain wants to aid them. The emotional Þorbjörn now wants to give up, but Sámr insists they must proceed one way or the other.
By a coincidence Sámr and Þorbjörn meet Þorkell, a young adventurer from Vestfirðir (West fjords). He sympathises with their cause and helps them achieve the support of his brother Þorgeirr, a powerful chieftain. With Þorgeirr's support Sámr competently prosecutes the case. The law finds Hrafnkell guilty, and he rides home to Aðalból. Sámr now has the right to kill Hrafnkell and confiscate his property. One early morning Sámr, supported by Þorgeirr and Þorkell, arrives at Aðalból, surprising and capturing Hrafnkell while he sleeps.
Sámr offers Hrafnkell two options: firstly execution on the spot; or secondly to live as Sámr's subordinate, stripped of his honour and most of his property. Hrafnkell chooses to live. Þorkell1 cautions Sámr that he will regret sparing Hrafnkell's life.
Sámr subsequently takes up residence at Aðalból and invites the locals for a feast. They agree to accept him as their new chieftain.
Hrafnkell builds himself a new home in another valley. His spirits and ambition remain unbroken, and after a few years of hard work he has again established himself as a respectable farmer.
Þorkell and Þorgeirr decide to "deliver Freyfaxi to his owner" and push him off a cliff. They also set fire to Hrafnkell's temple. Upon hearing this Hrafnkell remarks: I think it is folly to have faith in gods, and he never performs another sacrifice. His manner improves and he becomes much gentler with his subordinates. In this way he gains popularity and loyalty.2
After six years of peace Hrafnkell decides the time for revenge has come. He receives news that Sámr's brother, Eyvindr, is travelling close by with a few companions. He gathers his own men and goes to attack him. Sámr gets word of the battle and immediately rides out with a small force to aid his brother. They arrive too late.
The next morning Hrafnkell surprises Sámr when he is asleep and offers him a similar choice to the one he had received from him six years before, with no wergild paid for Eyvindr. Like Hrafnkell, Sámr also chooses to live. Hrafnkell then takes up residence at Aðalból, his old home, and resumes the duties of a chieftain.
Sámr rides west and again seeks the support of Þorkell and Þorgeirr, but they tell him he has only himself to blame for his misfortune. He should have killed Hrafnkell when he had the chance. They will not support Sámr in another struggle with Hrafnkell but offer him to move his residence to their region. He refuses and rides back home. Sámr lives as Hrafnkell's subordinate for the rest of his days, never achieving revenge.
Hrafnkell, on the other hand, lives as a respected leader until he meets a peaceful end. His sons become chieftains after his day.3
From writer to reader
Preservation
The author of Hrafnkels saga remains completely unidentified. The text does not name him; nor does any other extant source. He was, however, certainly an Icelander and probably lived near the area which serves as the setting for the saga's events.
The precise time of composition of the saga also remains unknown, but the late 13th century seems most likely. The oldest extant manuscript uses vellum from the first half of the 15th century, but unfortunately only one page remains. Paper copies made from the complete manuscript preserve the full text of the saga. The partially extant skin manuscript may well have copied the original composition directly. In any case the saga seems well preserved, with little rewriting and few accidental errors.
One class of paper manuscripts, C and C1 in the diagram, contains a slightly different version of the saga with several, mostly minor, additions. Most scholars have considered it as derived from the same vellum manuscript as the others with additions from the author of Fljótsdæla saga. Thus they believe the shorter text closer to the original, and have given scant attention to the extended version.
Publishing history
P. G. Thorsen and Konráð Gíslason gave the saga its first publication, in Copenhagen in 1839. Other important scholarly editions include those of J. Jakobsen in 1902–1903 and of Jón Jóhannesson in 1950.
The saga has seen many popular editions and translations into a number of languages. The popular edition published by Halldór Laxness in 1942 caused a stir as the first to use modern Icelandic spelling for a text in Old Icelandic. The edition's detractors rejected this approach as a perversion of the original text. Its supporters in response depicted the standardised Old Norse spelling as an artificial construct—no closer to the actual manuscripts than the modern spelling—and an unnecessary burden to the casual reader. The latter view won out and the sagas have since frequently appeared using modern spelling conventions.
Modern reception
Today Hrafnkels saga remains one of the most widely read sagas. Readers especially appreciate it for its cohesive and logical story line; along with its brevity, these qualities make it an ideal first read for newcomers to the sagas. It has served as a standard text in Icelandic high schools and as an introductory text for students of Old Norse. Sigurður Nordal called it "one of the most perfect short novels in world literature".
Origins
Precisely the attributes which make Hrafnkels saga so accessible have served to make it an attractive target for different theories on the origins of the Icelandic sagas. Identical elements sometimes serve to support widely different theories.
History
Some commentators have seen the sagas as largely historical accounts, preserved orally for hundreds of years until committed to writing by faithful scribes. Scholars in the 19th century especially espoused this view; it largely went out of fashion in academia by around 1940, although many amateurs still hold to it.
Many see Hrafnkels saga as a prime example of accurately preserved oral history. They find the saga inherently plausible in that its characters have logical motivations and the results of their actions are realistic. The text has little supernatural content. It is short enough and cohesive enough for its oral preservation to be entirely plausible. Indeed the average modern reader can probably retell the story accurately after two or three readings.
But the historical interpretation ran into several problems. When compared with other sources on the same period, notably Landnámabók, discrepancies spring up. As one example, Landnámabók tells us that Hrafnkell had a father named Hrafn, but the saga names him Hallfreðr. The saga's treatment of the laws of the time also shows inconsistencies with reliable sources.
Literature
The historical inconsistencies and other difficulties led Sigurður Nordal to write his groundbreaking book Hrafnkatla in 1940. He greatly expands upon previous criticism on the saga and draws on data from many areas to cast doubt on its historical veracity.
Aside from the conflicts with Landnámabók and the laws of the time, Sigurður argues that the saga treats geographical facts incorrectly. He claims that the valleys used as the ostensible settings for the events of the story would never have allowed for as great a population as the saga assumes. He also states that the cliff near Aðalból, the alleged site of the killing of Freyfaxi, simply does not exist.
Sigurður sees the saga's convincing narrative and characters as evidence that a single brilliant author composed it. According to Sigurður the author cared little for historical accuracy, and insofar as he may have used any written historical sources, he changed them according to his own whim to fit the plot of the novella he wanted to write.
Folklore
Another school of thought regarding the origin of the sagas, which came into prominence in the second half of the 20th century, emphasises the elements of folklore and the oral survival of legends for an extended period of time.
In some ways this marks a return to the old idea of oral preservation of the sagas, but the folklorists do not necessarily focus on historical accuracy. They apply modern research to determine which elements of a story seem likely to endure and which seem ephemeral. Theory suggests that core story lines of the sagas will preserve oral elements long-term, whereas one can expect details – such as the names of secondary characters – to change over the centuries.
The Icelandic scholar Óskar Halldórsson wrote a short book on Hrafnkels saga criticising Sigurður Nordal's previous work. According to Óskar such details as an incorrect name for Hrafnkell's father do not constitute valid evidence for the view of the saga as a 13th-century fiction. On the contrary, Óskar takes this as confirmation that the story of Hrafnkell survived independently in the east of Iceland, and changed in unimportant details, long after the composition of Landnámabók.
Óskar traces the story of Freyfaxi back to horse-worship among Indo-European peoples, and in his opinion such mythic or folkloric themes strengthen the case for the oral preservation of elements of Hrafnkels saga since heathen times.
Recent views
The controversy on Hrafnkels saga remains unsettled. In a 1988 book, Hermann Pálsson again completely dismisses the idea of an oral tradition and seeks the origins of the saga in mediaeval European ideas. In a departure from previous scholarship, Hermann based his research on the extended version of the saga.
Jón Hnefill Aðalsteinsson, in his 2000 book on the saga, emphasises its heathen religious elements. While acknowledging that a large part of the story line probably represents 13th-century fiction, Jón Hnefill finds evidence of an oral tradition in such aspects of the story as Hrafnkell's sacrifices and the behaviour of Freyfaxi.
Jónas Kristjánsson, in his 1988 work on the sagas, summed up the argument on Hrafnkels saga when he said that the great interest in it "has led to deeper consideration of other texts ... It has become a test-case, the classic example, in the discussion of relations between unsophisticated oral story-telling and learned well-read authors, between inherited pragmatic attitudes and imported Christian ethics."
Further reading
- Gordon, E.V. (1939). "On Hrafnkels Saga Freysgoða". In Medium Ævum, Vol. VIII No. 1.*
- Kratz, Henry (1981). Hrafnkels saga, thirteenth-century fiction? In Scandinavian studies, volume 53 (number 4, Autumn), pp. 420–446. ISSN 0036-5637*
English translations
- Coles, John (translator) (1882). "The Story of Hrafnkell, Frey's Priest" in Summer Travellings in Iceland pp. 230-49. London.
- Jones, Gwyn (translator) (1935). "Hrafnkel Freysgodi's Saga" in Four Icelandic Sagas pp. 37–61. New York.
- McGaillard, John C (translator) (1956). "Hrafnkel's saga" in World Masterpieces pp. 512-32. New York.
- Jones, Gwyn (translator) (1961). "Hrafnkel the Priest of Frey" in Eirik the Red and other Icelandic Sagas pp. 89–125. Oxford.
- Hermann Pálsson (translator) (1971). Hrafnkel's saga and other Icelandic stories. Penguin.
- Gunnell, Terry (translator) (1997). "The Saga of Hrafnkel Frey's Godi" in The Complete Sagas of Icelanders vol. V, pp. 261-81. Leifur Eiríksson Publishing.
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